The Black Humanist Experience

The first book dedicated entirely to humanists of African descent, The Black Humanist Experience gives African American humanists the opportunity to discuss their reasons for leaving the religious fold and embracing a humanist life stance. As a minority within a minority, African American humanists may often feel isolated and misunderstood. These thoughtful essays help to draw attention to the vitality of the humanist movement within the black community and they put many myths about humanists to rest. Contrary to popular stereotypes, most humanists do not reject religion out of disillusionment, ignorance, desperation, or misanthropy. The contributors to this volume demonstrate that the decision to adopt the humanist viewpoint is based on intellectual honesty and the best information provided by science, history, comparative religion, and other scholarly disciplines. Moreover, they show that a central concern of humanists of all races is preservation and promotion of what humanist philosopher Paul Kurtz calls "the common moral decencies" shared by most religious and ethical systems. At a time when faith-based organizations are favored politically, especially within the black community, this timely collection of essays shows that humanism, with its emphasis on reason, free inquiry, moral decency, and justice, offers much to the challenges facing African Americans.

This collection demonstrates the strong influence that humanism and freethought had in developing the history and ideals of black intellectualism. Most people are quick to note the profound influence that religion has played in African-American history: consoling the downtrodden slave or inspiring the abolitionists, the underground railroad, and the civil rights movement. But few are aware of the role humanism played in shaping the black experience: developing the thought and motivating the actions of powerful African-American intellectuals. Section One of this book offers biographical sketches of such prominent black humanists as Frederick Douglass, Cheikh Anta Diop, W.E.B. DuBois, Hubert H. Harrison, and Richard Wright. Section Two features essays by black humanists: Douglass, DuBois, Charles W. Faulkner, Langston Hughes, Zora Neale Hurston, Ishmael Jaffree, Claude McKay, Melvin B. Tolson, and Bruce Wright. Section Three offers the views of contemporary black African humanists: Freda Amakye Ansah, Emmanuel Kofi Mensah, Nkeonye Otakpor, Franz Vanderpuye, and Kwasi Wiredu. Section Four contains interviews conducted by Allen on the subjects of black humanist activism, the Afroasiatic roots of classical civilization, and the Harlem Renaissance with: Martin G. Bernal, Charles Faulkner, Leonard Harris, Norman Hill, and Alaine Locke.

This book presents an intellectual history and theoretical exploration of black humanism since the civil rights era. Humanism is a human-centered approach to life that considers human beings to be responsible for the world and its course of history. Both the heavily theistic climate in the United States as well as the dominance of the Black Church are responsible for black humanism’s existence in virtual oblivion. For those who believe the world to be one without supernatural interventions, human action matters greatly and is the only possible mode for change. Humanists are thus committed to promoting the public good through human effort rather than through faith. Black humanism originates from the lived experiences of African Americans in a white hegemonic society. Viewed from this perspective, black humanist cultural expressions are a continuous push to imagine and make room for alternative life options in a racist society. Alexandra Hartmann counters religion’s hegemonic grasp and uncovers black humanism as a small yet significant tradition in recent African American culture and cultural politics by studying its impact on African American literature and the ensuing anti-racist potentials. The book demonstrates that black humanism regards subjectivity as embodied and is thus a worldview that is characterized by a fragile hope regarding the possibility of progress – racial and otherwise – in the country.

Who are the "Nones"? What does humanism say about race, religion and popular culture? How do race, religion and popular culture inform and affect humanism? The demographics of the United States are changing, marked most profoundly by the religiously unaffiliated, or what we have to come to call the "Nones". Spread across generations in the United States, this group encompasses a wide range of philosophical and ideological perspectives, from some in line with various forms of theism to those who are atheistic, and all sorts of combinations in between. Similar changes to demographics are taking place in Europe and elsewhere. Humanism: Essays on Race, Religion and Popular Culture provides a much-needed humanities-based analysis and description of humanism in relation to these cultural markers. Whereas most existing analysis attempts to explain humanism through the natural and social sciences (the "what" of life), Anthony B. Pinn explores humanism in relation to "how" life is arranged, socialized, ritualized, and framed. This ground-breaking publication brings together old and new essays on a wide range of topics and themes, from the African-American experience, to the development of humanist churches, and the lyrics of Jay Z.

A short introduction to Black Humanism: its history, its present, and the rich cultural sensibilities that infuse it In the United States, to be a Black American is to be a Black Christian. And there’s something to this assumption in that the vast majority of African Americans are Christian. However, in recent years a growing number of African Americans have said they claim no particular religious affiliation—they are Black "nones." And of these Black "nones," the most public and vocal are those who claim to be humanists. What does it mean to be a Black humanist? What do Black humanist believe, and what do they do? This slim volume answers these questions. Animated by six central principles, and discussed in terms of its history, practices, formations, and community rituals, this book argues that Black humanism can be understood as a religious movement. Pinn makes a distinction between theism and religion—which is simply a tool for examining, naming, and finding the meaning in human experience. Black humanism, based on this definition isn’t theistic but it is a religious system used to explore human experience and foster life meaning. It infuses humanism with rich cultural sensibilities drawn from Black experience. As shown in these pages, thinking about Black humanism this way frees readers from making unfounded assumptions and enables them to better appreciate the secular “beliefs,” ritual structures, and community formation constituted by Black humanists.

"The Origins of Black Humanism in America is a provocative examination of the religious and intellectual roots of African American humanist thought and praxis that weaves together history, biography, literary criticism, cultural studies, political theory, and religious studies drawn from widely scattered sources across the African diaspora. Floyd-Thomas tells the remarkable story of Reverend E. Ethelred Brown - a Jamaican immigrant ordained as a Unitarian minister in the early twentieth century - who founded the Harlem Unitarian Church, the first fellowship established by Unitarians of African descent in North America. By linking Brown's pioneering efforts in the Unitarian Church to the many varied expressions of religious and secular humanism within the African American experience, Floyd-Thomas offers a groundbreaking narrative that brings to life the overlooked legacy of visionary Black men and women who have led prophetic struggles for social justice in a desperate era, ultimately transforming liberal faith, working-class radicalism, and cultural nationalism in order to redefine contemporary notions of race and religion for a new generation."--BOOK JACKET.

Feminism and atheism are “dirty words” that Americans across the political spectrum love to debate—and hate. Throw them into a blender and you have a toxic brew that supposedly defies decency, respectability, and Americana. Add an “unapologetically” Black critique to the mix and it’s a deal-breaking social taboo. Putting gender at the center of the equation, progressive “Religious Nones” of color are spearheading an anti-racist, social justice humanism that disrupts the “colorblind” ethos of European American atheist and humanist agendas, which focus principally on church-state separation. These critical interventions build on the lived experiences and social histories of segregated Black and Latinx communities that are increasingly under economic siege. In this context, Hutchinson makes a valuable and necessary call for social justice change in a polarized climate where Black women’s political power has become a galvanizing national force.

African American theologians tend not to find philosophy as a meaningful tool to advance their theological positions. African Americans and Christianity offers an engaging and thorough bridge between African American theology and philosophy of religion.