The Book Of Psalms For Singing

Christians know the Psalms, sing the Psalms, and pray the Psalms more than any other book of the Bible. Yet, even as believers have grown more devoted to individual psalms, they have lost the big picture-the single sense that unites all the psalms as one coherent book. Michael Barber is at the forefront of an emerging movement in biblical theology. With this book, he is recovering the narrative plot that was the common heritage of Jews and Christians in the ancient world. Barber shows how King David serves as an example for the chosen people as they struggled in exile. As David was rescued by the Lord, so would Israel be restored as a kingdom for all ages. This is the story of Christ as well, whom Barber reveals as the "new David." And, in Christ, it is the story of every Christian. The Psalms bring us-in our reading and in our prayer-from suffering and pleading to glory, triumph, and praise. Barber's analysis follows upon an extensive introduction by Scott Hahn, Ph.D., detailing the historical, cultural, and theological background of the Psalter.

During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes and educational abilities memorized and sang poetic versifications of the psalms. Those written by Thomas Sternhold and John Hopkins became the most popular, and the simple tunes developed and used by English and Scottish churches to accompany these texts were carried by soldiers, sailors and colonists throughout the English-speaking world. Among these tunes were a number that are still used today, including ‘Old Hundredth’, ‘Martyrs’, and ‘French’. This book is the first to consider both English and Scottish metrical psalmody, comparing the two traditions in print and practice. It combines theological literary and musical analysis to reveal new and ground-breaking connections between the psalm texts and their tunes, which it traces in the English and Scottish psalters printed through 1640. Using this new analysis in combination with a more thorough evaluation of extant church records, Duguid contends that Britain developed and maintained two distinct psalm cultures, one in England and the other in Scotland.

Unique, Powerful Way All Believers Can Experience Breakthrough In the Bible, Moses sang. Miriam sang. So did Deborah, David, Mary, Paul, the angels, and so many more. The Israelites went to war singing; they sang over victories, over happy moments and hard moments. They knew something we've lost sight of: When we learn to sing God's words back to Him, we align the deepest spaces of our hearts with the deepest places of His--and we experience breakthrough. So why do we relegate singing the Word to just worship teams? Julie Meyer, a Dove-nominated artist and worship leader, has been teaching all believers how to do just this. She shows that you don't need to know how to read music or even sing in tune. All you need is Scripture and a willingness to engage God in song. As you do, you will see heartache turn into hope, despair into destiny, fear into fearlessness. You stand on the Word, pray it, and even memorize it. Now it's time to sing it.

The Psalms were composed for singing. In Old and New Testament times, and throughout Church history, congregations sung Psalms. Despite renewed interest in Psalmody, few books explain how the Psalms function as hymns for Christ-centred worship. Singing the Songs of Jesus fills that gap without shying away from difficulties, like the doubts and curses of the Psalms. This study shows why the Psalms are suited for Christian praise and how to use them for powerful and relevant worship.

This guide to the book of Psalms helps women understand the original context of each psalm and see their lives as part of the unfolding plan of God.