The Classic Sporting Art Of Bob White

"A collection of 200 of Bob White's best paintings and drawings-of fly fishing, upland and waterfowl hunting, gamefish, birds, and dogs, and landscapes from Alaska to Patagonia. Text and sidebars provide background and highlight the artist's process"--

As heard on NPR's This American Life “Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air “One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief. On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.

The third novel starring Montana's fly fisherman-cum-detective Sean Stranahan, for fans of C. J. Box and Craig Johnson Wolves howl as a riderless horse returns at sunset to the Culpepper Dude Ranch in the Madison Valley. The missing woman, Nanika Martinelli, is better known as the Fly Fishing Venus, a red-haired river guide who lures clients the way dry flies draw trout. As Sheriff Martha Ettinger follows hoof tracks in the snow, she finds one of the men who has fallen under the temptress’s spell impaled on the antler tine of a giant bull elk, a kill that’s been claimed by a wolf pack. An accident? If not, is the killer human or animal? With painter, fly fisherman, and sometimes private detective Sean Stranahan’s help, Ettinger will follow clues that point to an animal rights group called the Clan of the Three-Clawed Wolf and to their svengali master, whose eyes blaze with pagan fire. In their most dangerous adventure yet, Stranahan and Ettinger find themselves in the crossfire of wolf lovers, wolf haters, and a sister bent on revenge, and on the trail of an alpha male gone terribly wrong.

Eldridge Hardie has made a name for himself as a highly respected sporting artist, capturing in watercolor and oil the heart-in-the-throat moments and the quieter times hunters and fishermen live for. Hardie's art helps us see, feel, understand, and hold on to those times. This book, with 150 paintings carefully and exquisitely reproduced, documents Hardie's lifework. Hardie has painted every kind of sporting scene--Wisconsin grouse hunts, Atlantic salmon camps, southern quail plantations, angling waters in Tierra del Fuego and Scotland, waterfowling on the Santee marsh and Chesapeake Bay, fly fishing the Bahama flats, the Bighorn, Colorado, and South Platte Rivers. He's painted home rivers and close-to-home fields and destinations to dream for. He recalls these times and the paintings that capture them in descriptive text. Workbook pages of preliminary studies and notations from the artist's workbooks are reproduced side by side with the paintings. These notes give a rare look into the artist's creative process.

The perfect fly fishing book for today's novice, enthusiastic amateur, as well as the devoted angler is part narration of the author's own angling obsessions and adventures, part practical how-to, and part meditation on a connection to the natural world.

Trout Bum is a fresh, contemporary look at fly fishing, and the way of life that grows out ofa passion for it. The people, the places, and the accoutrements that surround the sport make a fishing trip more than a set of tactics and techniques. John Gierach, a serious fisherman with a wry sense of humor, show us just how much more with his fishing stories and a unique look at the fly-fishing lifestyle. Trout Bum is really about why people fish as much as it is about how they fish, and it is ultimately about enduring values and about living in a harmony with our environment. Few books have had the impact on an entire generation that Trout Bum has had on the fly-fishing world. The wit, warmth, and the easy familiarity that John Gierach brings to us in Trout Bum is as fresh and engaging now was when it was first published twenty-five years ago. There's no telling how many anglers have quit their jobs and headed west after reading the first edition of this classic collection of fly-fishing essays.

‘Every time I leave the world of work, family and community to wade into a river with fly rod in hand, I enter a sacred space that sometimes finds expression in the written word.’ In Casting into Mystery, writer Robert Reid and wood engraver Wesley W. Bates—avid anglers, both—put ink to paper in homage to the venerable sport of fly fishing. Through text and image, they recall with fondness the ‘company of rivers’ each is grateful to know, providing a glimpse inside a sporting culture teeming with literature, art and music. Part memoir, part objet d’art and part field guide, Casting into Mystery will delight passionate fly fishing practitioners and armchair anglers alike.

This “elegiac tribute to the elusive art and ineffable pleasure of fly-fishing” (Kirkus Reviews) shows us why life’s most valuable lessons—and some of its best experiences—are found while fly-fishing. For John Gierach, “the master of fly-fishing” (Sacramento Bee), fishing is always the answer—even when it’s not clear what the question is. In All Fishermen Are Liars, Gierach travels around North America seeking out quintessential fishing experiences, whether it’s at a busy stream or a secluded lake hidden amid snow-capped mountains. He talks about the art of fly-tying and the quest for the perfect steelhead fly (“The Nuclear Option”), about fishing in the Presidential Pools previously fished by the elder George Bush (“I wondered briefly if I’d done something karmically disastrous and was now fated to spend the rest of my life breathing the exhaust of this elderly Republican”), and the importance of traveling with like-minded companions when caught in a soaking rain (“At this point someone is required to say, ‘You know, there are people who wouldn’t think this is fun’”). And though Gierach loses some fish along the way, he never loses his passion and sense of humor. Wry, contemplative, and lively—that is to say, pure Gierach—All Fishermen Are Liars is a joy to read—and, as always, the next best thing to fishing itself. “From the early days…to his present cult status, Gierach’s candor and canniness at the water’s edge have been consistent…His grizzled, laconic persona is engaging and the voice of the common angler” (The Wall Street Journal).