The Book Of Movie Lists

Guaranteed to encourage conversations (as well as incite arguments), The Book of Movie Lists is an eclectic collection of the best, worst, longest, shortest, most important, least valuable, favorite, and forgettable people, films, and moments in movie history. Fans of all ages will revel in discussing what really was the best screen kiss, and will be surprised to hear of reviewers who were fired for what they wrote. Whether it's the top sci-fi films ever made or the sequels that should never have been made, The Book of Movie Lists provides plenty of fodder for both the serious student of film and the weekend cineplex regular.

Presenting an unparalleled list of motion picture history's true masterpieces, this book analyzes and evaluates all existing top-100 movie lists of the last decade, creating a once-and-for-all meta-list. By combining readers' favorites; critics' polls; and rankings from magazines, institutes, and websites into one list, they have established the 100 films that truly and even objectively deserve to be called the best movies of all time. Each title is discussed in a short, insightful chapter and is accompanied by rare stills. The 100 Greatest Movies of All Time is a unique guidebook to the landmarks of cinema history. It's your ticket for a magnificent trip to movie history's greatest moments.

Describes each type of film category, including such headings as "chainsaws," "multiple roles," and "body switching," and provides a list of films which fit that genre

People love movies. People love lists. So The A-List is a natural. While there are plenty of encyclopedic lists of films, this compulsively readable book of 100 essays -- most written expressly for this volume-flags the best of the best as chosen by a consensus of the National Society of Film Critics. The Society is a world-renowned, marquee -- name organization embracing some of America's most distinguished critics: more than forty writers who have national followings as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis. But make no mistake about it: This isn't a collection of esoteric "critic's choice" movies. The Society has made its selections based on a film's intrinsic merits, its role in the development of the motion-picture art, and its impact on culture and society. Some of the choices are controversial. So are some of the omissions. It will be a jumping-off point for discussions for years to come. And since the volume spans all international films from the very beginning, it will act as a balance to recent guides dominated by films of the last two decades (hardly film's golden age). Here is a book that is definitely ready for its close-up.