The Baron

A sweeping biography that opens a window onto the gilded age of Jewish philanthropy. Baron Maurice de Hirsch was one of the emblematic figures of the nineteenth century. Above all, he was the most influential Jewish philanthropist of his time. Today Hirsch is less well known than the Rothschilds, or his gentile counterpart Andrew Carnegie, yet he was, to his contemporaries, the very embodiment of the gilded age of Jewish philanthropy. Hirsch's life provides a singular entry point for understanding Jewish philanthropy and politics in the late nineteenth century, a period when, as now, private benefactors played an outsize role in shaping the collective fate of Jewish communities. Hirsch's vast fortune derived from his role in creating the first rail line linking Western Europe with the Ottoman Empire, what came to be known as the Orient Express. Socializing with the likes of the Austrian crown prince Rudolph and "Bertie," Prince of Wales, Hirsch rose to the pinnacle of European aristocratic society, but also found himself the frequent target of vicious antisemitism. This was an era when what it meant to be Jewish—and what it meant to be European—were undergoing dramatic changes. Baron Hirsch was at the center of these historic shifts. While in his time Baron Hirsch was the subject of widespread praise, enraged political commentary, and conspiracy theories alike, his legacy is often overlooked. Responding to the crisis wrought by the mass departure of Jews from the Russian Empire at the turn of the century, Hirsch established the Jewish Colonization Association, with the goal of creating a refuge for the Jews in Argentina. When Theodor Herzl, the founder of Zionism, advertised his plan to create a Jewish state (not without inspiration from Hirsch), he still wondered whether to do so in Palestine or in Argentina—and left the question open. In The Baron, Matthias Lehmann tells the story of this remarkable figure whose life and legacy provide a key to understanding the forces that shaped modern Jewish history.

From the vaults of Dragaeran history and the mind of master fantasist Steven Brust--a tale of betrayal and vengeance that is not at all a retelling of The Count of Monte Cristo Reader, you will undoubtedly have had the misfortune of consuming the rotten fruit of fallacies that we—Paarfi of Roundwood (esteemed historian of House of Hawk and exquisite artisan of truths)—“borrow” our factual recount of Dragaeran history from some obscure fellow who goes by the name Al Dumas or some silly nomenclature of that nature. The salacious claims that The Baron of Magister Valley bears any resemblance to a certain nearly fictional narrative about an infamous count are unfounded (we do not dabble in tall tales. The occasional moderately stretched? Yes. But never tall). Our tale is that of a nobleman who is betrayed by those he trusted, and subsequently imprisoned. After centuries of confinement, he contrives to escape and prepares to avenge himself against his betrayers. A mirror image of The Count of Monte Cristo, vitrolic naysayers still grouse? Well, that is nearly and utterly false. Also by Paarfi of Roundwood: The Khaavren Romances 1. The Phoenix Guards 2. Five Hundred Years After 3. The Paths of the Dead (The Viscount of Adrilankha I) 4. The Lorde of Castle Black (The Viscount of Adrilankha II) 5. Sethra Lavode (The Viscount of Adrilankha III) At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Baron Trump's Marvellous Underground Journey" by Ingersoll Lockwood. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Lockwood's novel of political satire describes political tug war. It showcases the concepts of a President who won by a narrow margin. It reflects the American society which is under siege by socialists and anarchy. The common people are ignored by politicians and ripped off by Wall Street.

The Baron DeGuerre Had Finally Met His Match Though famed for prowess in tourney and war, Etienne DeGuerre now found himself at odds in the Battle of the Sexes. For his opponent, Gabriella Frechette, was a woman of singular beauty…and single-minded resolve. One who had easily stormed his defenses, and laid siege to his unsuspecting heart.

She broke his heart once before. He won’t give her the chance to do it again. Baron Cranston doesn’t believe in happily-ever-afters. Experience has taught him that love is a risk not worth taking. Forced to marry another man when she was younger, Abigail didn’t know she was carrying Cranston’s child until after he’d entered military service. Now widowed and out of mourning, she is no longer trapped in a union she never wanted. When Abigail tells Cranston about his daughter, she doesn’t expect his proposal. But their marriage of convenience could give her the second chance she never dreamed possible. Now she only needs to convince the cynical baron that his heart isn’t as closed off as he believes. THE BARON’S RETURN is a Regency Historical Romance. It contains the themes of marriage of convenience, second chance, and secret baby.

WINNER OF THE 2019 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE "Krasznahorkai’s masterpiece" (The Millions); "Apocalyptic, visionary, and mad" (Publishers Weekly); "One of the supreme achievements of contemporary literature" (Paris Review); "Obsessive and visionary" (The New Yorker); "Genius" (The Baffler) At last, the capstone to Krasznahorkai’s four-part masterwork Set in contemporary times, Baron Wenckheim’s Homecoming tells the story of a Prince Myshkin–like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor—a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town—offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.