The Book Of Musical Knowledge

Examines the tension between intuitive and analytical ways of making sense of the world by exploring musical knowledge and experience.

Excerpt from The Book of Musical Knowledge: The History, Technique, and Appreciation of Music, Together With Lives of the Great Composers; For Music-Lovers, Students, and Teachers This book has been planned with a view to placing before the gen eral reader the main facts that will enable him to appreciate music intelligently. One often hears the remark, I'm fond of music, but I don't understand it. The present work has been written with the idea of enabling the non-musician to comprehend the real meaning of the tonal art, and to familiarize himself with the value of the great composers' works, the use of the instruments, the various mu sical forms, and a number of subjects of similar importance. At the same time, certain other technical topics have been in cluded. While these have been presented in such a way as to be un derstood by the non-musician, they have been given with sufficient thoroughness to make the work useful also as a textbook. It is there fore fitted to the needs of students and teachers, as well as amateurs. An effort has been made to condense the chief points of a general musical education into a single volume. While this book should prove of interest to the average reader, a course of study has been added, which will make it suitable for use in high schools or colleges also, or in any institution that aims to give a course in the under standing of music. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.