The Arts Of The Grid

This is the first accessible collection of interdisciplinary scholarship that expands on gridded modalities, with a strong affinity to the arts. It strives to inspire new avenues of research by exploring a new horizon of gridded relationships among humans, between humans and the environment, and between human and non-human actors. By bringing together philosophical and more applicable themes, it illustrates how a multifaceted genealogy of the "grid" can operate as an exercise in grasping its inherent complexity and incomplete quality. Built as a collective effort made by a group of researchers, practitioners and designers, it promotes an understanding of gridded modalities as complex networks that interact with other networks, generating new meanings that reflect a change of thought.

This is the first collection of interdisciplinary scholarship to expand on gridded modalities, with a strong affinity to the arts. It seeks to inspire new avenues of research by exploring a horizon of gridded relationships among humans, between humans and the environment, and between human and non-human actors. By bringing together philosophical themes and applied practices, the volume traces a genealogy of the "grid" as an exercise in grasping its inherent complexity and incomplete quality. A collective effort by a group of researchers, practitioners, and designers, it promotes an understanding of gridded modalities as complex networks that interact with other networks, generating new meanings and reflecting changes in thought.

A vibrant guide to the artistic, cultural, and social faces of the new media.

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Calling all colorists: Whether you are a beginner to adult coloring books or you already have well-honed skills, you have never seen a coloring book like this! Both artistic kids (age 8 and older) and adults who appreciate coloring well-designed artwork love these amazing designs .Hidden in geometric grid patterns are twenty-two marvelous animal portraits, ready for you to color! Relax and feel the stress melt away as you fill in the simple shapes, revealing complex and beautiful pat­terns.Each picture is printed on only one side of a page, on smooth, high-quality white paper. Color suggestions for each image help your work come to life.As a bonus, fifteen blank grids are included so you can create your own grid art!This book has been tested and found FUN by colorists from age eight to adult.Special benefits and features: Teachers and home-schooling parents can use this book as a supplement to both math and art curricula. The blank-grid section includes educational material about the geometry of grids and tessellations, where they can be found in the real world, and how they are used in art. This text includes over 40 vocabulary words, underlined where they are used in context, with phonetic pronunciations provided where appropriate. The words are also presented in two subject-specific lists (one for geometry, one for art & design) at the end of the book. Various reading level calculators consistently scored the text at a seventh- to eighth-grade reading level (appropriate for students aged 12-14). Children and adults on the autism spectrum and with other learning differences are especially apt to be fascinated by these deceptively simple designs. The pictures have been tested both by neurotypical ("ordinary") people and by individuals with learning differences. We have seen some amazing bonding and rapport-building between individuals coloring their own copies of the same picture!

Take your design work to the next level with Making and Breaking the Grid: A Graphic Design Layout Workshop (Third Edition), the essential easy-to-use guide for designers working in every medium. With over 150,000 copies in print, this new edition makes a classic text relevant to a new generation of designers. Updates include: A cross-cultural inclusive re-envisioning of design history related to the grid, including alternative approaches to layout Expanded discussion of grid use in interactive, UX/UI scenarios Greater equity in the representation of design work by women and BIPOC designers Grids are the most basic and essential forms in graphic design—and they can be the most rigid. This book shows you how to understand the rules of the grid to use them effectively, and then how to break them, resulting in phenomenal cohesive layouts. Timothy Samara explains the history of the grid and shows examples of grid basics, such as column, compound, and modular grids. He shows methods for building and using grids, and offers numerous examples of stunning design projects using a variety of imagery and typography. Pages are filled with hundreds of large, full-color layout concepts and diagrams that educate and inspire. After mastering the grid, discover how to break it using conceptual designs that deconstruct and flip the grid successfully. Split, splice, and shift; create spontaneous compositions; make narrative constructs; work on an axis; use intuitive design; and more to create unique layouts or other projects. See ideas in action with eye-catching layout examples. With this book you will: learn how grids work. be inspired to explore new concepts for using—or not using—grids. discover achievable alternatives for boring layouts. get the results you want using fresh design elements. learn designers’ processes via fascinating case studies. see numerous examples of successful layouts created with and without grids. communicate ideas effectively using visual language. This new, expanded edition presents the most comprehensive, accessible, in-depth exposition of layout concepts ever published.

Ten grids that changed the world: the emergence and evolution of the most prominent visual structure in Western culture. Emblematic of modernity, the grid is the underlying form of everything from skyscrapers and office cubicles to paintings by Mondrian and a piece of computer code. And yet, as Hannah Higgins makes clear in this engaging and evocative book, the grid has a history that long predates modernity; it is the most prominent visual structure in Western culture. In The Grid Book, Higgins examines the history of ten grids that changed the world: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box, and the net. Charting the evolution of each grid, from the Paleolithic brick of ancient Mesopotamia through the virtual connections of the Internet, Higgins demonstrates that once a grid is invented, it may bend, crumble, or shatter, but its organizing principle never disappears. The appearance of each grid was a watershed event. Brick, tablet, and city gridiron made possible sturdy housing, the standardization of language, and urban development. Maps, musical notation, financial ledgers, and moveable type promoted the organization of space, music, and time, international trade, and mass literacy. The screen of perspective painting heralded the science of the modern period, classical mechanics, and the screen arts, while the standardization of space made possible by the manufactured box suggested the purified box forms of industrial architecture and visual art. The net, the most ancient grid, made its first appearance in Stone Age Finland; today, the loose but clearly articulated networks of the World Wide Web suggest that we are in the middle of an emergent grid that is reshaping the world, as grids do, in its image.

The first biography of visionary artist Agnes Martin, one of the most original and influential painters of the postwar period Over the course of a career that spanned fifty years, Agnes Martin’s austere, serene work anticipated and helped to define Minimalism, even as she battled psychological crises and carved out a solitary existence in the American Southwest. Martin identified with the Abstract Expressionists but her commitment to linear geometry caused her to be associated in turn with Minimalist, feminist, and even outsider artists. She moved through some of the liveliest art communities of her time while maintaining a legendary reserve. “I paint with my back to the world,” she says both at the beginning and at the conclusion of a documentary filmed when she was in her late eighties. When she died at ninety-two, in Taos, New Mexico, it is said she had not read a newspaper in half a century. No substantial critical monograph exists on this acclaimed artist—the recipient of two career retrospectives as well as the National Medal of the Arts—who was championed by critics as diverse in their approaches as Lucy Lippard, Lawrence Alloway, and Rosalind Krauss. Furthermore, no attempt has been made to describe her extraordinary life. The whole engrossing story, told here for the first time, Agnes Martin is essential reading for anyone interested in abstract art or the history of women artists in America.