The Baron Returns

John Mannering (aka ‘The Baron’) pulled his scarf up so as to hide his face. The finest jewel thief in London was utilising all of his skills to nail a crooked Solicitor. Mannering’s friend could be ruined by documents contained in the lawyer’s strong-room and so he risks all, especially his freedom, to get them back.

John Mannering (aka ‘The Baron’) pulled his scarf up so as to hide his face. The finest jewel thief in London was utilising all of his skills to nail a crooked Solicitor. Mannering’s friend could be ruined by documents contained in the lawyer’s strong-room and so he risks all, especially his freedom, to get them back.

WINNER OF THE 2019 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE "Krasznahorkai’s masterpiece" (The Millions); "Apocalyptic, visionary, and mad" (Publishers Weekly); "One of the supreme achievements of contemporary literature" (Paris Review); "Obsessive and visionary" (The New Yorker); "Genius" (The Baffler) At last, the capstone to Krasznahorkai’s four-part masterwork Set in contemporary times, Baron Wenckheim’s Homecoming tells the story of a Prince Myshkin–like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor—a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town—offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.

A children's book based on the popular Studio Ghibli animated movie! The Cat Returns Picture Book retells the story of Haru and her exciting adventures in a magical cat universe using actual cell artwork from the original movie. The book and movie both draw inspiration from the manga series, Baron: The Cat Returns (also published by VIZ Media).

She broke his heart once before. He won’t give her the chance to do it again. Baron Cranston doesn’t believe in happily-ever-afters. Experience has taught him that love is a risk not worth taking. Forced to marry another man when she was younger, Abigail didn’t know she was carrying Cranston’s child until after he’d entered military service. Now widowed and out of mourning, she is no longer trapped in a union she never wanted. When Abigail tells Cranston about his daughter, she doesn’t expect his proposal. But their marriage of convenience could give her the second chance she never dreamed possible. Now she only needs to convince the cynical baron that his heart isn’t as closed off as he believes. THE BARON’S RETURN is a Regency Historical Romance. It contains the themes of marriage of convenience, second chance, and secret baby.

Baron Roman Fedorovich von Ungern-Sternberg (1885–1921) was a Baltic German aristocrat and tsarist military officer who fought against the Bolsheviks in Eastern Siberia during the Russian Civil War. From there he established himself as the de facto warlord of Outer Mongolia, the base for a fantastical plan to restore the Russian and Chinese empires, which then ended with his capture and execution by the Red Army as the war drew to a close. In The Baron’s Cloak, Willard Sunderland tells the epic story of the Russian Empire’s final decades through the arc of the Baron’s life, which spanned the vast reaches of Eurasia. Tracking Ungern’s movements, he transits through the Empire’s multinational borderlands, where the country bumped up against three other doomed empires, the Habsburg, Ottoman, and Qing, and where the violence unleashed by war, revolution, and imperial collapse was particularly vicious. In compulsively readable prose that draws on wide-ranging research in multiple languages, Sunderland re-creates Ungern’s far-flung life and uses it to tell a compelling and original tale of imperial success and failure in a momentous time. Sunderland visited the many sites that shaped Ungern’s experience, from Austria and Estonia to Mongolia and China, and these travels help give the book its arresting geographical feel. In the early chapters, where direct evidence of Ungern’s activities is sparse, he evokes peoples and places as Ungern would have experienced them, carefully tracing the accumulation of influences that ultimately came together to propel the better documented, more notorious phase of his career. Recurring throughout Sunderland’s magisterial account is a specific artifact: the Baron’s cloak, an essential part of the cross-cultural uniform Ungern chose for himself by the time of his Mongolian campaign: an orangey-gold Mongolian kaftan embroidered in the Khalkha fashion yet outfitted with tsarist-style epaulettes on the shoulders. Like his cloak, Ungern was an imperial product. He lived across the Russian Empire, combined its contrasting cultures, fought its wars, and was molded by its greatest institutions and most volatile frontiers. By the time of his trial and execution mere months before the decree that created the USSR, he had become a profoundly contradictory figure, reflecting both the empire’s potential as a multinational society and its ultimately irresolvable limitations.