The Angel Of Grozny

* A new book from the author of the international bestseller THE BOOKSELLER OF KABUL.

In the early hours of New Year’s Eve 1994, Russian troops invaded Chechnya, plunging the country into a prolonged and bloody conflict. A foreign correspondent in Moscow at the time, Åsne Seierstad traveled regularly to Chechnya to report on the war, describing its effects on those trying to live their daily lives amidst violence. Over the course of a decade, she traveled in secret and under the constant threat of danger.In a broken and devastated society, Seierstad lived amongst the wounded and the lost. And she lived with the orphans of Grozny, those who will shape the country’s future, asking the question: what happens to children who grow up surrounded by war and accustomed to violence?

In the early hours of New Year's Eve 1994, Russian troops invaded Chechnya, plunging the country into a prolonged and bloody conflict. A foreign correspondent in Moscow at the time, Åsne Seierstad traveled regularly to Chechnya to report on the war, describing its effects on those trying to live their daily lives amidst violence. Over the course of a decade, she traveled in secret and under the constant threat of danger. In a broken and devastated society, Seierstad lived amongst the wounded and the lost. And she lived with the orphans of Grozny, those who will shape the country's future, asking the question: what happens to children who grow up surrounded by war and accustomed to violence?

In this comprehensive portrait of the women of Chechnya in modern war, Paul Murphy challenges conventional thinking on why they fight and are willing to kill themselves in the name of Allah. His book covers the two wars with Russia in 1994 and 1999 and the present conflict with Islamic Jihadists. It argues that these wars forced Chechen women to venture far beyond their traditional roles and advance their human rights but that the current movement championing traditional Islam is taking those rights away. Drawing on personal interviews, insider resources, and other materials, Murphy presents powerful portrayals of women who fight in the Chechen Jihad, including snipers, suicide bombers and the mysterious “Black Widows,” as well as women who collect intelligence, hide arms, and perform other non-combatant roles.

Memoirs, autobiographies, and diaries represent the most personal and most intimate of genres, as well as one of the most abundant and popular. Gain new understanding and better serve your readers with this detailed genre guide to nearly 700 titles that also includes notes on more than 2,800 read-alike and other related titles. The popularity of this body of literature has grown in recent years, and it has also diversified in terms of the types of stories being told—and persons telling them. In the past, readers' advisors have depended on access by names or Dewey classifications and subjects to help readers find autobiographies they will enjoy. This guide offers an alternative, organizing the literature according to popular genres, subgenres, and themes that reflect common reading interests. Describing titles that range from travel and adventure classics and celebrity autobiographies to foodie memoirs and environmental reads, Life Stories: A Guide to Reading Interests in Memoirs, Autobiographies, and Diaries presents a unique overview of the genre that specifically addresses the needs of readers' advisors and others who work with readers in finding books.

One of The New York Times Book Review's Ten Best Books of 2015 and a New York Times bestseller, and now the basis for the Netflix film 22 July, from acclaimed filmmaker Paul Greengrass Widely acclaimed as a masterpiece, Åsne Seierstad’s One of Us is essential reading for a time when mass killings are so grimly frequent. On July 22, 2011, Anders Behring Breivik detonated a bomb outside the Norwegian prime minister's office in central Oslo, killing eight people. He then proceeded to a youth camp on the wooded island of Utøya, where he killed sixty-nine more, most of them teenage members of the country's governing Labour Party. In One of Us, the journalist Åsne Seierstad tells the story of this terrible day and its reverberations. How did Breivik, a gifted child from an affluent neighborhood in Oslo, become Europe's most reviled terrorist? How did he accomplish an astonishing one-man murder spree? And how did a famously peaceful and prosperous country cope with the slaughter of so many of its young? As in her international bestseller The Bookseller of Kabul, Seierstad excels at the vivid portraiture of lives under stress. She delves deep into Breivik's childhood, showing how a hip-hop and graffiti aficionado became a right-wing activist, a successful entrepreneur, and then an Internet game addict and self-styled master warrior who believed he could save Europe from the threat of Islam and multiculturalism. She writes with equal intimacy about Breivik's victims, tracing their political awakenings, teenage flirtations and hopes, and ill-fated journeys to the island. By the time Seierstad reaches Utøya and relates what happened there, we know both the killer and those he will kill. In the book's final act, Seierstad describes Breivik's tumultuous public trial. As Breivik took the stand and articulated his ideas, an entire country debated whether he should be deemed insane, and asked why a devastating sequence of police errors allowed one man to do so much harm. One of Us is at once a psychological study of violent extremism, a dramatic true crime procedural, and a compassionate inquiry into how a privileged society copes with homegrown evil. Lauded in Scandinavia for its literary merit and moral poise, One of Us is the true story of one of our age's most tragic events.

NATIONAL BESTSELLER • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE'S JOHN LEONARD AWARD • LONGLISTED FOR THE NATIONAL BOOK AWARD NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • San Francisco Chronicle • New York • Chicago Tribune • Kansas City Star • GQ • NPR • Christian Science Monitor • Cleveland Plain Dealer In a small rural village in Chechnya, eight-year-old Havaa watches from the woods as Russian soldiers abduct her father in the middle of the night and then set fire to her home. When their lifelong neighbor Akhmed finds Havaa hiding in the forest with a strange blue suitcase, he makes a decision that will forever change their lives. He will seek refuge at the abandoned hospital where the sole remaining doctor, Sonja Rabina, treats the wounded. For Sonja, the arrival of Akhmed and Havaa is an unwelcome surprise. Weary and overburdened, she has no desire to take on additional risk and responsibility. But over the course of five extraordinary days, Sonja’s world will shift on its axis and reveal the intricate pattern of connections that weaves together the pasts of these three unlikely companions and unexpectedly decides their fate. A story of the transcendent power of love in wartime, A Constellation of Vital Phenomena is a work of sweeping breadth, profound compassion, and lasting significance. Now with Extra Libris material, including a reader’s guide and bonus content from the author. Praise for A Constellation of Vital Phenomena “Here, in fresh, graceful prose, is a profound story that dares to be as tender as it is ghastly, a story about desperate lives in a remote land that will quickly seem impossibly close and important. . . . I haven’t been so overwhelmed by a novel in years. At the risk of raising your expectations too high, I have to say you simply must read this book.”—Ron Charles, Washington Post “Extraordinary . . . a 21st century War and Peace . . . Marra seems to derive his astral calm in the face of catastrophe directly from Tolstoy.”—Madison Smartt Bell, New York Times Book Review “Ambitious and intellectually restless . . . [Marra is] a lover not a fighter, a prose writer who resembles the Joseph Heller of Catch-22 and the Jonathan Safran Foer of Everything Is Illuminated.”—Dwight Garner, New York Times

Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars.