The Book Of Kells

Barbara Crooker's eighth book of poetry, The Book of Kells, focuses on the illuminated medieval manuscript with a series of meditations on its various aspects, from the ink and pigments used by the scribes and illustrators to the various plants, animals, and figures depicted on its pages, including the punctuation and use of decoration in the capital letters. It also contains poems on the flora and fauna of Ireland (swans, hares, magpies, fuchsia, gorse, crocosmia, etc.) that Crooker encountered during writing residencies at the Tyrone Guthrie Centre in County Monaghan. The third thread in this volume is a series of glosas, a fifteenth-century Spanish form that incorporates a quatrain from other poems; here, Irish writers (Yeats, Heaney, O'Driscoll) provide the embedded lines. In her work, Crooker considers the struggle to pin lines to the page, to tie experience to the written word, to wrestle between faith and doubt, to accept the aging body as it tries to be fully alive in the world. Crooker contrasts the age of faith, when the Book of Kells was created, to our modern age of doubt, and uses as her foundation the old stones of Irish myth and lore from pre-Christian times. She juxtaposes a time when the written word was laborious and sacred against our electronic world, where communication by pixel is easy and brief. Above all, she captures the awe that the word inspired in preliterate times: “The world was the Book of God. The alphabet shimmered and buzzed with beauty.”

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The Book of Kells is the richest and most copiously illustrated book of in the Celto-Saxon style that still survives. However, despite its rarity and fame, there is little that is known about it. Reproducing over sixty of the wonderful images from the book itself, this guide describes the hidden meanings behind the illustrations and opens our eyes to the history behind them. Picking out the most interesting, beautiful and unique images from the 339 vellum leaves that comprise the book as a whole, it gives an illuminating insight into the manuscript and its creation. This book will appeal to everyone from the hundreds of thousands of people visiting the Book of Kells at Trinity College Dublin every year, to those interested in history, art, ancient artefacts or the gospels and anyone with a passion for beautiful objects.

Twenty-eight full-page, ready-to-color illustrations from one of the most beautiful books of the early Middle Ages depict Celtic spirals and interlacings, celestial figures, saints, Celtic crosses, and other finely detailed elements.

A contemporary couple journeys back in time to ancient Ireland in this delightful fantasy by the author of Tea with the Black Dragon. John Thornburn is an artist, mild-mannered and nonviolent. To make ends meet, he teaches some courses in Celtic design. And although his background is half Micmac Indian, he lives in Ireland for two reasons: his far more confrontational and warrior-like girlfriend, Derval O’Keane, and his fascination with the beautiful illuminated manuscript known as the Book of Kells. But he’s about to take a journey to a far more distant place, one that he could not have imagined. Along with Derval, John will find himself in an ancient Celtic realm, where a Viking attack begs to be avenged and a fantastic—and sometimes terrifying—adventure awaits . . . From a master of magical fantasy, the author of the Damiano Trilogy and a winner of the John W. Campbell Award, this is a tale of warriors, love, danger, and Irish history that will cast a spell on anyone who dreams of discovering treasures in long-lost worlds.

"The 1641 Depositions are witness testimonies, mainly by Protestants, but also by some Catholics, from all social backgrounds, concerning their experiences of the 1641 Irish rebellion. The testimonies document the loss of goods, military activity, and the alleged crimes committed by the Irish insurgents. This body of material is unparalleled anywhere in early modern Europe. It provides a unique source of information for the causes and events surrounding the 1641 rebellion and for the social, economic, cultural, religious, and political history of seventeenth- century Ireland, England and Scotland. In total, 19,010 manuscript pages in 31 bound volumes held at Trinity College Dublin have been transcribed and are arranged for publication in 12 volumes from 2014 onwards. The depositions are available online at www.1641.tcd.ie ."--Provided by publisher.

Created between the seventh and ninth centuries AD, The Book of Kells is one of the great cultural icons of the medieval West. In the past, it has received a great deal of popular and scholarly attention, but only recently has its labyrinth of meaning and references begun to be explored. In "The Book of Kells: Its Function and Audience," Carol Ann Farr builds on the work of liturgists, palaeographers, historians, and art historians to go beyond basic analysis to place The Book of Kells in the wider context of use and audience. Farr situates The Book of Kells as part of an evangelical tradition that used the physical appearance of the gospels as a tool of conversion. By examining the manuscript in its political, social, historical, and religious contexts, she provides a fresh perspective on this most famous of insular illuminated texts. In particular, Farr offers new and convincing readings of two of the most difficult images, the 'Temptation' and so-called 'Arrest'.