The Be Bop Barbarians

In the turbulent era of late 1950s Manhattan—with jazz, the burgeoning Civil Rights Movement, and the Red Scare as the volatile ingredients—three groundbreaking black cartoonists defy convention and pay the price. Cliff Murphy is matinee handsome, a light-skinned, straight-haired black man and a comics artist known for his glamour girl art. He’s black uptown and white downtown, and he has an eye for the ladies, and they for him—including his boss’ wife, who knows Cliff’s creation, the Phantom Avenger, is about to be stolen from him. Though Stephaney “Stef” Rawls has her own romance-adventure strip for the largest black newspaper, she still has to work brutal hours as a maid to make ends meet. When she gets a lucrative offer to write and draw a “Negroes must reject agitation” flyer for the FBI, can she pass up the opportunity? Then there’s Oliver “Ollie” Jefferson, a decorated Korean War vet who writes and draws editorial cartoons under the pseudonym Attucks, for the daily Red newspaper The Struggle. But when a cop beats him down while walking his pregnant Korean wife-to-be home one night, Ollie becomes a symbol of oppression and the streets threaten to explode. These three friends will be tested and tried, will work in solidarity, and, just maybe, betray each other, in this explosive graphic novel—with prose by crime fiction author Gary Phillips and images by acclaimed artist-writer Dale Berry.

Mr. Lipton’s book is the first complete and unbiased survey of the beat generation and its role in our society. Here are the intimate facts about these people and their attitudes toward sex, dope, jazz, art, religion, parents, landlords, employers, politicians, draft boards, the law and, most important, toward the “square”. The author presents a picture of their way of life, their individual backgrounds, the language they have appropriated, in terms made clear for the first time to those of us who have been confused and puzzled about them. He also provides a balanced discussion of their literature, art and music, of what they produce and fail to produce in the arts they practice.—Print Ed.

From 70 of the most successful mystery writers in the business, an invaluable guide to crafting mysteries—from character development and plot to procedurals and thrillers—“this is a writing guide that readers and writers will turn to again and again” (Booklist, starred review). Mystery Writers of America (MWA) is known for providing unparalleled resources on the craft, art, and business of storytelling, helping writers of all levels improve their skills for nearly a century. Now, this handbook helps authors navigate the ever-shifting publishing landscape—from pacing, plotting, the business side of publishing, to the current demand for diversity and inclusivity across all genres, and more. Featuring essays by a new generation of bestselling experts on various elements of the craft and shorter pieces of crowd-sourced wisdom from the MWA membership as a whole, the topics covered can be categorized as follows: —Before Writing (rules; genres; setting; character; research; etc.) —While Writing (outlining; the plot; dialogue; mood; etc.) —After Writing (agents; editors; self-pub; etc.) —Other than Novels (short stories; true crime; etc.) —Other Considerations (diverse characters; legal questions; criticism) Also included is a collection of essays from MWA published authors—including Jeffery Deaver, Tess Gerritsen, and Charlaine Harris—selected by bestselling authors Lee Child and Laurie King and arranged thematically answering, “What piece of writing advice do you wish you’d had at the beginning of your career?” “Everything you wanted to know about how to plan, draft, write, revise, publish, and market a mystery” (Kirkus Reviews), this inclusive manual provides practical, current, easily digestible advice for new and established authors alike.

The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.

“Mr. Dynamite, “Soul Brother No. 1,” “The Godfather of Soul,” deadbeat dad, convicted spousal abuser… James Brown was all those things and so much more. Yet it can’t be denied his music impacted a generation of fans and influenced a grip of musicians who came after him—from David Bowie, Janelle Monae to Usher just to name three. In the tradition then of previous Down & Out Books anthologies such as Murder-A-Go-Go’s: Crime Fiction Inspired by the Music of the Go-Go’s and Trouble in the Heartland: Crime Fiction Based on the Songs of Bruce Springsteen, this all-original set of fourteen stories follows in that stead. The idea expressed to the writers was not literal interpretations of any given song by Mr. Brown. Rather to use that title or lyric and the ofttimes edginess behind such efforts as “King Heroin” and “The Payback,” or the fun in “Make it Funky,” as a prompt, a starting point for the story the contributor wanted to tell. Covers the Godfather of Soul did of others’ songs could have also been tapped. While the majority of stories in the collection are prose, there is a comics style one and more than one of the text versions have an illustration or two to accompany the story. The collection includes stories by six-time Bram Stoker Award winner Lisa Morton; Anthony, Barry and Macavity Awards winner James Ziskin; Jim Fusilli, former Rock & Pop critic for the Wall Street Journal; and HBO Max Doom Patrol staff writer and comics creator Ezra Claytan Daniels. Other contributors include Shamus Award winner Gar Anthony Haywood; Mysti Berry, five-time Derringer and Golden Derringer Award winner John M. Floyd; Lise McClendon, writer of the Bennett Sisters mysteries; cultural critic and short story writer Michael Gonzales; novelist and former Miami Vice showrunner and writer-producer on Hill Street Blues Robert Ward; Fabrice Sapolsky, comics creator of FairSquare Comics’ Intertwined and Marvel Comics’ Spider-Man Noir; filmmaker and pioneer of Hip Hop horror Jeff Carroll; crime fiction novelist and Dark Yonder editor Katy Munger; and hardboiled novelist and co-producer on Snowfall, Gary Phillips.

Why does an ER doctor used to dealing with the physical and psychological trauma of gunshot wounds obtain a handgun? What exactly has brought her to this breaking point, and what will be the consequences when she puts her plan into play on the infamous South Side of Chicago?

Black private eye Ivan Monk’s search for a connection between three Black men murdered in Los Angeles leads to the unraveling of a white supremacist conspiracy that spans the West Coast. The mystery series that launched Gary Phillips's career. Robert “Scatterboy” Williams is a small-time hustler selling bogus Cartier watches in Pacific Shores, a port city south of Los Angeles. One day, he’s gunned down in the street, seemingly at random. Then drug dealer Ronny Aaron is shot and killed leaving a liquor store. Shortly thereafter, college student Jimmy Henderson is rendered comatose after two bullets to his body. The three victims have nothing in common save the neighborhood where they were shot—and the color of their skin. The police categorize Scatterboy’s murder as business as usual. But his girlfriend convinces private eye Ivan Monk to find the killer. What looks like three unrelated shootings of Black men in Southern California will put Monk on a tortuous trail unraveling a larger nefarious plan: the rise of an extremist demagogue.

The mystery that launched Gary Phillips's career: Black private eye Ivan Monk investigates the murder of a Korean shop owner in the aftermath of the 1992 Los Angeles riots. This reissued edition features an introduction by Walter Mosley. In 1992, Los Angeles burned. In the aftermath of the Rodney King beating and subsequent riots, a ground-breaking ceremony at the infamous intersection of Florence and Normandie unearths the body of a Korean shop owner. Black private eye Ivan Monk searches for the killer—many suspect the motives for the murder were racial. But then another body turns up, and while the FBI and the Rolling Daltons—the largest gang in the city—dog Monk’s trail, Monk begins to question just how many people will be involved, and how many will die before he can find the truth.