The Bentons

The ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons.

Born in Missouri at the end of the nineteenth century, Thomas Hart Benton would become the most notorious and celebrated painter America had ever seen. The first artist to make the cover of Time, he was a true original: an heir to both the rollicking populism of his father's political family and the quiet life of his Appalachian grandfather. In his twenties, he would find his calling in New York, where he was drawn to memories of his small-town youth—and to visions of the American scene. By the mid-1930s, Benton's heroic murals were featured in galleries, statehouses, universities, and museums, and magazines commissioned him to report on the stories of the day. Yet even as the nation learned his name, he was often scorned by critics and political commentators, many of whom found him too nationalistic and his art too regressive. Even Jackson Pollock, his once devoted former student, would turn away from him in dramatic fashion. A boxer in his youth, Benton was quick to fight back, but the widespread backlash had an impact—and foreshadowed many of the artistic debates that would dominate the coming decades. In this definitive biography, Justin Wolff places Benton in the context of his tumultuous historical moment—as well as in the landscapes and cultural circles that inspired him. Thomas Hart Benton—with compelling insights into Benton's art, his philosophy, and his family history—rescues a great American artist from myth and hearsay, and provides an indelibly moving portrait of an influential, controversial, and often misunderstood man.

Women held a central place in long-settled rural communities like the Nanticoke Valley in upstate New York during the late nineteenth century. Their lives were limited by the bonds of kinship and labor, but farm women found strength in these bonds as well. Although they lacked control over land and were second-class citizens, these rural women did not occupy a "separate sphere." Individually and collectively, they responded to inequality by actively enlarging the dimensions of sharing in their relationships with men. Nancy Grey Osterud uses a rich store of diaries, letters, and other first-person documents, in addition to public and organizational records, to reconstruct the everyday lives of ordinary women of the past. Exploring large questions within the confines of a single community, she analyzes the ways in which notions of gender structured women's interactions with their families and neighbors, their place in the farm family economy, and their participation in organized community activities. Rare turn-of-the-century photographs of the rural landscape, formal and informal family portraits, and scenes of daily life and labor add a special dimension to Bonds of Community. It should find a ready audience among women's historians, labor historians, rural historians, and historians of New York State.

The relationship between business and politics is crucial to understanding Mexican history, and Pesos and Politics explores this relationship from the mid-nineteenth century dictatorship of Porfirio Diaz through the Mexican Revolution (1876–1940). Historian Mark Wasserman argues that throughout this era, over the course of successive regimes, there was an evolving enterprise system that had to balance the interests of the Mexican national elite, state and local governments, large foreign corporations, and individual foreign entrepreneurs. During and after the Revolution these groups were joined by organized labor and organized peasants. Contrary to past assessments, Wasserman argues that no one of these groups was ever powerful enough to dominate another. Because Mexican governments and elites committed themselves to economic models that relied on foreign investment and technology, they had to reach a balance that simultaneously attracted foreign entrepreneurs, but did not allow them to become too powerful or too privileged. Concentrating on the three most important sectors of the Mexican economy: mining, agriculture, and railroads, and employing a series of case studies of the careers of prominent Mexican business people and the operations of large U.S.-owned ranching and mining companies, Wasserman effectively demonstrates that Mexicans in fact controlled their economy from the 1880s through 1940; foreigners did not exploit the country; and, Mexicans established, sometimes shakily, sometimes unplanned, a system of relations between foreigners, elite and government (and later unions and peasant organizations) that maintained checks and balances on all parties.

The Newsmakers TV reporter Erica Sparks has become a superstar overnight. Is it due to her hard work and talent, or is she at the center of a spiraling conspiracy? On her very first assignment, Erica inadvertently witnesses—and films—a horrific tragedy, scooping all the other networks. Mere weeks later, another tragedy strikes—again, right in front of Erica and her cameras. Erica will stop at nothing to uncover the truth. But she has to make sure disaster—and her troubled past—don’t catch up with her first. The Candidate How far will a candidate go to become president? Erica Sparks—America’s top-rated cable-news host—is about to find out. Mike Ortiz is a dynamic war hero favored to win the White House. Standing by his side is his glamorous and adoring wife, Celeste. But something about this seemingly perfect couple troubles Erica. The Candidate is packed with political intrigue and media manipulation as the lust for power turns deadly indeed. The Separatists After getting the green light from her network to launch an investigative news show, Erica flies to Bismarck, North Dakota, to investigate Take Back Our Homeland, the largest secessionist group. What she finds is profoundly disturbing—a growing threat to the future of our union. Then she discovers a potential informant murdered in her Bismarck hotel. Take Back Our Homeland might be even more dangerous than she had thought—and she’s unwittingly become one of the key players in the story. Her fear and anxiety escalate—for her marriage, her daughter, and her own life.

A favorite of President Andrew Jackson and the daughter of Senator Thomas Hart Benton of Missouri, Jessie Benton was acquainted with the famous from childhood. When the vivacious belle met John C. Frémont, “the handsomest young man who ever walked the streets of Washington,” love bloomed. Always passionately devoted to the controversial explorer, soldier, and politician, Jessie bore John five children, maintained a family life, charmed and campaigned on his behalf, and helped him write the popular reports of his western trailblazing. These pages, filled with public figures such as Kit Carson and Abraham Lincoln, present a lively and fearless woman.