The Collected Works Of Henri Bergson

Henri Bergson was a French philosopher who was influential in the tradition of continental philosophy, especially during the first half of the 20th century until World War II. Bergson is known for his influential arguments that processes of immediate experience and intuition are more significant than abstract rationalism and science for understanding reality. He was awarded the 1927 Nobel Prize in Literature "in recognition of his rich and vitalizing ideas and the brilliant skill with which they have been presented". In 1930 France awarded him its highest honour, the Grand-Croix de la Legion d'honneur. This edition includes: Laughter: An Essay on the Meaning of the Comic Time and Free Will: An Essay on the Immediate Data of Consciousness Creative Evolution Meaning of the War: Life & Matter in Conflict Dreams

This carefully crafted ebook collection is formatted for your eReader with a functional and detailed table of contents: Laughter: An Essay on the Meaning of the Comic Time and Free Will: An Essay on the Immediate Data of Consciousness Creative Evolution Matter and Memory Meaning of the War: Life & Matter in Conflict Dreams

Musaicum Books presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents:Laughter: An Essay on the Meaning of the ComicTime and Free Will: An Essay on the Immediate Data of ConsciousnessCreative EvolutionMatter and MemoryMeaning of the War: Life & Matter in ConflictDreams

This incisive critique of the thought of Henri Bergson is Jacques Maritain's first book. In it he shows himself already to have an authoritative grasp of the thought of St. Thomas Aquinas and an uncanny ability to show its relevance to alternative systems such as that of Bergson. It would be difficult to overestimate the role that Bergson played in helping French philosophy extricate itself from the deadening materialism which had dominated the Sorbonne. It was that materialism that brought Jacques and Raissa Maritain to the brink of suicide. They drew back for two major reasons. First was the lectures of Henri Bergson in the College de France. Here was an alternative to the thought that had made them suicidal. The second great reason was Leon Bloy and their subsequent conversion to Catholicism.It was not long before their Catholicism turned them to the thought of Thomas Aquinas. When Maritain compared Bergson and Thomas, he was immediately struck by the weaknesses of the former. This book is a relentless criticism of the philosophy of the man whose lectures had meant so much to Maritain. It is a young man's book and twenty-five years later Maritain, while not retracting his criticisms, regretted their triumphal tone. Bergson himself came into the Church on his deathbed. Knowledge of this doubtless caused Maritain to recognize a harmony beyond criticisms of this book. Bergsonian Philosophy and Thomism presents us with a philosopher who mastered his craft, a Thomist who acquired the mind of Thomas himself, and a critic of rare perception and refinement.

“Creative Evolution” is a 1907 book by French philosopher Henri Bergson. Within it, Bergson offers a version of orthogenesis to replace Darwin's evolutionary mechanism, which surmises that evolution is stimulated by a "vital impetus". “Creative Evolution” was hugely popular in the early twentieth century and is highly recommended for those with an interest in evolution and allied subjects. Henri-Louis Bergson (1859–1941) was a French-Jewish philosopher. He had a significant influence on the tradition of continental philosophy during the first half of the twentieth century until World War II, and is famous for his idea that immediate experience and intuition are more important than abstract rationalism and science for understanding the nature of reality. This classic work is being republished now in a new edition complete with a chapter From “Bergson And His Philosophy” by J. Alexander Gunn.

"Under the aegis of time Suzanne Guerlac displaces matter, intuition, memory, and vitalism of the early twentieth century into the wake of poststructuralism and the dilemmas of nature and culture here and now. This book is a landmark for anyone working in the currents of philosophy, science, and literature. The force and vision of the work will enthuse and inspire every one of its readers." ―Tom Conley, Harvard University "In recent years, we have grown accustomed to philosophical language that is intensely self-conscious and rhetorically thick, often tragic in tone. It is enlivening to read Bergson, who exerts so little rhetorical pressure while exacting such a substantial effort of thought.... Bergson's texts teach the reader to let go of entrenched intellectual habits and to begin to think differently--to think in time.... Too much and too little have been said about Bergson. Too much, because of the various appropriations of his thought. Too little, because the work itself has not been carefully studied in recent decades."--from Thinking in Time Henri Bergson (1859-1941), whose philosophical works emphasized motion, time, and change, won the Nobel Prize for Literature in 1927. His work remains influential, particularly in the realms of philosophy, cultural studies, and new media studies. In Thinking in Time, Suzanne Guerlac provides readers with the conceptual and contextual tools necessary for informed appreciation of Bergson's work. Guerlac's straightforward philosophical expositions of two Bergson texts, Time and Free Will (1888) and Matter and Memory (1896), focus on the notions of duration and memory--concepts that are central to the philosopher's work. Thinking in Time makes plain that it is well worth learning how to read Bergson effectively: his era and our own share important concerns. Bergson's insistence on the opposition between the automatic and the voluntary and his engagement with the notions of "the living," affect, and embodiment are especially germane to discussions of electronic culture.

The Nobel Laureate discusses not only how and why he became a philosopher but also his conception of philosophy as a field distinct from science and literature.

This volume brings together generous selections from his major texts: Time and Free Will, Matter and Memory, Creative Evolution, Mind-Energy, The Creative Mind, The Two Sources of Morality and Religion and Laughter. In addition it features material from the Melanges never before translated in English, such as the correspondence between Bergson and William James. The volume will be an excellent textbook for pedagogic purposes and a helpful source book for philosophers working across the analytic/continental divide.