The Case Has Altered

The thirteenth mystery for Richard Jury finds the detective investigating the murder of two women in the Lincolnshire fens. Both victims are connected to the wealthy owner of the Fengate estate: one a kitchen maid, and the other, the owner's ex-wife. But Jury has more at stake than just catching a killer, as the prime suspect is a woman who's presence in his life is becoming meaningful in a way he can't explain....

The sun, smoking behind a haze of cloud, threw off a light of burnished pewter. Mysteriously lit, it was as if the watery, colorless land refused drabness, stood determinedly against dimishment. This is a landscape that can easily deceive, a landscape that volunteers nothing, as if to say, You’re on your own, mate—much like the habitues of the only pub for miles around called The Case Has Altered. The Lincolnshire fenlands are the right setting for Richard Jury’s latest case, a mystifying double murder. The body of one woman is found on the wash; another woman lies floating in a canal in Windy Fen. Both women are connected with Fengate: Dorcas Reese, a servant; Verna Dunn, the louche ex-wife of the owner, Max Owen, a man with a passion for antiques. So when the principal suspect turns out to be Jenny Kennington, a woman Jury has long loved, he decides he needs someone inside Fengate, someone who can impersonate an antiques expert…

An early play By Ben Johnson, an English dramatist and contemporary of Shakespeare. There is some doubt as to whether Johnson wrote all of it, or whether he had a collaborator, but the play is considered important because it represents an early attempt by Johnson at comedy.

Edward Jessup, a young psycho-physiologist, experiments with different states of consciousness, obsessed with an addiction to truth and knowledge. He injects himself with psychedelic drugs, lies locked in an isolation tank and experiences all the stages of pre-human consciousness until finally terrible changes take place with him: Jessup also physically transforms into a pre-human being. His thirst for knowledge drives him into ever new, increasingly irreversible transformations. Only the horror when his body begins to dissolve into pure energy brings him back to human bonds... Paddy Chayefsky (January 29, 1923 – August 1, 1981), one of the most important US dramatists, wrote a breath-taking, equally philosophical shocker with his debut novel. In 1980, British director Ken Russell adapted the novel based on Paddy Chayefsky's screenplay - starring: William Hurt, Blair Brown and Drew Barrymore.