The Burglar

A cunning thief is on the run for her life in a breakneck thriller from the New York Times–bestselling “master of nail-biting suspense” (Los Angeles Times). Elle Stowell is a young woman with an unconventional profession: burglary. But Elle is no petty thief—with just the right combination of smarts, looks, and skills, she can easily stroll through ritzy Bel Air neighborhoods and pick out the perfect home for plucking the most valuable items. This is how Elle has always gotten by—she is good at it, and she thrives on the thrill. But after stumbling upon a grisly triple homicide while stealing from the home of a wealthy art dealer, Elle discovers that she is no longer the only one sneaking around. Somebody is searching for her. As Elle realizes that her knowledge of the high-profile murder has made her a target, she races to solve the case before becoming the next casualty, using her breaking-and-entering skills to uncover the truth about exactly who the victims were and why someone might have wanted them dead. With high-stakes action and shocking revelations, The Burglar will keep readers on the edge of their seats as they barrel towards the heart-racing conclusion. “The fact is, there are probably only half a dozen suspense writers now alive who can be depended upon to deliver high voltage shocks . . . Thomas Perry is one of them.” —Stephen King

Bookseller and New-Yorker-to-the-bone, Bernie Rhodenbarr rarely ventures out of Manhattan, but he's excited about the romantic getaway he has planned for himself and current lady love Lettice at the Cuttleford House, a remote upstate b&b. Unfortunately, Lettice has a prior engagement—she's getting married . . . and not to Bernie—so he decides to take best buddy Carolyn instead. A restful respite from the big city's bustle would be too good to waste. Besides, there's a very valuable first edition shelved in the Cuttleford's library that Bernie's just itching to get his hands on. Did we neglect to mention that Bernie's a burglar? But first he's got to get around a very dead body on the library floor. The plot's thickened by an isolating snowstorm, downed phone lines, the surprise arrival of Lettice and her reprehensible new hubby, and a steadily increasing corpse count. And it's Bernie who'll have to figure out whodunit . . . or die.

Now an original series from FX starring Jeff Bridges, John Lithgow, and Amy Brenneman: a retired intelligence officer living off the grid is caught in “[a] harrowing hunt-and-hide adventure” (The New York Times). To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most sixty-year-old widowers don’t have multiple driver’s licenses, savings stockpiled in banks across the country, or two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run. Thirty-five years ago, as a young army intelligence hotshot, Chase was sent to Libya to covertly assist a rebel army. When the plan turned sour, Chase acted according to his conscience—and triggered consequences he never could have anticipated. To this day, someone still wants him dead. And just when he thought he was finally safe, Chase is confronted with the history he spent much of his life trying to escape. Edgar Award–winning author Thomas Perry writes thrillers that move “almost faster than a speeding bullet” (Wall Street Journal). The Old Man is his latest whip-smart standalone novel, and has been adapted into a critically acclaimed television series starring Jeff Bridges as retired CIA Agent Dan Chase. “Perry drives deep into Jack Reacher territory in this stand-alone [novel] . . . Swift, unsentimental, and deeply satisfying.” —Kirkus Reviews

For the first time, the best work of a distinctive master of American noir is available in authoritative e-book editions from The Library of America. In The Burglar (1953), first published like all his later novels as a paperback original, David Goodis explores his characteristic notion of the criminal gang as surrogate family, wracked by thwarted aspirations and contradictory desires. Other David Goodis novels available as Library of America E-Book Classics include: Nightfall, Dark Passage, The Moon in the Gutter, and Street of No Return.

Encompassing nearly 2,000 years of heists and tunnel jobs, break-ins and escapes, A Burglar's Guide to the City offers an unexpected blueprint to the criminal possibilities in the world all around us. You'll never see the city the same way again. At the core of A Burglar's Guide to the City is an unexpected and thrilling insight: how any building transforms when seen through the eyes of someone hoping to break into it. Studying architecture the way a burglar would, Geoff Manaugh takes readers through walls, down elevator shafts, into panic rooms, up to the buried vaults of banks, and out across the rooftops of an unsuspecting city. With the help of FBI Special Agents, reformed bank robbers, private security consultants, the L.A.P.D. Air Support Division, and architects past and present, the book dissects the built environment from both sides of the law. Whether picking padlocks or climbing the walls of high-rise apartments, finding gaps in a museum's surveillance routine or discussing home invasions in ancient Rome, A Burglar's Guide to the City has the tools, the tales, and the x-ray vision you need to see architecture as nothing more than an obstacle that can be outwitted and undercut. Full of real-life heists-both spectacular and absurd-A Burglar's Guide to the City ensures readers will never enter a bank again without imagining how to loot the vault or walk down the street without planning the perfect getaway.

