The American Vade Mecum Or The Companion Of Youth And Guide To College

Challenging the popular conception of Southern youth on the eve of the Civil War as intellectually lazy, violent, and dissipated, Peter S. Carmichael looks closely at the lives of more than one hundred young white men from Virginia's last generation to grow up with the institution of slavery. He finds them deeply engaged in the political, economic, and cultural forces of their time. Age, he concludes, created special concerns for young men who spent their formative years in the 1850s. Before the Civil War, these young men thought long and hard about Virginia's place as a progressive slave society. They vigorously lobbied for disunion despite opposition from their elders, then served as officers in the Army of Northern Virginia as frontline negotiators with the nonslaveholding rank and file. After the war, however, they quickly shed their Confederate radicalism to pursue the political goals of home rule and New South economic development and reconciliation. Not until the turn of the century, when these men were nearing the ends of their lives, did the mythmaking and storytelling begin, and members of the last generation recast themselves once more as unreconstructed Rebels. By examining the lives of members of this generation on personal as well as generational and cultural levels, Carmichael sheds new light on the formation and reformation of Southern identity during the turbulent last half of the nineteenth century.

How did Americans imagine the Civil War before it happened? The most anticipated event of the nineteenth century appeared in novels, prophecies, dreams, diaries, speeches, and newspapers decades before the first shots at Fort Sumter. People forecasted a frontier filibuster, an economic clash between free and slave labor, a race war, a revolution, a war for liberation, and Armageddon. Reading their premonitions reveals how several factors, including race, religion, age, gender, region, and class, shaped what people thought about the future and how they imagined it. Some Americans pictured the future as an open, contested era that they progressed toward and molded with their thoughts and actions. Others saw the future as a closed, predetermined world that approached them and sealed their fate. When the war began, these opposing temporalities informed how Americans grasped and waged the conflict. In this creative history, Jason Phillips explains how the expectations of a host of characters-generals, politicians, radicals, citizens, and slaves-affected how people understood the unfolding drama and acted when the future became present. He reconsiders the war's origins without looking at sources using hindsight, that is, without considering what caused the cataclysm and whether it was inevitable. As a result, Phillips dispels a popular myth that all Americans thought the Civil War would be short and glorious at the outset, a ninety-day affair full of fun and adventure. Much more than rational power games played by elites, the war was shaped by uncertainties and emotions and darkened horizons that changed over time. Looming Civil War highlights how individuals approached an ominous future with feelings, thoughts, and perspectives different from our sensibilities and unconnected to our view of their world. Civil War Americans had their own prospects to ponder and forge as they discovered who they were and where life would lead them. The Civil War changed more than America's future; it transformed how Americans imagined the future and how Americans have thought about the future ever since.

A “well-reasoned and timely” (Booklist) essay collection interrogates the Lost Cause myth in Civil War historiography. Was the Confederacy doomed from the start in its struggle against the superior might of the Union? Did its forces fight heroically against all odds for the cause of states’ rights? In reality, these suggestions are an elaborate and intentional effort on the part of Southerners to rationalize the secession and the war itself. Unfortunately, skillful propagandists have been so successful in promoting this romanticized view that the Lost Cause has assumed a life of its own. Misrepresenting the war’s true origins and its actual course, the myth of the Lost Cause distorts our national memory. In The Myth of the Lost Cause and Civil War History, nine historians describe and analyze the Lost Cause, identifying ways in which it falsifies history—creating a volume that makes a significant contribution to Civil War historiography. “The Lost Cause . . . is a tangible and influential phenomenon in American culture and this book provides an excellent source for anyone seeking to explore its various dimensions.” —Southern Historian

For generations of Virginians and visitors the landscape of the Old Dominion has represented something unique and symbolic. In conjunction with a landmark exhibition at the Virginia Historical Society, this beautifully produced volume brings together more than 250 paintings, drawings, prints, and photographs depicting the rich and varied history of the state through the eyes of the artists who have painted and photographed it.