The Blackwell Guide To Postmodern Theology

This book explores contemporary ideas in religion

This book explores contemporary ideas in religion

This Companion provides a definitive collection of essays on postmodern theology, drawing on the work of those individuals who have made a distinctive contribution to the field, and whose work will be significant for the theologies written in the new millennium. The definitive collection of essays on postmodern theology, drawing on the work of those individuals who have made a distinctive contribution to the field. Each essay is introduced with a short account of the writer's previous work, enabling the reader to view it in context. Discusses the following desciplines: Aesthetics, Ethics, Gender, Hermeneutics, Phenomenology, Heideggerians, and Derrideans. Edited by Graham Ward, one of the most outstanding and original theologians working in the field today.

Postmodern Theology consists in a sharp-edged retrospective and reflection on the forty-year history of the most important movement in contemporary religious thought that is only now passing from the scene. The author, Dr. Carl Raschke, is generally credited with having sparked the movement, even if he did not always happen to be its leading spokesperson. Not only has a comprehensive survey of postmodern theology in all its different phases and complexity not been published prior to the appearance of this book, but it is even more remarkable for someone who both “launched” it and had a central role in shepherding it along to offer what may be termed a “movement memoir.” Postmodern Theology surveys and summarizes the major figures and trends that have given currency to such familiar expressions as “deconstruction,” “deconstructive theology,” “radical theology,” “a/theology,” “God is dead,” and of course, “postmodernism” itself. Dr. Raschke also contextualizes the emergence of these catchy phrases from a frothy soup of new intellectual theories and philosophical innovations, which were international in scope but customized for both academic and popular religious writers—mainly in Britain and America—from the late 1960s onward.

The Blackwell Guide to Theology of Popular Culture outlines various general theories of popular culture, identifies theologians and theological concepts that are conducive to analyzing popular culture, and explores religious themes that are asserting themselves through popular movies, novels, music, television shows and advertising. A timely examination and contribution to the rapidly expanding field of theology and popular culture Locates the theological analysis of culture alongside political, sociological, economic, aesthetic and psychological analyses Surveys the work of religious and theological scholars who have turned their attention to popular culture Considers classic Christian thinkers who have wrestled with culture, such as St. Paul, Tertullian, Augustine, Schleiermacher, Tillich, and Ricoeur Proposes a method for analysing culture to discern its religious content Identifies religious themes in popular culture Uses illustrations, ranging from the fiction of Nick Hornby to Six Feet Under An appendix provides lists of films, novels, television series, consumer products, architectural works, cultural events, and corporate icons that lend themselves to theological analysis.

What in the world is postmodernity? Is it the dominant reality today? If it is, what does it mean to be a church in a postmodern world? It seems that the church had a difficult time coming to terms with a modern world, an era ruled by the claims of scientific certainty. Having done so, more or less, it is now confronted by the claims of postmodernity, which seem to reverse the whole equation, to say that certainty and objectivity are chimeras. What is truth?" Pilate asked, and postmodernity 'at least as caricatured by its opponents 'responds: "There's no such thing." Gerard Mannion, in Ecclesiology and Postmodernity, addresses the situation of the church in a postmodern world. The fundamental changes in human society and culture wrought by the twentieth century require the church to consider its response in the twenty-first century. What is the church's moral Vision, how does its practice look, what is the nature of its aspiration toward holiness in our times? Mannion believes that since Vatican II, the Catholic Church has been in a kind of limbo, awaiting a Vision of its own life for the future. Rather than focusing on specific controversies, Mannion offers concrete suggestions about how the church can create a better harmony between its own self-understanding, its ecclesiological Vision, and its day-to-day life, its ecclesial practice. Gerard Mannion, PhD, educated at King's College, Cambridge University and New College, Oxford University, is Associate Professor of Ecclesiology and Ethics in the Department of Theology and Religious Studies at Liverpool Hope University, UK. He is also the director of Church In Our Times: Centre for the Study of Contemporary Ecclesiology, co-director of the Applied Ethics Initiative at Liverpool Hope, co-chair of the AAR (American Academy of Religion) Ecclesiological Investigations Program Unit and co-ordinator of the Ecclesiological Investigations International Research Network. Mannion is the author of Schopenhauer, Religion and Morality and co-editor of Readings in Church Authority 'Gifts and Challenges for Contemporary Catholicism, both published by Ashgate in 2003, and co-editor of the forthcoming volumes The Routledge Companion to the Christian Church andCatholic Social Justice: Theological and Practical Explorations. "

This introductory 2003 guide offers examples of different types of contemporary theology and Christian doctrine in relationship to postmodernity.

John Riggs argues for a common ground between postmodernism and Christianity, focusing on how this applies to issues such as reproductive rights and the ordination of women, gay men, and lesbians, and suggest that Christianity avoid the extreme positions of either completely accommodating itself to or completely rejecting postmodern culture.