The Architecture Of Ramses Wissa Wassef

The pioneering Egyptian architect and teacher Ramses Wissa Wassef (1911-74) is best known for his founding in 1951 of the Ramses Wissa Wassef Art Centre in Harraniya, a small village in Greater Cairo. Less well known are Wissa Wassef's prolific architectural output and his efforts and influence beyond the confines of the Harraniya center to promote artistic expression among Egyptian youth. This generously illustrated volume is the first comprehensive survey of Wissa Wassef's architectural works, both extant and non-extant, shedding light on his legacy and significant engagement with vernacular and contemporary Egyptian architecture.

This book evolved out of the examination of the works of selected Egyptian architects, whose architectural views and approaches have had an outstanding influence on the development of Egypt’s twentieth century architecture. It contains an analysis of their architectural background and education, and the influences that shaped their thoughts, architectural views, identities and passion for ideal forms. It also examines the influences of modern architectural movements as well as traditional architecture and cultural identity on their work within the context of Egypt’s cultural and intellectual history.

The Egyptian architect and master builder, Hassan Fathy (1900-1989) was one of the first architects to found a new approach based on a conception of interpreting forms and masses from the past. He was unique in believing that this language could exist alongside that of an aggressively modern one that cut all ties with the past. In addition to Fathy’s tireless efforts to establish his traditional approach, he struggled to improve the housing and living environments of the poor, especially in the Third World. Fathy’s efforts were acknowledged by several awards, including the Chairman’s Prize, Aga Khan Awards for Architecture (1980), the Right Livelihood Award (1980) and the first Gold Medal of the International Union of Architects (1984).

This book discusses architectural excellence in Islamic societies drawing on textual and visual materials, from the Aga Khan Documentation Center at MIT, developed over more than three decades. At the core of the discussion are the efforts, processes, and outcomes of the Aga Khan Award for Architecture (AKAA). The AKAA recognises excellence in architectural and urban interventions within cities and settlements in the Islamic world which are continuously challenged by dramatic changes in economies, societies, political systems, decision-making, and environmental requirements. Architectural Excellence in Islamic Societies responds to the recurring question about the need for architectural awards, arguing that they are critical to validating the achievements of professional architects while making their contributions more widely acknowledged by the public. Through analysis and critique of over sixty awarded and shortlisted projects from over thirty-five countries, this book provides an expansive look at the history of the AKAA through a series of narratives on the enduring values of architecture, architectural and urban conservation, built environment sustainability, and architectural pluralism and multiple modernities. Architectural Excellence in Islamic Societies will appeal to professionals and academics, researchers, and upper-level students in architectural history and theory and built environment related fields.

Architecture in Continuity celebrates recent projects throughout the Islamic world that most successfully preserve indigenous forms while providing for the future. It honors the insight, imagination, and skill that brought these projects into physical reality. The Aga Khan Awards Foundation's attention to the extraordinary effort required to develop an architecture both practical and spiritual is dramatically reflected in this volume ... The eleven projects-- found in nine countries from Mali to Pakistan, from Yugoslavia to Malaysia-- range from hotels to mosques, from housing to an impressive air terminal for pilgrims to Mecca ... The introduction and three essays, by distinguished architects and architectural historians, explore the projects in terms of the pressures confronting emerging Muslim countries, the influence of the Western postindustrial world and traditional Muslim forms and values.

Experiences of the struggle for housing, ignited by the lack of social and affordable housing, have led to the establishing of shared and self-managed housing areas. In such a context, it becomes crucially important to re-think the need to define common urban worlds “from below". Here, Penny Travlou and Stavros Stavridis trace contemporary practices of urban commoning through which people re-define housing economies. Connecting to a rich literature on the importance of commons and of practices of commoning for the creation of emancipated societies, the authors discuss whether housing struggles and co-habitation experiences may contribute in crucial ways to the development of a commoning culture. The authors explore a variety of urban contexts through global case studies from across the Global North and South, in search of concrete examples that illustrate the potentialities of urban commoning.

The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.

Architecture for the Poor describes Hassan Fathy's plan for building the village of New Gourna, near Luxor, Egypt, without the use of more modern and expensive materials such as steel and concrete. Using mud bricks, the native technique that Fathy learned in Nubia, and such traditional Egyptian architectural designs as enclosed courtyards and vaulted roofing, Fathy worked with the villagers to tailor his designs to their needs. He taught them how to work with the bricks, supervised the erection of the buildings, and encouraged the revival of such ancient crafts as claustra (lattice designs in the mudwork) to adorn the buildings.