The Assassination Of Jesse James By The Coward Robert Ford

A powerful novel of the infamous Western outlaw and his killer: “The best blend of fiction and history I’ve read in a long while” (John Irving). By age thirty-four, Jesse James was already one of the most notorious and admired men in America. Bank robber, train bandit, gang leader, killer, and beloved son of Missouri— James’s many epithets live on in newspapers and novels alike. As his celebrity was reaching its apex, James met Robert Ford, the brother of a James gang member—an awkward, antihero-worshipping twenty-year-old with stars in his eyes. The young man’s fascination with the legend borders on jealous obsession: While Ford wants to ride alongside James as his most-trusted confidant, sharing his spotlight is not enough. As a bond forms between the two men, Ford realizes that the only way he’ll ever be as powerful as his idol is to become him; he must kill James and take his mantle. In the striking novel that inspired the film of the same name starring Brad Pitt and Casey Affleck, bestselling author Ron Hansen retells a classic Wild West story that has long captured the nation’s imagination, and breathes new life into the final days and ignoble death of an iconic American man.

This illustrated filmography analyzes the plots and players of the more than forty motion pictures about the legendary Missouri outlaw Jesse James (1847–1882), from the silent era to the 21st century. Among the films and actors covered are Jesse James (1939) with Tyrone Power, Kansas Raiders (1950) with Audie Murphy, The Great Northfield Minnesota Raid (1972) with Robert Duvall, and The Assassination of Jesse James by the Coward Robert Ford (2007) with Brad Pitt. Each evaluation compares Hollywood’s version of history to the hard facts. A brief biography of the outlaw provides an overview of his life and career. Also examined are European films, made-for-television movies and continuing TV series that have featured episodes involving Jesse James.

A fictionalized portrait of the legendary outlaw Jesse James, his violent career, and his murderer, Robert Ford, in an epic tale of the Old West.

At sixteen, Jesse James began his fighting career by killing Unionist neighbours on their doorsteps. In the bloodshed and bitterness that followed the South's surrender at Appomattox, Jesse and his fellow guerillas, with their gunfights and hold-ups, became part of the intensely brutal struggle by the White South against the racial egalitarianism and Federal power fostered by Reconstruction. In the first serious biography of Jesse James in forty years, T. J. Stiles paints a strikingly new and vivid portrait of the period before the American Civil War, during the conflict and its aftermath. With groundbreaking scholarship and dazzling reinterpretation, T. J. Stiles has refashioned one of the great legends of American history.

Aged 65, Emmett Dalton is the last survivor of the legendary Dalton gang. Now he lives off his memories in Hollywood. Combining fact and fiction, Ron Hansen depicts the outlaw past of the Daltons and the West they travelled. The Dalton brothers turn from being peace officers in the Indian territories to a life of rustling. When their leader, Bob, meets Eugenia Moore, a schoolteacher who begins to plan their robberies, they become the most notorious outlaws of their time. As their raids, on trains and banks, become more daring and successful the price on their heads and the pursuit of the law increase. Then they ride into Coffeyville, intending to rob both the town's banks. Ron Hansen was the first writer to approach the mythology of the West with the intent of rewriting history, to show the mixed motives and dubious intentions of heroes and outlaws alike. In Hansen's carefully styled authentic voice (drawing on contemporary newspapers and accounts) his novels would pave the way for Cormac McCarthy's Border trilogy. Combining historical research with his novelist's imagination and ability to evoke character, Ron Hansen rewrites the history of the American West, and revises the romanticised mythology of violence created by Hollywood.

"Born Henry McCarty, Billy the Kid was a diminutive, charming, blond-haired young man who, growing up in New York, Kansas, and later New Mexico, demonstrated a precocious dexterity at firing six-shooters with either hand--a skill that both got him into and out of trouble and that turned him into an American legend of the Old West. He was smart, well-spoken, attractive to both white and Mexican women, a good dancer, and a man with a nose for money, horses, and trouble. His spree of crimes and murders has been immortalized in dime westerns, novels, and movies. But the whole story of his short, epically violent life has never been told as it has been here"--]cProvided by publisher.

In this study of space and place, Sally Bayley examines the meaning of 'home' in American literature and culture. Moving from the nineteenth-century homestead of Emily Dickinson to the present-day reality of Bob Dylan, Bayley investigates the relationship of the domestic frontier to the wide-open spaces of the American outdoors. In contemporary America, she argues, the experience of home is increasingly isolated, leading to unsettling moments of domestic fallout. At the centre of the book is the exposed and often shifting domain of the domestic threshold: Emily Dickinson's doorstep, Edward Hopper's doors and windows, and Harper Lee's front porch. Bayley tracks these historically fragile territories through contemporary literature and film, including Cormac McCarthy's No Country For Old Men, Lars Von Trier's Dogville, and Andrew Dominik's The Assassination of Jesse James By The Coward Robert Ford - works that explore local, domestic territories as emblems of nation. The culturally potent sites of the american home - the hearth, porch, backyard, front lawn, bathroom, and basement - are positioned in relation to the more conflicted sites of the American motel and hotel.