The Ascension Of Authorship

Tracing the history of the idea of the author beginning with attribution practices of Second Temple and Rabbinic Judaism, Wyrick argues that the fusion of Jewish and Hellenistic approaches to attribution helped lead to Augustine's reinvention of the writer of scripture as an author whose texts were governed by both divine will and human intent.

It's essential to the Gospel, but we rarely talk about it. The good news of Jesus includes his life, death, resurrection, and future return--but what about his ascension? Though often neglected or misunderstood, the ascension is integral to the gospel. In The Ascension of Christ, Patrick Schreiner argues that Jesus' work would be incomplete without his ascent to God's right hand. Not only a key moment in the Gospel story, Jesus' ascension was necessary for his present ministry in and through the church. Schreiner argues that Jesus' residence in heaven marks a turning point in his three-fold offices of prophet, priest, and king. As prophet, Jesus builds the church and its witness. As priest, he intercedes before the Father. As king, he rules over all. A full appreciation of the ascension is essential for understanding the Bible, Christian doctrine, and Christ's ongoing work in the world.

The prescience of medieval English authors has long been a source of fascination to readers. Retrospective Prophecy and Medieval English Authorship draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed prognostications influenced the reputations of famed Middle English authors. It illuminates the creative ways in which William Langland, John Gower, and Geoffrey Chaucer engaged with prophecy to cultivate their own identities and to speak to the problems of their age. Retrospective Prophecy and Medieval English Authorship examines the prophetic reputations of these well-known medieval authors whose fame made them especially subject to nationalist appropriation. Kimberly Fonzo explains that retrospectively co-opting the prophetic voices of canonical authors aids those looking to excuse or endorse key events of national history by implying that they were destined to happen. She challenges the reputations of Langland, Gower, and Chaucer as prophets of the Protestant Reformation, Richard II’s deposition, and secular Humanism, respectively. This intellectual and critical assessment of medieval authors and their works successfully makes the case that prophecy emerged and recurred as an important theme in medieval authorial self-representations.

Preaching after Easter examines the festal history and homiletics of Mid-Pentecost, Ascension, and Pentecost in the late-antique Mediterranean world. Methodologically rigorous studies of important sermons and preachers are complemented by attention to Jewish-Christian dialogue, art-historical reception, and contemporary liturgical theology.

What is the role of art in modern society? To what extent are the beautiful and the morally good intertwined? Hegel's Political Aesthetics explores Hegel's take on these ever-relevant philosophical questions and investigates three key themes: art's contribution to modern ethical life, the loss of art's authority in modern ethical life and ways of thinking beyond Hegel's analysis of art's role in society. The aesthetic is explored through the lens of German Idealism from Kant to Hegel, ultimately placing ethics and morality at the forefront of this debate. The authors explore Hegel's take on Kant's conception by historicizing what it means to be responsible to others, which for Hegel means being free within the norms of society, within what he calls ethical life. As a set of concrete social arrangements designed for finite human beings, however, ethical life falls short of actualizing freedom absolutely. The themes in this volume are motivated by a central ambivalence in Hegel's thinking about modernity. The question of freedom sits at the forefront of this text, alongside the relation between art and the spirit. This book will be of particular interest to philosophers of aesthetics, politics and ethics.

In this volume Joshua Paul Smith challenges the long-held assumption that Luke and Acts were written by a gentile, arguing instead that the author of these texts was educated and enculturated within a Second-Temple Jewish context. Advancing from a consciously interdisciplinary perspective, Smith considers the question of Lukan authorship from multiple fronts, including reception history and social memory theory, literary criticism, and the emerging discipline of cognitive sociolinguistics. The result is an alternative portrait of Luke the Evangelist, one who sees the mission to the gentiles not as a supersession of Jewish law and tradition, but rather as a fulfillment and expansion of Israel’s own salvation history.