The Book Of Reykjavik

Reluctant to observe a new family tradition, a boy finds himself stranded outside a graveyard on the night before Christmas... Three farming brothers, forced to relocate to the city by poor harvests, discover an unexpected demand for their green-fingered talents... Residents of a new apartment block are woken in the early hours by the eerie sound of a table saw that once operated on the building’s grounds... Iceland is a land of stories; from the epic sagas of its mythic past, to its claim today of being home to more writers, more published books and more avid readers, per head, than anywhere in the world. As its capital (and indeed only city), Reykjavik has long been an inspiration for these stories. But, as this collection demonstrates, this fishing-village-turned-metropolis at the farthest fringe of Europe has been both revered and reviled by Icelanders over the years. The tension between the city and the surrounding countryside, its rural past and urban present, weaves its way through The Book of Reykjavik, forming an outline of a fragmented city marked by both contradiction and creativity. Includes a foreword written by award-winning Icelandic author Sjón. Translated from the Icelandic by Victoria Cribb, Philip Roughton, Lytton Smith, Meg Matich and Larissa Kyzer. Published with the support of the Icelandic Literature Center.

Hlynur Bjorn sleeps in. He surfs the Web. He tests the efficacy of various pornography. And at night, he hits the K-bar for a few drinks, maybe a tab of E, and perhaps a bit of sex before another crash. He'd blithely remain in this cycle forever, but when his part-time girlfriend reveals she's pregnant, his way of life is threatened. Hlynur withdraws and becomes obsessed with his mother's best friend, only to discover, after he's shagged her, that she's his mother's lesbian lover. And just when you believe he couldn't twist up his life any further, Hlynur finds a way. Icelandic novelist HallgrÍmur Helgason inhabits his antihero's mind with marvelous acuity, subversive wit, and devilish charm. Hlynur is a true product of our postmodern global culture. Well beyond slackerdom, he lives at home with his mother and depends on social welfare. He's a quick-witted and articulate young man, and there's nothing wrong with him -- other than a total lack of ambition, an off-kilter sense of morality, and a nagging set of existential woes. Against the backdrop of ReykjavÍk's storied nightlife and amid the swelling global presence of Icelandic culture, Helgason portrays with brutal honesty and humor a young man who takes uselessness to new extremes, and for whom redemption may not be an option. 101 ReykjavÍk is a spectacularly inventive, darkly comic tale of depraved and inspired humanity.

THE LIVING Erlendur has recently joined the police force as a young officer and immediately sinks into the darkness of Reykjavik's underworld. Working nights, he discovers the city is full of car crashes, robberies, drinkers and fighters. And sometimes an unexplained death. THE LOST A homeless man Erlendur knows is found drowned. But few people care. Or when a young woman on her way home from a club vanishes. Both cases go cold. THE SEARCHER Two lost people from two different worlds. Erlendur is not an investigator, but his instincts tell him their fates are worth pursuing. How could they be linked? IN THE HEART OF THE NIGHT Inexorably, he is drawn into the blackness of the city’s underbelly, where everyone is in the dark or on the run. 'One of the most accomplished series of detective novels in modern crime fiction' - Sunday Times 'An international literary phenomenon - and it's easy to see why. His novels are gripping, authentic, haunting and lyrical' - Harlan Coben

The dramatic, first-hand account of the historic 1986 Reagan-Gorbachev summit in Iceland—the definitive weekend that was the key turning point in the Cold War—by President Reagan’s arms control director, Ken Adelman. In October 1986, Ronald Reagan and Mikhail Gorbachev met for a forty-eight-hour summit in Reykjavik, Iceland. Planned as a short, inconsequential gathering to outline future talks, the meeting quickly turned to major international issues, including the strategic defense initiative and the possibility of eliminating all nuclear weapons—negotiations that laid the groundwork for the most sweeping arms accord in history the following year. Scrupulously researched and based on now-declassified information, Reagan at Reykjavik tells the gripping tale of this weekend that changed the world. Filled with illustrative accounts of the private discussions between Reagan and his team, Ken Adelman provides an honest and up-close portrait of President Reagan at one of his finest and most challenging moments. Reagan at Reykjavik includes 16 pages of black-and-white photos and 11 illustrations.