The never-before-told full story of the history-changing break-in at the FBI office in Media, Pennsylvania, by a group of unlikely activists—quiet, ordinary, hardworking Americans—that made clear the shocking truth and confirmed what some had long suspected, that J. Edgar Hoover had created and was operating, in violation of the U.S. Constitution, his own shadow Bureau of Investigation. It begins in 1971 in an America being split apart by the Vietnam War . . . A small group of activists—eight men and women—the Citizens Commission to Investigate the FBI, inspired by Daniel Berrigan’s rebellious Catholic peace movement, set out to use a more active, but nonviolent, method of civil disobedience to provide hard evidence once and for all that the government was operating outside the laws of the land. The would-be burglars—nonpro’s—were ordinary people leading lives of purpose: a professor of religion and former freedom rider; a day-care director; a physicist; a cab driver; an antiwar activist, a lock picker; a graduate student haunted by members of her family lost to the Holocaust and the passivity of German civilians under Nazi rule. Betty Medsger's extraordinary book re-creates in resonant detail how this group of unknowing thieves, in their meticulous planning of the burglary, scouted out the low-security FBI building in a small town just west of Philadelphia, taking into consideration every possible factor, and how they planned the break-in for the night of the long-anticipated boxing match between Joe Frazier (war supporter and friend to President Nixon) and Muhammad Ali (convicted for refusing to serve in the military), knowing that all would be fixated on their televisions and radios. Medsger writes that the burglars removed all of the FBI files and, with the utmost deliberation, released them to various journalists and members of Congress, soon upending the public’s perception of the inviolate head of the Bureau and paving the way for the first overhaul of the FBI since Hoover became its director in 1924. And we see how the release of the FBI files to the press set the stage for the sensational release three months later, by Daniel Ellsberg, of the top-secret, seven-thousand-page Pentagon study on U.S. decision-making regarding the Vietnam War, which became known as the Pentagon Papers. At the heart of the heist—and the book—the contents of the FBI files revealing J. Edgar Hoover’s “secret counterintelligence program” COINTELPRO, set up in 1956 to investigate and disrupt dissident political groups in the United States in order “to enhance the paranoia endemic in these circles,” to make clear to all Americans that an FBI agent was “behind every mailbox,” a plan that would discredit, destabilize, and demoralize groups, many of them legal civil rights organizations and antiwar groups that Hoover found offensive—as well as black power groups, student activists, antidraft protestors, conscientious objectors. The author, the first reporter to receive the FBI files, began to cover this story during the three years she worked for The Washington Post and continued her investigation long after she'd left the paper, figuring out who the burglars were, and convincing them, after decades of silence, to come forward and tell their extraordinary story. The Burglary is an important and riveting book, a portrait of the potential power of non­violent resistance and the destructive power of excessive government secrecy and spying.

The Burglar, Penn Fawn’s first short story, is urban fiction, aka street literature, which is known for being set in a city landscape featuring a dark mood or tone. The Burglar is that with a twist. The culprit’s inexperience, jitters, and nerves are at the forefront of what pushes this daring tale forward, where his name, and almost nothing about his identity is ever disclosed. An examination of his mindset is what brings this fast paced action feature to its twisted end. The Burglar is the opening tale from a series of other short form writings the author plans to initially individually release. They will then be published as a compilation.

Bernie Rhodenbarr is actually trying to earn an honest living. It's been an entire year since he's entered anyone's abode illegally to help himself to their valuables. But now an unscrupulous landlord's threat to increase Bernie's rent by 1,000% is driving the bookseller and reformed burglar back to a life of crime -- though, in all fairness, it's a very short trip. And when the cops wrongly accuse him of stealing a priceless collection of baseball cards, Bernie's stuck with a worthless alibi since he was busy burgling a different apartment at the time . . . one that happened to contain a dead body locked inside a bathroom. So Bernie has a dilemma. He can trade a burglary charge for a murder rap. Or he can shuffle all the cards himself and try to find the joker in the deck -- someone, perhaps, who believes that homicide is the real Great American Pastime.