The Art Of Astonishment

Carefully worked out descriptions of another 120 flourishes, sleights, tricks, and manipulations. Forces, passes, glides, color changes, top and bottom changes, double lifts, false cuts, and more. Author describes effect to be produced and explains steps involved with clear text and drawings.

Contains more than a hundred card tricks and routines using Tamariz's memorized deck "Mnemonica"

All societies are shaped by arts, media, and other persuasive practices that can awe, captivate, enchant or otherwise seem to cast a spell on the audience. Likewise, scholarship itself often is driven by a sense of wonder and a willingness to be open to what lies beyond the obvious. This book broadens and deepens this perspective. Inspired by Stephen Tyler’s view of ethnography as an art of evocation, international scholars from the fields of aesthetics, anthropology, and rhetoric explore the spellbinding power of elusive meanings as people experience them in daily life and while gazing at works of art, watching films or studying other cultures. The book is divided into three parts covering the evocative power of visual art, the immersion in ritual and performance, and the reading, writing, and interpretation of texts. Taken as a whole, the contributions to the book demonstrate how astonishment and evocation deserve an important place in the conceptual repertoire of the human sciences.

Charts the history of a Spiritual Baptist community from the passing of the Prohibition Ordinance in 1917 until the lifting of the ban in 1951.

First Place Winner in Non-Fiction from the 2023 Next Generation Indie Book Awards Part literary history, part personal memoir, Alice Brittan's beautifully written The Art of Astonishment explores the rich intellectual, religious, and philosophical history of the gift and tells the interconnected story of grace: where it comes from and what it is believed to accomplish. Covering a remarkable range of materials-from The Epic of Gilgamesh, The Iliad, and the tragedies of Classical Greece, through the brothers Grimm and Montaigne, to C. S. Lewis, Toni Morrison, J. M. Coetzee, Elena Ferrante, Karl Ove Knausgaard, and Jhumpa Lahiri-Brittan moves with ease from personal story to myth, to theology, to literature and analysis, examining the nature of social and communal obligation, the role of the intellectual in times of crisis, and the pleasures of reading. In the 21st century, we might imagine grace as a striking and refined quality that is pleasurable to encounter but certainly not fundamental to anyone's existence or to the beliefs and practices that hold us together or drive us apart. For millennia, though, it has been recognized as essential to the vitality of inner life, as well as to the large-scale shifts in perspective and legislation that improve the way we live as a society. Grace is also astonishing-always-as the enormously insightful readings in The Art of Astonishment show. Brittan reveals the concept's breadth as sacred and secular, ancient and recent, lived and literary. And in so doing, she shows us how the act of reading is like grace-social but personal, pleasurable and essential.

A collection of inspiring essays by the photographer Robert Adams, who advocates the meaningfulness of art in a disillusioned society In Art Can Help, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that "encourages us to gratitude and engagement, and is of both personal and civic consequence." Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest of this compilation contains texts--more than half of which have never before been published--that contemplate one or two works by an individual artist. The pictures discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays summon the words of literary figures, including Virginia Woolf and Czeslaw Milosz. Adams's voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair.

"Bringing together the minkisi tradition of the Kongo peoples of Central Africa and the art of Renée Stout, "Atonishment & Power" explores a complex African visual tradition and its resonance in the work of a contemporary African-American woman artist. Minkisi, as described by Wyatt MacGaffey, are figures or operative complexes made from natural and man-made materials are intended as containers for powerful medicines. Often visually impressive, minkisi are invoked to accomplish various purposes, both to heal and to harm. In discussing minkisi, MacGaffey includes numerous early-20th-century commentaries written by young Kongo men. As Michael Harris reveals, the art of Renée Stout incorporates the forms and conceptual qualities of Kongo minkisi. The inspiration for her work derives from her personal memories and her deep interest in minkisi and African beliefs. Like minkisi, Stout's work sits at a crossroads--of the sacred and the secular, the West and Africa. Both the Kongo people and Renée Stout are masters at creating works of astonishment and power, invocation and art."--Back cover.