The Carpetbaggers

A LEGENDARY MASTERPIECE A STORY OF MONEY AND POWER, SEX AND DEATH Jonas Cord coveted his father's fame, fortune, even his young, beautiful wife. When his father died, Jonas swore to possess them all. But Rina Marlow was the celebrated screen goddess no man could master. Her sizzling sensuality might inflame and enthrall millions, but her personal boudoir was no Hollywood fantasy. She consumed her lovers on the fiery rack of her burning desires. Rina and Jonas took Hollywood, the airplane industry, America itself by storm. From New York to LA they brawled, lusted, and carved out an empire, blazoned in banner headlines and their enemies' blood—only to learn that money and power, revenge and renown were not enough. Too much would never be enough—not for Jonas Cord and the relentless Rina Marlowe. The higher they soared, the more their ambition demanded . . . the darker and deadlier their fiery passions grew. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The 2001 invasion of Afghanistan by the United States and coalition forces was followed by a flood of aid representing well over two thousand organizations--each with separate policy initiatives, geopolitical agendas, and socioeconomic interests. This book examines the everyday actions of people associated with this international effort.

Discusses who the carpetbaggers were and the role they played in the reconstruction after the Civil War ended.

Harold Robbins's historical novel of the twentieth century, The Predators, is the defining work of the author's spectacular career. The Predators combines in one novel the finest attributes of A Stone for Danny Fisher and The Carpetbaggers. It will take you on a wild odyssey through the gaudy and reckless life of Jerry Cooper--his struggles to survive in Depression-era New York, his years in Europe during the Second World War, his friends, his lovers, his life in organized crime, and his entrance into the world of high-powered international business. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The 2001 invasion of Afghanistan by United States and coalition forces was followed by a flood of aid and development dollars and “experts” representing well over two thousand organizations—each with separate policy initiatives, geopolitical agendas, and socioeconomic interests. This book examines the everyday actions of people associated with this international effort, with a special emphasis on small players: individuals and groups who charted alternative paths outside the existing networks of aid and development. This focus highlights the complexities, complications, and contradictions at the intersection of the everyday and the geopolitical, showing how dominant geopolitical narratives influence daily life in places like Afghanistan—and what happens when the goals of aid workersor the needs of aid recipients do not fit the narrative. Specifically, this book examines the use of gender, “need,” and grief as drivers for both common and exceptional responses to geopolitical interventions.Throughout this work, Jennifer L. Fluri and Rachel Lehr describe intimate encounters at a microscale to complicate and dispute the ways in which Afghans and their country have been imagined, described, fetishized, politicized, vilified, and rescued. The authors identify the ways in which Afghan men and women have been narrowly categorized as perpetrators and victims, respectively. They discuss several projects to show how gender and grief became forms of currency that were exchanged for different social, economic, and political opportunities. Such entanglements suggest the power and influence of the United States while illustrating the ways in which individuals and groups have attempted to chart alternative avenues of interaction, intervention, and interpretation.

In some places during Reconstruction, the Ku Klux Klan (KKK) was a social fraternity whose members enjoyed sophomoric high jinks and homemade liquor. In other areas, the KKK was a paramilitary group intent on keeping former slaves away from white women and Republicans away from ballot boxes. South Carolina saw the worst Klan violence and, in 1871, President Grant sent federal troops under the command of Major Lewis Merrill to restore law and order. Merrill did not eradicate the Klan, but he arguably did more than any other person or entity to expose the identity of the Invisible Empire as a group of hooded, brutish, homegrown terrorists. In compiling evidence to prosecute the leading Klansmen and restoring at least a semblance of order to South Carolina, Merrill and his men demonstrated that the portrayal of the KKK as a chivalric organization was at best a myth and at worst a lie. Book jacket.

Return to a time when Hollywood was young and the movie industry was just starting out. In Harold Robbins' second novel, he captures a bygone era of entertainment pioneers turning cinematic dreams into reality. The Dream Merchants is a story of powerful men and passionate women, doing whatever they have to in order to succeed. Johnny Edge is a former carny hustler, filled with schemes and ambition. Peter Kessler trades in a life of being stuck in the hardware business for the fortunes of moviemaking. Actress Dulcie Warren isn't afraid to use her sexuality to fulfill her ambitions. And if she has to take someone down to get to the top? That's show business. Their worlds collide on the studio back lots at Magnum Pictures in moments of intrigue and entanglement. Robbins' own experiences at Universal Studios laid the foundation for The Dream Merchants, the novel that would later be made into an all-star miniseries featuring Mark Harmon, Morgan Fairchild, Eve Arden, Robert Culp, Jose Ferrer, Robert Goulet, and Fernando Lamas.