The Angel And The Cholent

A collection of food-focused folktales from the Israel Folktale Archives.

An unflinching narrative of family history in Hungary's Jewish community and the nation's deep complicity in the Holocaust "Gábor Schein is that rarest of elegists, endowed equally with a respect for history and an ecstasy of imagination."--Joshua Cohen, Pulitzer Prize-winning author of The Netanyahus Born in 1723 in a small German town, Johann Klarfeld is thirteen when his father dies. He is taken in by a kind Italian painter to live with him and his daughter in The Hague. But the daughter, beautiful and blind, has a secret. Two centuries later, Berta Jósza is born during World War II in a village in northern Hungary. The daughter of a police officer, Berta watches chaos unfold through her father's eyes, from the plundering of the possessions of murdered Jews to the carnage of the 1956 Revolution. When she happens upon an enigmatic autobiography in a secondhand bookshop, she can't shake the sense that she somehow knows the author. Lyrical and haunting, this is an unforgettable story about the spirit of history and the individual fates that make up the whole--the entwinements of the past and their unshakable hold on the present.

This book presents a broad array of global case studies exploring the interaction between religion and the conservation of nature, from the viewpoints of the religious practitioners themselves. With conservation and religion often being championed as allies in the quest for a sustainable world where humans and nature flourish, this book provides a much-needed compendium of detailed examples where religion and conservation science have been brought together. Case studies cover a variety of religions, faiths and practices, including traditional, Indigenous, Buddhism, Christianity, Hinduism, Islam, Jainism, Judaism, Shinto and Zoroastrianism. Importantly, this volume gives voice to the religious practitioners and adherents themselves. Beyond an exercise in anthropology, ethnobiology and comparative religion, the book is an applied work, seeking the answer to how in a world of nearly eight billion people, we might help our own species to prevent the extinction of life. This book will be of great interest to students and scholars of nature conservation, environment and religion, cultural geography and ethnobiology, as well as practitioners and professionals working in conservation.

This tender and moving memoir by the great Yiddish writer Chaim Grade takes us to the very source of his widely praised novels and poems—the city of Vilna, the "Jerusalem of Lithuania," during the years before World War II. Centered on the figure of Grade's mother, Vella—simple, pious, hard-working—this is a richly detailed account of the ghetto of his youth, of the lives of the rabbis, the wives, the tradesmen, the peddlers, and the scholars. We see Vella, desperate after losing her husband, become a fruit-peddler, struggling to survive poverty and to remain true to her faith in the face of human pettiness and cruelty. We follow Grade as he walks in the footsteps of his scholar father, a champion of enlightenment; we see him entering marriage, and his mother finding some peace of mind in a marriage of her own—all of this in a world recalled with extraordinary physical and emotional intensity. Then, World War II. The partition of Poland between the Soviet Union and Germany is followed by the new German invasion of June 1941. Grade—believing, as do so many others, that the Nazis pose a danger chiefly to able-bodied men like himself—flees into Russia. In his travels on foot and by train he meets a fascinating, kaleidoscopic array of characters: the disillusioned Communist Lev Kogan; the durachok, or simpleton, a young prisoner who, mistaken for a German spy, is shot when he jumps from a train; the once-prosperous lawyer, Orenstein, who virtually becomes a beggar, dies and is buried by strangers in a remote Central Asian village. With the war's end, Grade returns to Vilna—to find the ghetto in ruins, to learn that his wife and his mother have gone to their deaths—and he is left with nothing but memories. But it is here, amid the devastation of a people, that he finds the compulsion and the passion to commit to paper the world that has been lost.

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At first glance, Theodor W. Adorno’s critical social theory and Gershom Scholem’s scholarship of Jewish mysticism could not seem farther removed from one another. To begin with, they also harbored a mutual hostility. But their first conversations in 1938 New York were the impetus for a profound intellectual friendship that lasted thirty years and produced more than 220 letters. These letters discuss the broadest range of topics in philosophy, religion, history, politics, literature, and the arts – as well as the life and the work of Adorno and Scholem’s mutual friend Walter Benjamin. Unfolding with the dramatic tension of a historic novel, the correspondence tells the story of these two intellectuals who faced tragedy, destruction, and loss, but also participated in the efforts to reestablish a just and dignified society after World War II. Scholem immigrated to Palestine before the war and developed his pioneering scholarship of Jewish mysticism before and during the problematic establishment of a Jewish state. Adorno escaped Germany to England, and then to America, returning to Germany in 1949 to participate in the efforts to rebuild and democratize German society. Despite the differences in the lifepaths and worldviews of Adorno and Scholem, their letters are evidence of mutual concern for intellectual truth and hope for a more just society in the wake of historical disaster. The letters reveal for the first time the close philosophical proximity between Adorno’s critical theory and Scholem’s scholarship of mysticism and messianism. Their correspondence touches on questions of reason and myth, progress and regression, heresy and authority, and the social dimensions of redemption. Above all, their dialogue sheds light on the power of critical, materialistic analysis of history to bring about social change and prevent repetition of the disasters of the past.

Zionism, the German Empire, and Africa explores the impact on the self-perception and culture of early Zionism of contemporary constructions of racial difference and of the experience of colonialism in imperial Germany. More specifically, interrogating in a comparative analysis material ranging from mainstream satirical magazines and cartoons to literary, aesthetic, and journalistic texts, advertisements, postcards and photographs, monuments and campaign medals, ethnographic exhibitions and publications, popular entertainment, political speeches, and parliamentary reports, the book situates the short-lived but influential Zionist satirical magazine Schlemiel (1903–07) in an extensive network of nodal clusters of varying and shifting significance and with differently developed strains of cohesion or juncture that roughly encompasses the three decades from 1890 to 1920.