The Byzantine Art Of War

A Complete Overview of One of the Most Important Military Forces in the History of the World The Byzantine Art of War explores the military history of the thousand-year empire of the eastern Mediterranean, Byzantium. Throughout its history the empire faced a multitude of challenges from foreign invaders seeking to plunder its wealth and to occupy its lands, from the deadly Hunnic hordes of Attila, to the Arab armies of Islam, to the western Crusaders bent on carving out a place in the empire or its former lands. In order to survive the Byzantines relied on their army that was for centuries the only standing, professional force in Europe. Leadership provided another key to survival; Byzantine society produced a number of capable strategic thinkers and tacticians--and several brilliant ones. These officers maintained a level of professionalism and organization inherited and adapted from Roman models. The innovations of the Byzantine military reforms of the sixth century included the use of steppe nomad equipment and tactics, the most important of which was the refinement of the Roman mounted archer. Strategy and tactics evolved in the face of victory and defeat; the shock of the Arab conquests led to a sharp decline in the number and quality of imperial forces. By the eighth and ninth centuries Byzantine commanders mastered the art of the small war, waging guerrilla campaigns, raids, and flying column attacks that injured the enemy but avoided the decisive confrontation the empire was no longer capable of winning. A century later they began the most sustained, glorious military expansion of their history. This work further sketches the key campaigns, battles, and sieges that illustrate Byzantine military doctrine, vital changes from one era to another, the composition of forces and the major victories and defeats that defined the territory and material well-being of its citizens. Through a summary of their strategies, tactics, and innovations in the tools of war, the book closes with an analysis of the contributions of this remarkable empire to world military history.

This book is a comparative study of military practice in Sui-Tang China and the Byzantine Empire between approximately 600 and 700 CE. It covers all aspects of the military art from weapons and battlefield tactics to logistics, campaign organization, military institutions, and the grand strategy of empire. Whilst not neglecting the many differences between the Chinese and Byzantines, this book highlights the striking similarities in their organizational structures, tactical deployments and above all their extremely cautious approach to warfare. It shows that, contrary to the conventional wisdom positing a straightforward Western way of war and an "Oriental" approach characterized by evasion and trickery, the specifics of Byzantine military practice in the seventh century differed very little from what was known in Tang China. It argues that these similarities cannot be explained by diffusion or shared cultural influences, which were limited, but instead by the need to deal with common problems and confront common enemies, in particular the nomadic peoples of the Eurasian steppes. Overall, this book provides compelling evidence that pragmatic needs may have more influence than deep cultural imperatives in determining a society’s "way of war."

The Art of War has been very simply defined as 'the art which enables any commander to worst the forces opposed to him.' It is therefore conversant with an enormous variety of subjects: Strategy and Tactics are but two of the more important of its branches. Besides dealing with discipline, organization, and armament, it is bound to investigate every means which can be adapted to increase the physical or moral efficiency of an army. Contents: The Transition from Roman to Mediæval Forms in War - A.D. 378–582. The Early Middle Ages - A.D. 476–1066–81. The Byzantines and their Enemies - A.D. 582–1071. The Supremacy of Feudal Cavalry - A.D. 1066–1346. The Swiss - A.D. 1315–1515. The English and their Enemies - A.D. 1272–1485.

Christopher Walter's study of the cult and iconography of Byzantine warrior saints - George, Demetrius, the two Theodores, and dozens more - is at once encyclopaedic and interpretative, and the first comprehensive study of the subject. The author delineates their origins and development as a distinctive category of saint, showing that in its definitive form this coincides with the apogee of the Byzantine empire in the 10th-11th centuries. He establishes a repertory, particularly of their commemorations in synaxaries and their representations in art, and describes their iconographical types and the functions ascribed to them once enrolled in the celestial army: support for the terrestrial army in its offensive campaigns, and a new protective role when the Byzantine Empire passed to the defensive. The survey highlights the lack of historicity among the Byzantines in their approach to the lives of these saints and their terrestrial careers. An epilogue briefly treats the analogous traditions in the cultures of neighbouring peoples. Walter draws attention to the development of an echelon of military saints, notably in church decoration, which provides the surest basis for defining their specificity; also to the way in which they were depicted, generally young, handsome and robust, and frequently 'twinned' in pairs, so calling attention to the importance of camaraderie among soldiers. At the same time, this work opens a new perspective on the military history of the Byzantine Empire. Its ideology of war consistently followed that of the Israelites; protected and favoured by divine intervention, there was no occasion to discuss the morality of a 'just war'. Consequently, when considering Byzantine methods of warfare, due attention should be given to the important role which they attributed to celestial help in their military campaigns.

As a veteran campaigner, the Byzantine emperor Maurice (582-602) compiled a unique and influential handbook intended for the field commander. In this first complete English translation, the Strategikon is an invaluable source not only for early Byzantine history but for the general history of the art of war. Describing in detail weaponry and armor, daily life on the march or in camp, clothing, food, medical care, military law, and titles of the Byzantine army of the seventh century, the Strategikon offers insights into the Byzantine military ethos. In language contemporary, down-to-earth, and practical, the text also provides important data for the historian, and even the ethnologist, including eyewitness accounts of the Persians, Slavs, Lombards, and Avars at the frontier of the Empire.

Warfare, State and Society in the Byzantine World is the first comprehensive study of warfare and the Byzantine world from the sixth to the twelfth century. The book examines Byzantine attitudes to warfare, the effects of war on society and culture, and the relations between the soldiers, their leaders and society. The communications, logistics, resources and manpower capabilities of the Byzantine Empire are explored to set warfare in its geographical as well as historical context. In addition to the strategic and tactical evolution of the army, this book analyses the army in campaign and in battle, and its attitudes to violence in the context of the Byzantine Orthodox Church. The Byzantine Empire has an enduring fascination for all those who study it, and Warfare, State and Society is a colourful study of the central importance of warfare within it.

The Art of War has been very simply defined as "the art which enables any commander to worst the forces opposed to him." This book shows the evolution of European warfare throughout the middle ages from Roman legions to the first use of fire arms: The Transition from Roman to Medieval Forms in War - A.D. 378–582. The Early Middle Ages - A.D. 476–1066–81. The Byzantines and their Enemies - A.D. 582–1071. The Supremacy of Feudal Cavalry - A.D. 1066–1346. The Swiss - A.D. 1315–1515. The English and their Enemies - A.D. 1272–1485.