The Cigar Factory Of Isay Rottenberg

In 1932, Isay Rottenberg, a Jewish paper merchant, bought a cigar factory in Germany: Deutsche Zigarren-Werke. When his competitors, supported by Nazi authorities, tried to shut it down, the headstrong entrepreneur refused to give up the fight. Isay Rottenberg was born into a large Jewish family in Russian Poland in 1889 and grew up in Lodz. He left for Berlin at the age of eighteen to escape military service, moving again in 1917 to Amsterdam on the occasion of his marriage. In 1932 he moved to Germany to take over a bankrupt cigar factory. With newfangled American technology, it was the most modern at the time. The energetic and ambitious Rottenberg was certain he could bring it back to life, and with newly hired staff of 670 workers, the cigar factory was soon back in business. Six months later, Hitler came to power and the Nazi government forbade the use of machines in the cigar industry so that traditional hand-rollers could be re-employed. That was when the real struggle began. More than six hundred qualified machine workers and engineers would lose their jobs if the factory had to close down. Supported by the local authorities he managed to keep the factory going, but in 1935 he was imprisoned following accusations of fraud. The factory was expropriated by the Deutsche Bank. When he was released six months later thanks to the efforts of the Dutch consul, he brought a lawsuit of his own. His fight for rehabilitation and restitution of his property would continue until Kristallnacht in 1938. The Cigar Factory of Isay Rottenberg is written by two of Rottenberg’s granddaughters, who knew little of their grandfather’s past growing up in Amsterdam until a call for claims for stolen or confiscated property started them on a journey of discovery. It includes an afterword by Robert Rotenberg, criminal defense lawyer and author of bestselling legal thrillers.

A Toronto homicide detective is attacked at his doorstep when his investigation into possible links between the Nazi occupation of Italy and the murder of his brother decades later gets too close to the truth—in the new crime thriller from bestselling author Robert Rotenberg. Perfect for fans of Scott Turow and David Baldacci. It’s been years since Daniel Kennicott’s brother, Michael, was shot and killed the night before he was about to depart for Gubbio, Italy. The case, never solved, has haunted Daniel ever since. Long suspecting the killing was tied to Michael’s planned trip but overwhelmed with grief, Daniel has put off going there—until now, the tenth anniversary of the murder. As he’s about to leave, Daniel learns that his two mentors, detectives Ari Greene and Nora Bering, have been more involved in the investigation of Michael’s murder than he ever knew. And they’re concerned about Daniel’s safety. But why? Is Daniel risking his life—and those of others—by trying to uncover the truth? When Daniel arrives in the bucolic Italian hill town, he learns the past has not been put to rest. Residents are still haunted by the brutal Nazi occupation, the brave acts of the local freedom fighters, and the swift savagery of German retribution. And as Daniel delves into his family’s deadly connection to Gubbio, Ari Greene searches for a killer closer to home. Inspired by the true story of the Forty Martyrs in Gubbio, Italy, during World War II, What We Buried is an extraordinary crime novel about troubled legacies, revenge, and the unbreakable bonds of family.

The History of Cigars in Davenport, Iowa chronicles cigar manufacturing in Davenport. Pictures of cigar boxes and cigar memorabilia are displayed in the book. Information on the cigar factory owners and dates of operation are included.

Patricia A. Cooper charts the course of competition, conflict, and camaraderie among American cigar makers during the two decades that preceded mechanization of their work. In the process, she reconstructs the work culture, traditions, and daily lives of the male cigar makers who were members of the Cigar Makers' International Union of America (CMIU) and of the nonunion women who made cigars under a division of labor called the "team system." But Cooper not only examines the work lives of these men and women, she also analyzes their relationship to each other and to their employers during these critical years of the industry's transition from hand craft to mass production.

Augustine: From Rhetor to Theologian arose from a conference held at Trinity College, Toronto, to celebrate the 1600th anniversary of the conversion to Catholic Christianity of Augustine of Hippo. Fifteen papers from international scholars make up this book. Augustine set his stamp on the Latin Church, yet only in the twentieth century, with its profound, even paradigmatic change did the descendants of that church -- Anglican, Reformed, and Roman Catholic -- recognize the degree to which their inbred attitudes and theological positions were "Augustinian." It is, however, another measure of the importance of Augustine that many aspects of his life and meanings of his writings are still disputed. This continuing investigation and debate is evidenced in this volume.

Catastrophe weaves together compelling stories and potent lessons learned from the calamitous Halifax explosion—the worst non-natural disaster in North America before 9/11. On December 6, 1917, the Canadian city of Halifax, Nova Scotia, was shattered when volatile cargo on the SS Mont-Blanc freighter exploded in the bustling wartime harbour. More than nineteen hundred people were killed and nine thousand injured. Across more than two square kilometres some 1200 homes, factories, schools and churches were obliterated or heavily damaged. Written from a scholarly perspective but in a journalistic style accessible to the general reader, this book explores how the explosion influenced later emergency planning and disaster theory. Rich in firsthand accounts gathered in decades of research in Canada, the US, the UK, France and Norway, the book examines the disaster from all angles. It delivers an inspiring message: the women and men at “ground zero” responded speedily, courageously, and effectively, fighting fires, rescuing the injured, and sheltering the homeless. The book also shows that the generous assistance that later came from central Canada and the US also brought some unhelpful intrusions by outside authorities. Unable to imagine the horror of the initial crisis, they ignored or even vilified a number of the first responders. This book will be of particular interest to disaster researchers and emergency planners along with journalists, and scholars of history, Maritime studies, and Canadian studies.

A collection of readings in Russian philosophical thought.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company. Using numerous examples of US and Nazi military heraldry, Gorgeous War compares the way the American and German militaries developed their graphic and textile design in the interwar period. The book shows how social and cultural design movements like modernism altered and were altered by both militaries. It also explores how nascent corporate culture and war production united to turn national brands like IBM, Coca-Cola, and Disney into multinational corporations that had learned lessons on propaganda and branding that were being tested during the Second World War. What is the legacy of apparently toxic signs like the swastika? The answer may not be what we hoped. Inheritors of the post-Second World War world increasingly struggle to find an escape from an intensely branded environment—to find a place in their lives that is free of advertising and propaganda. This book suggests that we look again at how it is our culture makes that struggle into an appealing Gorgeous War.