The Art Of Piano Pedaling

Rubinstein's pedaling technique is explored using examples from a vast repertoire of works he performed in 1885-6. Carreño's observations explore her sensitivity made possible through combinations of touch and pedal.

Rubinstein is considered Liszt's only possible rival on the concert stage while Carrentilde;o is the foremost woman pianist of the late 19th century. Together, they discuss "the soul of the piano": the art of piano pedaling. Rubinstein's technique is explored through works he performed in 1885-6. Carrentilde;o's observations explore her sensitivity made possible through combinations of touch and pedal.

Written by a renowned musician who served as a mentor to Leonard Bernstein, this classic guide explains pedaling's most important uses and assists in the development of instincts for musical and artistic pedaling.

" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.

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David Rowland traces the history of piano pedaling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedaling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano. The book also includes an appendix of translated extracts from three well-known piano-pedaling tutors.

Written at the height of his career, this little book by the "inward poet of the piano" is a clear statement of principles based on his lifelong experience in performance and teaching.