The Atomic Age Opens

Atomic Age America looks at the broad influence of atomic energy¿focusing particularly on nuclear weapons and nuclear power¿on the lives of Americans within a world context. The text examines the social, political, diplomatic, environmental, and technical impacts of atomic energy on the 20th and 21st centuries, with a look back to the origins of atomic theory.

The renowned physicist describes his Nobel Prize-winning career, his work with the Manhattan Project, his discovery of the element that makes atomic bombs explode, and his term as chairman of the Atomic Energy Commission.

"A riveting narrative of the Atomic Age--from x-rays and Marie Curie to the Nevada Test Site and the 2011 meltdown in Japan--written by the prizewinning and bestselling author of Rocket Men. Radiation is a complex and paradoxical concept: staggering amounts of energy flow from seemingly inert rock and that energy is both useful and dangerous. While nuclear energy affects our everyday lives--from nuclear medicine and food irradiation to microwave technology--its invisible rays trigger biological damage, birth defects, and cellular mayhem. Written with a biographer's passion, Craig Nelson unlocks one of the great mysteries of the universe in a work that is both tragic and triumphant. From the end of the nineteenth century through the use of the atomic bombin World War II to the twenty-first century's confrontation with the dangers of nuclear power, Nelson illuminates a pageant of fascinating historical figures: Enrico Fermi, Marie and Pierre Curie, Albert Einstein, FDR, Robert Oppenheimer, and Ronald Reagan, among others. He reveals many little-known details, including how Jewish refugees fleeing Hitler transformed America from a country that created light bulbs and telephones into one that split atoms; how the most grotesque weapon ever invented could realize Alfred Nobel's lifelong dream of global peace; how emergency workers and low-level utility employees fought to contain a run-amok nuclear reactor, while wondering if they would live or die. Brilliantly fascinating and remarkably accessible, The Age of Radiance traces mankind's complicated and difficult relationship with the dangerous power it discovered and made part of civilization"--

Originally published in 1985, By the Bomb's Early Light is the first book to explore the cultural 'fallout' in America during the early years of the atomic age. Paul Boyer argues that the major aspects of the long-running debates about nuclear armament and disarmament developed and took shape soon after the bombing of Hiroshima. The book is based on a wide range of sources, including cartoons, opinion polls, radio programs, movies, literature, song lyrics, slang, and interviews with leading opinion-makers of the time. Through these materials, Boyer shows the surprising and profoundly disturbing ways in which the bomb quickly and totally penetrated the fabric of American life, from the chillingly prophetic forecasts of observers like Lewis Mumford to the Hollywood starlet who launched her career as the 'anatomic bomb.' In a new preface, Boyer discusses recent changes in nuclear politics and attitudes toward the nuclear age.

Just as we generally pay scant attention to the potential dangers of nuclear power and nuclear war, until quite recently, scholars have made limited critical attempts to understand the cultural manifestations of the nuclear status quo. Films that feature nuclear issues most often simplify and trivialize the subject. They also convey a sense of the ambivalence and anxiety that pervades cultural responses to our nuclear capability. The production of popular narrative films with nuclear topics largely conforms to periods of heightened nuclear awareness or fear, such as the fear of fallout from nuclear testing manifested in the atomic creatures in science fiction movies of the late 1950s. By their very numbers, and through a set of recurring stylistic and narrative conventions, nuclear films reflect a deep-seated cultural anxiety. This study includes detailed textual analysis of films that depict nuclear issues including the development and use of the first atomic bombs, nuclear testing and the fear of fallout, nuclear power, the Cold War arms race, loose nukes, and future nuclear war and its aftermath.(Includes bibliographic references, index, filmography, choronology; Illustrated)

Mythologized as the era of the “good war” and the “Greatest Generation,” the 1940s are frequently understood as a more heroic, uncomplicated time in American history. Yet just below the surface, a sense of dread, alienation, and the haunting specter of radical evil permeated American art and literature. Writers returned home from World War II and gave form to their disorienting experiences of violence and cruelty. They probed the darkness that the war opened up and confronted bigotry, existential guilt, ecological concerns, and fear about the nature and survival of the human race. In Facing the Abyss, George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment. Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and the connections among authors across racial, ethnic, and gender divisions. Modernist and avant-garde styles were absorbed into popular culture as writers and artists turned away from social realism to emphasize the process of artistic creation. Hutchinson explores a range of important writers, from Saul Bellow and Mary McCarthy to Richard Wright and James Baldwin. African American and Jewish novelists critiqued racism and anti-Semitism, women writers pushed back on the misogyny unleashed during the war, and authors such as Gore Vidal and Tennessee Williams reflected a new openness in the depiction of homosexuality. The decade also witnessed an awakening of American environmental and ecological consciousness. Hutchinson argues that despite the individualized experiences depicted in these works, a common belief in art’s ability to communicate the universal in particulars united the most important works of literature and art during the 1940s. Hutchinson’s capacious view of American literary and cultural history masterfully weaves together a wide range of creative and intellectual expression into a sweeping new narrative of this pivotal decade.