The Billionaire S Fake Dating Game The Billionaire S Artist Part Two

Despite her vows to stay single and independent, Abbie Tell finds herself getting more involved than ever in super billionaire Thomas Maxwell's fake dating ploy. With the family business on the line, Thomas has upped the game--and now Abbie is Thomas's fake fiancee. It's still just a business deal, according to Thomas. Only it's not. Abbie has feelings for Thomas and she's getting the sense that Thomas is taking this further for reasons other than business. That would be great, but now Abbie's best friend hates her and her father's counting on her to marry Thomas so he can get his hands on the Maxwell family fortune. Abbie can back out whenever she wants--but she and Thomas share something deep, something Abbie has never experienced with another man, and even her fear of settling down may be no match for him.

Abbie has just broken some surprising news to Thomas—they're expecting their first child. With their fake marriage only one month away and Thomas's inheritance to be decided soon, Abbie and Thomas now face the prospect of parenthood. While Abbie is fearful that a baby will take away her identity, she wants to keep their child. But Thomas harbors an even greater fear, something he has hidden from Abbie, and it just may rip the two of them apart. Can Abbie and Thomas's love for each other conquer everything that life has thrown at them?

Abbie Tell has had it with men, especially since the last one she dated kept track of the miles on her car with a spreadsheet. After leaving her oppressive home behind to make it as an artist, Abbie has sworn that she will remain single and create a life for herself. But when she risks losing her art gallery and having to go back home, Abbie is desperate. To pay her bills, she must become an artist to the stunning billionaire Thomas Maxwell. That's fine—except that it turns out Thomas is also in trouble. Known for being hot, single, and adventurous, Thomas must look like he's settling down with a woman in order to inherit the family business. And Abbie's the best candidate. So what's the solution? Fake dating! It's only an act, after all, and Abbie swears she will never fall for Thomas...

This set contains all three books of the Billionaire's Fake Dating Game. Begin falling in love all over again! Book One: Abbie Tell has had it with men, especially since the last one she dated kept track of the miles on her car with a spreadsheet. After leaving her oppressive home behind to make it as an artist, Abbie has sworn that she will remain single and create a life for herself. But when she risks losing her art gallery and having to go back home, Abbie is desperate. To pay her bills, she must become an artist to the stunning billionaire Thomas Maxwell. That's fine—except that it turns out Thomas is also in trouble. Known for being hot, single, and adventurous, Thomas must look like he's settling down with a woman in order to inherit the family business. And Abbie's the best candidate. So what's the solution? Fake dating! It's only an act, after all, and Abbie swears she will never fall for Thomas... Book Two: Despite her vows to stay single and independent, Abbie Tell finds herself getting more involved than ever in super billionaire Thomas Maxwell's fake dating ploy. With the family business on the line, Thomas has upped the game--and now Abbie is Thomas's fake fiancee. It's still just a business deal, according to Thomas. Only it's not. Abbie has feelings for Thomas and she's getting the sense that Thomas is taking this further for reasons other than business. That would be great, but now Abbie's best friend hates her and her father's counting on her to marry Thomas so he can get his hands on the Maxwell family fortune. Abbie can back out whenever she wants--but she and Thomas share something deep, something Abbie has never experienced with another man, and even her fear of settling down may be no match for him. Book Three: Abbie has just broken some surprising news to Thomas—they're expecting their first child. With their fake marriage only one month away and Thomas's inheritance to be decided soon, Abbie and Thomas now face the prospect of parenthood. While Abbie is fearful that a baby will take away her identity, she wants to keep their child. But Thomas harbors a secret and it just may rip the two of them apart. Can Abbie and Thomas's love for each other conquer everything that life has thrown at them? The Billionaire's Fake Dating Game Box Set is a bundle of three humorous, contemporary romance reads.

This is part 2. The charade between Rebecca and Marcus comes crashing down all around them. When the plot thickens, Rebecca thinks she's getting in over her head. But when she looks into Marcus's eyes, she just can't resist.

This is part 2. 18+ due to sexual situations. The charade between Rebecca and Marcus comes crashing down all around them. When the plot thickens, Rebecca thinks she's getting in over her head. But when she looks into Marcus's eyes, she just can't resist.

A standalone, contemporary romance story

A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.