DIVA young mother resorts to smuggling cocaine into Iceland, as she struggles to keep custody of her son, with devastating results ... First in the addictive, award-winning Reykjavik Noir Trilogy by the Queen of Iceland Noir. ***Longlisted for the CWA International Dagger*** 'Stylist, taut and compelling' Daily Express 'Snare will ensnare you' Marie Claire 'A taut, gritty, thoroughly absorbing journey into Reykjavik's underworld' Booklist ––––––––––––––––––––––––––––––––– After a messy divorce, young mother Sonia is struggling to provide for herself and keep custody of her son. With her back to the wall, she resorts to smuggling cocaine into Iceland, and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer, whose years of experience frustrate her new and evermore daring strategies. Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash. Set in a ReykjavÍk still covered in the dust of the EyjafjallajÖkull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Snare is an outstandingly original and sexy Nordic crime thriller, from one of the most exciting new names in crime fiction. ––––––––––––––––––––––––––––––––––––– 'A tense thriller with a highly unusual plot and interesting characters' The Times 'Tense, edgy and delivering more than a few unexpected twists and turns' Sunday Times 'Sharp shocks of chapters hit with increasing energy ... a towering powerhouse of read and I gobbled it up in one intense sitting' LoveReading 'The intricate plot is breathtakingly original, with many twists and turns you never see coming. Thriller of the year' New York Journal of Books 'This first novel of a planned trilogy is stylish, taut and compelling and a film adaptation is in the pipeline. With characters you can't help sympathising with against your better judgement, Sigurdardottir takes the reader on a breathtaking ride' Daily Express 'Lilja Sigurdardottir delivers a diabolically efficient thriller with an ultrarealistic plot ... We cannot wait for Sonja's next adventure' L'Express 'A smart, ambitious, and hugely satisfying thriller. Striking in its originality and written with all the style and poise of an old hand. Lilja is destined for Scandi super stardom' Eva Dolan 'For a small island, Iceland produces some extraordinary writers, and Lilja is one of the best. Snare is an enthralling tale of love and crime that stays with you long after you have turned the last page' Michael Ridpath 'Zips along, with tension building and building ... thoroughly recommended' James Oswald 'Crisp, assured and nail-bitingly tense, Snare is an exceptional read, cementing Lilja’s place as one of Iceland’s most outstanding crime writers’ Yrsa Sigurdardottir ‘Clear your diary. As soon as you begin reading Snare, you won’t be able to stop until the final page’ Michael Wood ‘Snare is a great read and the finale is both shocking and unexpected … a Wizard-of-Oz ending, without the laughs. Terrific and original stuff' European Literature Network/div

“Will appeal to readers of Elena Ferrante and Margaret Atwood . . . the unusual setting offers an interesting twist on the portrait of an artist as a young woman.” —Bookpage In 1960s Iceland, Hekla dreams of being a writer. In a nation of poets, where each household proudly displays leatherbound volumes of the Sagas, and there are more writers per capita than anywhere else in the world, there is only one problem: she is a woman. After packing her few belongings, including James Joyces’s Ulysses and a Remington typewriter, Hekla heads for Reykjavik with a manuscript buried in her bags. She moves in with her friend Jon, a gay man who longs to work in the theatre, but can only find dangerous, backbreaking work on fishing trawlers. Hekla’s opportunities are equally limited: marriage and babies, or her job as a waitress, in which harassment from customers is part of the daily grind. The two friends feel completely out of place in a small and conservative world. And yet that world is changing: JFK is shot. Hemlines are rising. In Iceland, another volcano erupts and Hekla meets a poet who brings to light harsh realities about her art—as she realizes she must escape to find freedom abroad, whatever the cost. Miss Iceland, a winner of two international book awards, comes from the acclaimed author of Hotel Silence, which received the Icelandic Literary Prize. “Only a great book can make you feel you’re really there, a thousand miles and a generation away. I loved it.” —Kit de Waal, author of My Name is Leon “[A] winning tale of friendship and self-fulfillment.” —Publishers Weekly, starred review

Drugs, smuggling, big money and political intrigue in Iceland rally with love, passion, murder and betrayal until the winner takes all ... in the masterful, explosive conclusion to the award-winning ReykjavÍk Noir trilogy... ***Guardian Book of the Year*** ***WINNER of the Best Icelandic Crime Novel of the Year*** 'Tough, uncompromising and unsettling' Val McDermid 'One of the darkest and most compelling series in modern crime fiction ... Tackling topical issues, the book will tell you a great deal about why the world's in the state it is, while never neglecting its duty to entertain' Sunday Express 'A tense thriller with a highly unusual plot and interesting characters' The Times _________________ The prison doors slam shut behind Agla, when her sentence ends, but her lover Sonja is not there to meet her. As a group of foreign businessmen tries to draw Agla into an ingenious fraud that stretches from Iceland around the world, Agla and her former nemesis, MarÍa find the stakes being raised at a terrifying speed. Ruthless drug baron Ingimar will stop at nothing to protect his empire, but he has no idea about the powder keg he is sitting on in his own home. At the same time, a deadly threat to Sonya and her family brings her from London back to Iceland, where she needs to settle scores with longstanding adversaries if she wants to stay alive... _________________ Praise for the Reykjavik Noir Trilogy: 'Cage is the muted and more credible conclusion to a wayward, but diverting trilogy that began with Snare (2017) and continued with Trap (2018) — ironic titles for essentially escapist fiction ... Compassion beats complexity every time' The Times 'In keeping with a lot of Icelandic fiction, Cage is written in a clean, understated style, the author letting the reader put together the emotional beats and plot developments. Smart writing with a strongly beating heart' Big Issue 'Deftly plotted though and with a forensic attention to the technicalities of stock exchange manipulations and drug running techniques' Crime Time 'With shocks and surprises in store, and that oh so satisfying end, Cage provoked, chilled, and thrilled me' LoveReading 'A novel about survival, about scheming, it's about self-preservation and about clinging to a vestige of decency in a screwed up world. Superbly translated by Quentin Bates, who knows the language, the country, the people and crime writing intimately. Cage is a pacy thriller; you will find yourself invested in the story' New Books Magazine 'An emotional suspense rollercoaster on a par with The Firm, as desperate, resourceful, profoundly lovable characters scheme against impossible odds' Alexandra Sokoloff 'Clear your diary. As soon as you begin reading ... you won't be able to stop until the final page' Michael Wood 'Zips along, with tension building and building ... thoroughly recommend' James Oswald 'The intricate plot is breathtakingly original, with many twists and turns you never see coming. Thriller of the year' New York Journal of Books