The Cartography Of Sudden Death

Time travel doesn't actually solve problems. It just makes them more complex.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"A master absurdist...Highly recommended." —The New York Times Before the success of her debut SF-and-fantasy novel All the Birds in the Sky, Charlie Jane Anders was a rising star in SF and fantasy short fiction. Collected in a mini-book format, here—for the first time in print—are six of her quirky, wry, engaging best: In "The Fermi Paradox Is Our Business Model," aliens reveal the terrible truth about how humans were created—and why we'll never discover aliens. "As Good as New" is a brilliant twist on the tale of three wishes, set after the end of the world. "Intestate" is about a family reunion in which some attendees aren't quite human anymore—but they're still family. "The Cartography of Sudden Death" demonstrates that when you try to solve a problem with time travel, you now have two problems. "Six Months, Three Days" is the story of the love affair between a man who can see the one true foreordained future, and a woman who can see all the possible futures. They're both right, and the story won the 2012 Hugo Award for Best Novelette. And "Clover," exclusively written for this collection, is a coda to All the Birds in the Sky, answering the burning question of what happened to Patricia's cat. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A mind-blowing anthology of 18 stories bringing you the infinite Earths of the multiverse. Featuring Alastair Reynolds, Ian McDonald, Lavie Tidhar, Eugen Bacon and more. INFINITY. HERE. NOW. What if every decision you’ve ever made created a new reality. A new life, a new world of possibilities for what you could become? What if the best of all possible worlds is just around the corner? Or the worst? This anthology brings together an international cast of luminaries to explore the infinite worlds of what could be. The smashed together chaos of multiple Londons piled on top of each other; a world where a tunnel turns Japan and the United States into close neighbours; catastrophic accidents on multidimensional spacecraft; shadowy organisations and the merciless assassins they control; the unstoppable force of your infinite grandmothers. Explore the infinite beauties and terrors of the multiverse with the finest minds writing in science fiction today, and see what could have been… Featuring stories from: Alvaro Zinos-Amaro Charlie Jane Anders Eugen Bacon Clive Barker Paul Di Filippo Alix E. Harrow Rumi Kaneko (translated by Preston Grassmann) Ken Liu Ian McDonald Annalee Newitz Yukimi Ogawa Chana Porter Alastair Reynolds Jayaprakash Satyamurthy D. R. G. Sugawara Jeffrey Thomas Lavie Tidhar

Classics in Cartography provides an intellectually-driven reinterpretation of a selection of ten touchstone articles in the development of mapping scholarship over the last four decades. The ‘classics’ are drawn exclusively from the international peer-review journal Cartographica and are reprinted in full here. They are accompanied by newly commissioned reflective essays by the original article authors, and other eminent scholars, to provide fresh interpretation of the meaning of the ideas presented and their wider, lasting impact on cartographic research. The book provides an equal balance of influential articles from the past and current commentaries which highlight their impact and current context. Read in combination the original ‘classic’ articles and these new reflective essays demonstrate how cartography works as a powerful representational form and explores how various different aspects of mapping practice have been conceptualized by an influential set of academic researchers. Collates ‘classic’ articles from four decades of the journal Cartographica Brings key articles up-to-date with contemporary interpretative essays by the leading scholars in mapping research Themes covered are the epistemological of mapping practice, the ontological underpinnings of cartographic representation, and the contested societal implications of maps Evaluates the progression of the field of cartographic research and demonstrates how new theoretical ideas originate, develop and circulate Provides a signpost for students and new researchers on the key articles in cartography to read and reflect upon

Geographical works, as socially constructed texts, provide a rich source for historians and historians of science investigating patronage, the governmental initiatives and support for science, and the governmental involvement in early modern commerce. Over the course of nearly two centuries (1594-1789), in adopting and adapting maps as tools of statecraft, the Bourbon Dynasty both developed patron-client relations with mapmakers and corporations and created scientific institutions with fundamental geographical goals. Concurrently, France--particularly, Paris--emerged as the dominant center of map production. Individual producers tapped the traditional avenues of patronage, touted the authority of science in their works, and sought both protection and legitimation for their commercial endeavors within the printing industry. Under the reign of the Sun King, these producers of geographical works enjoyed preeminence in the sphere of cartography and employed the familiar rhetoric of image to glorify the reign of Louis XIV. Later, as scientists and scholars embraced Enlightenment empiricism, geographical works adopted the rhetoric of scientific authority and championed the concept that rational thought would lead to progress. When France Was King of Cartography investigates over a thousand maps and nearly two dozen map producers, analyzes the map as a cultural artifact, map producers as a group, and the array of map viewers over the course of two centuries in France. The book focuses on situated knowledge or 'localized' interests reflected in these geographical productions. Through the lens of mapmaking, When France Was King of Cartography examines the relationship between power and the practice of patronage, geography, and commerce in early modern France.

The relationship of texts and maps, and the mappability of literature, examined from Homer to Houellebecq. Literary authors have frequently called on elements of cartography to ground fictional space, to visualize sites, and to help readers get their bearings in the imaginative world of the text. Today, the convergence of digital mapping and globalization has spurred a cartographic turn in literature. This book gathers leading scholars to consider the relationship of literature and cartography. Generously illustrated with full-color maps and visualizations, it offers the first systematic overview of an emerging approach to the study of literature. The literary map is not merely an illustrative guide but represents a set of relations and tensions that raise questions about representation, fiction, and space. Is literature even mappable? In exploring the cartographic components of literature, the contributors have not only brought literary theory to bear on the map but have also enriched the vocabulary and perspectives of literary studies with cartographic terms. After establishing the theoretical and methodological terrain, they trace important developments in the history of literary cartography, considering topics that include Homer and Joyce, Goethe and the representation of nature, and African cartographies. Finally, they consider cartographic genres that reveal the broader connections between texts and maps, discussing literary map genres in American literature and the coexistence of image and text in early maps. When cartographic aspirations outstripped factual knowledge, mapmakers turned to textual fictions. Contributors Jean-Marc Besse, Bruno Bosteels, Patrick M. Bray, Martin Brückner, Tom Conley, Jörg Dünne, Anders Engberg-Pedersen, John K. Noyes, Ricardo Padrón, Barbara Piatti, Simone Pinet, Clara Rowland, Oliver Simons, Robert Stockhammer, Dominic Thomas, Burkhardt Wolf

Cartography between Christian Europe and the Arabic-Islamic World offers a timely assessment of interaction between medieval Christian European and Arabic-Islamic geographical thought, making the case for significant but limited cultural transfer across a range of map genres.

This book “Preservation in Digital Cartography: Archiving Aspects” should give an overview on how to preserve digital cartographic appli- tions and geospatial data in a sustainable way. The intention of this book is to shape the opinion of affected parties and to bring together various d- ciplines. Therefore adjacent chapters will generally deal with information technologies, Service-Oriented Architectures, cybercartography, reprod- tion and historic cartography, which all together can be subsumed in p- spective cartographic heritage. The survival of this digital cartographic heritage will base on long-term preservation strategies that make use of - tensive dissemination on the one hand and sustainable digital archiving methods on the other. This includes a massive development of paradigm that expands from “store-and-save” to “keep-it-online”. The paradigm “store-and-save” is mainly used for analogue masters that consist of st- age media, like vellum, and their visible content. Avoiding the storage - dia from degeneration in climate-controlled areas will help to keep the content accessible. In the digital domain the high interdependency of st- age media, format, device and applications leads to the paradigm “keep-- online” which for example describes the migration to new storage devices. In fact this expansion of paradigm means that the digital domain calls for ongoing actions in order to preserve cartography for a long term.