The Anarchy Of Black Religion

In The Anarchy of Black Religion, J. Kameron Carter examines the deeper philosophical, theological, and religious history that animates our times to advance a new approach to understanding religion. Drawing on the black radical tradition and black feminism, Carter explores the modern invention of religion as central to settler colonial racial technologies wherein antiblackness is a founding and guiding religious principle of the modern world. He therefore sets black religion apart from modern religion, even as it tries to include and enclose it. Carter calls this approach the black study of religion. Black religion emerges not as doctrinal, confessional, or denominational but as a set of poetic and artistic strategies for improvisatory living and gathering. Potentiating non-exclusionary belonging, black religion is anarchic, mystical, and experimental: it reveals alternative relationalities and visions of matter that can counter capitalism’s extractive, individualistic, and imperialist ideology. By enacting a black study of religion, Carter elucidates the violence of religion as the violence of modern life while also opening an alternate praxis of the sacred.

Since its first publication 25 years ago Black Religion and Black Radicalism has established itself as the classic treatment of African American religious history. Wilmore shows to what extent the history of African Americans can be told in terms of religion, and to what extent this religious history has been inseparably bound to the struggle for freedom and justice. From the story of the slave rebellions and emancipation, to the rise of Black nationalism and the freedom struggles of recent times, up through the development of Black, womanist, and Afrocentric theologies, Wilmore offers an essential interpretation of African American religious history.

Wilmore's book is a standard, and fairly thorough, introduction to the connection between African American religiosity (writ large) and African American societal protest. Tracing the connection from African religion (Judaism, Christianity, Islam, and traditional religions) through slavery and supposed freedom to the present day, Wilmore presents a sweeping argument that throughout history African Americans have used their religious understandings to strengthen their resistance to oppressive realities.

Religion has always been a focal element in the long and tortured history of American ideas about race. In The Burden of Black Religion, Curtis Evans traces ideas about African American religion from the antebellum period to the middle of the twentieth century. Central to the story, he argues, was the deep-rooted notion that blacks were somehow "naturally" religious. At first, this assumed natural impulse toward religion served as a signal trait of black people's humanity -- potentially their unique contribution to American culture. Abolitionists seized on this point, linking black religion to the black capacity for freedom. Soon, however, these first halting steps toward a multiracial democracy were reversed. As Americans began to value reason, rationality, and science over religious piety, the idea of an innate black religiosity was used to justify preserving the inequalities of the status quo. Later, social scientists -- both black and white -- sought to reverse the damage caused by these racist ideas and in the process proved that blacks were in fact fully capable of incorporation into white American culture. This important work reveals how interpretations of black religion played a crucial role in shaping broader views of African Americans and had real consequences in their lives. In the process, Evans offers an intellectual and cultural history of race in a crucial period of American history.

In Political Theology on Edge, the discourse of political theology is seen as situated on an edge—that is, on the edge of a world that is grappling with global warming, a brutal form of neoliberal capitalism, protests against racism and police brutality, and the COVID-19 pandemic. This edge is also a form of eschatology that forces us to imagine new ways of being religious and political in our cohabitation of a fragile and shared planet. Each of the essays in this volume attends to how climate change and our ecological crises intersect and interact with more traditional themes of political theology. While the tradition of political theology is often associated with philosophical responses to the work of Carl Schmitt—and the critical attempts to disengage religion from his rightwing politics—the contributors to this volume are informed by Schmitt but not limited to his perspectives. They engage and transform political theology from the standpoint of climate change, the politics of race, and non-Christian political theologies including Islam and Sikhism. Important themes include the Anthropocene, ecology, capitalism, sovereignty, Black Lives Matter, affect theory, continental philosophy, destruction, and suicide. This book features world renowned scholars and emerging voices that together open up the tradition of political theology to new ideas and new ways of thinking. Contributors: Gil Anidjar, Balbinder Singh Bhogal, J. Kameron Carter, William E. Connolly, Kelly Brown Douglas, Seth Gaiters, Lisa Gasson-Gardner, Winfred Goodwin, Lawrence Hillis, Mehmet Karabela, Michael Northcott, Austin Roberts, Noëlle Vahanian, Larry L. Welborn

A great deal of attention has been given to the sociopolitical and theological importance of Black Religion. However, of less academic concern up to this point is the aesthetic qualities that define much of what is said and done within the context of Black Religion. Recognizing the centrality of the black body for black religious thought and life, this book proposes a conversation concerning various dimensions of the aesthetic considerations and qualities of Black Religion as found in various parts of the world, including the the Americas, the Caribbean, Africa, and Europe. In this respect, Black Religion is simply meant to connote the religious orientations and arrangements of people of African descent across the globe.

Given the unique history of African Americans and their diverse religious flowering in Black Christianity, the Nation of Islam, voodoo, and others, what is the heart and soul of African American religious life? As a leader in both Black religious studies and theology, Anthony Pinn has probed the dynamism and variety of African American religious expressions. In this work, based on the Edward Cadbury Lectures at the University of Birmingham, England, he searches out the basic structure of Black religion, tracing the Black religious spirit in its many historical manifestations. Pinn finds in the terrors of enslavement of Black bodies and subsequent oppressions the primal experience to which the Black religious impulse provides a perennial and cumulative response. Oppressions entailed the denial of personhood and creation of an object: the negro. Slave auctions, punishments, and, later, lynchings created an existential dread but also evoked a quest, a search, for complex subjectivity or authentic personhood that still fuels Black religion today. In this 20th anniversary edition of Pinn's groundbreaking work, the author offers a new reflection on the argument in retrospect and invites a panel of five contemporary scholars to examine what it means for current and future scholarship. Contributors include Keri Day, Sylvester Johnson, Anthony G. Reddie, Calvin Warren, and Carol Wayne White.

"Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--