The Architectural History Of Venice

Overzicht van de Venetiaanse architectuur, vanaf de stichting in de Romeinse tijd tot nu.

From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future.

The history of Venetian architecture is no less remarkable than the history of that city itself, and Ennio Concina's comprehensive survey draws on extensive original research on the city's cultural history to offer fresh insights and an energetic approach to the architecture. Beginning with the traces of classical activity found in the territory which became ducal Venice, to its establishment as an urba magna in the Byzantine age, and the architectural glories of the Renaissance and Baroque city, Concina discusses the influence of Venice's extraordinary position in history and geography on the architectural styles to be found there. He overturns many long established theories on the development of the lagoon city, and discusses the work of many of history's most famous architects - Sansovino, Sanmicheli, Palladio, Longhena - bringing the story up to date with his examination of the twentieth-century's attempts to expand the economy, and preserve the city's heritage. This lavishly produced title is a co-edition with Electa Books, Italy.

An architectural guide to the Italian city of Venice. Includes walking tours which encompass the city's most admired architectural sites, as well as lesser-known places. There is an introductory chapter exploring the city's architectural history, urban design and building materials and techniques.

The floating city of Venice has enchanted visitors for centuries with its maze of scenic canals. For this pioneering book, Daniel Savoy set out by boat to explore the built environment of these waterways, gaining new insights into the architectural history of this major early modern Italian center. By viewing the architecture and experience of the canals in relation to the production of Venetian civic mythology, the author found that the waterways of Venice and its lagoon were integral areas of the city's pre-modern urban space, and that their flanking buildings were constructed in an intimate dialogue with the water's visual, spatial, and metaphorical properties. Enhancing the natural wonder of their aquatic setting, the builders of Venice used illusory aesthetic and scenographic practices to create waterfront buildings that appear to float, blend into the water, and glide into view around bends in the canals--transporting visitors into a seemingly otherworldly realm. This book's striking photographs of Venice, as seen from its waterways, will likewise transport readers with breathtaking views of this captivating city.

This book brings to life the story of the construction of some of the most outstanding early Renaissance buildings in Venice. Through a series of individual case studies, Richard J. Goy explores how and why great buildings came to be built. He addresses the practical issues of constructing such buildings as the Torre dell’Orologio in Piazza San Marco, the Arsenale Gate, and the churches of Santa Maria della Carita and San Zaccaria, focusing particular attention on the process of patronage. The book is the first to trace the complete process of creating important buildings, from the earliest conception in the minds of the patrons--the Venetian state or other institutional patrons--through the choice of architect, the employment of craftsmen, and the selection of materials. In an interesting analysis of the participants’ roles, Goy highlights the emerging importance of the superintending master, the protomaestro.

A guide to Venetian architecture that covers all the major architects of the period 1460-1525, with special attention to the work of Pietro Lombardo and Mauro Codussi.

This title combines historical research into the architectural and liturgical traditions of 12 Venetian churches with the results of a parallel series of scientific surveys of the acoustic properties of the chosen buildings.