The Best Of African Folklore

Africa has a wonderfully rich store of folk tales that have been passed down from one generation to the next. There are stories about how the world came into being, stories that tell of the relationships between human beings and between man and his environment, and of the lessons to be learned from everyday experience. The tales are like the fairy talkes told all over the world, but they have a strong African flavour that is as real as the smell of rain on hot earth. The Best of African Folklore takes the reader into an enchanted world where animals can talk and humans are often changed into different forms, where magic is commonplace and reality is turned delightfully on its head. Despite numerous setbacks, things usually turn out all right in the end. Wicked and greedy people (and animals) come off worst and the good receive their just rewards. The gods are stern but fair, and every story has a moral for those who are wise enough to see it.

Africa has a wonderfully rich store of folk tales that have been passed down from one generation to the next. There are stories about how the world came into being, stories that tell of the relationships between human beings and between man and his environment, and of the lessons to be learned from everyday experience. The tales are like the fairy tales told all over the world, but they have a strong African flavour that is as real as the smell of rain on the hot earth. These tales take the reader into an enchanted world where animals can talk and humans are often changed into different forms, magic is commonplace and reality is turned delightfully on its head. Despite numerous setbacks, things usually turn out all right in the end. Wicked and greedy people (and animals) come off worst and the good receive their just rewards. The gods are stern but fair, and every story has a moral for those who are wise enough to see it.

Pieternella, Daughter of Eva opens in the early days of the first white settlement at the Cape of Good Hope, beneath the shadow of Table Mountain, with the Dutch East India Company clinging precariously to a little piece of land - Robben Island - in Table Bay. Eva was one of the first interpreters and intermediaries between her Goringhaicona tribe and the Dutch, and Pieternella's father was Pieter van Meerhoff, the Company surgeon who was murdered by slave dealers in Madagascar. Pieternella and her siblings were among the first mixed-race children born at the Cape and their lives are a manifestation of a sentiment often expressed by Matthee in this novel - that life can consist of heaven and hell rolled up together in one bundle. After her mother's sudden and untimely death, the orphaned Pieternella and her brother Salomon are sent to the hurricane- and drought-afflicted Mauritius, a penal colony at the time, to work as 'slaves' to foster parents. Pieternella barely survives the exhausting sea voyage and a premature marriage becomes her salvation. Pieternella remains attached to the memory of her mother and is full of turbulent emotions about how she is both brown and white in the same body. What will her children look like? Is she really only half-human, as she has so scornfully been told? Will she ever come to terms with who she is and find the peace and comfort she yearns for? Through this remarkable true story, which took three years of intensive research into old journals, diaries and historical records, Matthee has resurrected and breathed new life into the early history of the Cape, and Robben Island and Mauritius - the isles of banishment. She skilfully balances the elements of Pieternella's life: love and shame for her mother, the impersonal might of the Company versus one individual, and a slave who is freer than a free woman. She allows the historically misunderstood Eva finally to come into her own through the eyes of her clever, sensitive daughter.

As a boy, sweeping up the hair in the salon of the Professor of Tonsorial Artistics, Rudyard Kipling 'Rudy' Knoesen's dreams were of greatness and escape. Never did he imagine that his twilight years would be spent sleeping in parks and eating from dustbins in foul-smelling alleyways. Rescued from certain death on the streets and placed into care in the home for the aged, Rudy reflects with wry, sardonic humour on the paths he'd chosen to follow. Looking at his companions - 'faces like picked bums' - sometimes Rudy wonders whether the brotherhood might not have been the more attractive option. In this heartwarming, poignant novel about a life that never really seemed to get off the ground, Yvonne Burgess firmly establishes herself as a major force in South African fiction.

Collection of traditional folk tales introduces a host of interesting people and unusual animals — among them "The Cricket and the Toad," "The Tortoise and His Broken Shell," and "The Boy in the Drum."

The deep forest and broad savannah, the campsites, kraals, and villages—from this immense area south of the Sahara Desert the distinguished American folklorist Roger D. Abrahams has selected ninety-five tales that suggest both the diversity and the interconnectedness of the people who live there. The storytellers weave imaginative myths of creation and tales of epic deeds, chilling ghost stories, and ribald tales of mischief and magic in the animal and human realms. Abrahams renders these stories in a narrative voice that reverberates with the rhythms of tribal song and dance and the emotional language of universal concerns. With black-and-white drawings throughout Part of the Pantheon Fairy Tale and Folklore Library

A wide and varied selection of myths from various African tribes south of the Sahara.

Sun and Moon must leave their earthly home after Sun invites the Sea to visit.