The Collector And The Collected

"Explores the paradigm of "area studies" - a way of supporting regionally-focused collecting, processing, and liaison work - in the academic library, through an explicitly anti-colonial lens"--

From horror superstar K.R. Alexander . . . Something horrible happened to Josie--something so horrible she won't talk about it. But when the horror returns for her little sister, Anna, she's back in the battle against a fearsome force that manifests in diabolically deadly dolls. It's been five years since Josie squared off against the evil Beryl and her killer haunted dolls. She hasn't talked about it since, and likes to pretend it didn't happen. Too bad she didn't tell her younger sister, Anna. Because Anna is now the one being drawn in to the evil -- and the evil has some new tricks this time.

A spooky doll story filled with thrills and chills, for fans of Mary Downing Hahn and Neil Gaiman. Josie always liked visiting her grandmother's house. But when she's forced to move there, she starts to feel like something is a little . . . off. Her grandmother has some very strange rules:Never leave your windows open after dark.No dolls in the house.Never, ever go by the house in the woods.A little spooked, Josie is relieved to find that her school seems pretty normal. She even manages to make friends with a popular girl named Vanessa. When Vanessa invites Josie back to her house to hang out, Josie doesn't question it. Not even when Vanessa takes her into the woods, and down an old dirt road, toward the very house her grandmother had warned her about . . .The house that has been calling for her.

“A sweet and child-sensitive addition to any picture-book collection.” —Kirkus Reviews When Hector comes across an acorn, he discovers a love for collecting them in all shapes and sizes. They were all different. They were all the same. They were all beautiful. One day his teacher finds his desk filled with acorns, and his classmates make fun of poor Hector. But they soon learn that all collections are special—whether coins, stuffed animals, songs, or seashells—and that some collections are also meant for sharing, like the paintings in an art museum or the books at a public library. Hector the Collector is a charming and evocative story that celebrates the joy of collecting and how collections can grow into the most breathtaking museums in the world.

From the beloved bestselling creator of The Dot and our own Happy Dreamer comes an inspiring story about the transformative and profound power of words. Some people collect stamps.Some people collect coins.Some people collect art.And Jerome?Jerome collected words . . . In this extraordinary new tale from Peter H. Reynolds, Jerome discovers the magic of the words all around him -- short and sweet words, two-syllable treats, and multisyllable words that sound like little songs. Words that connect, transform, and empower. From the creator of The Dot and Happy Dreamer comes a celebration of finding your own words -- and the impact you can have when you share them with the world.

A compilation of the first nine issues of the author's sporadically published and widely acclaimed personal zine, this volume reflects the do-it-yourself attitude of the 1990s punk music scene and includes humorous anecdotes, philosophical musings, and nuanced descriptions of odd locales and curious characters, all of which were taken mostly from outside of the punk milieu. This new release of a cult classic shows the far reaching influence of self-publishing with contemporary popular indie culture and bridges the gap between sub-culture and the world at large.

From rare books, valuable sculpture and paintings, the relics of saints, and porcelain and other precious items, through stamps, textiles, military ribbons, and shells, to baseball cards, teddy bears, and mugs, an amazing variety of objects have engaged and even obsessed collectors through the ages. With this captivating book the psychoanalyst Werner Muensterberger provides the first extensive psychological examination of the emotional sources of the never-ending longing for yet another collectible. Muensterberger's roster of driven acquisition-hunters includes the dedicated, the serious, and the infatuated, whose chronic restlessness can be curbed--and then merely temporarily--only by purchasing, discovering, receiving, or even stealing a new "find." In an easy, conversational style, the author discusses the eccentricities of heads of state, literary figures, artists, and psychoanalytic patients, all possessed by a need for magic relief from despair and helplessness--and for the self-healing implied in the phrase "I can't live without it!" The sketches here are diverse indeed: Walter Benjamin, Mario Praz, Catherine the Great, Poggio Bracciolini, Brunelleschi, and Jean de Berry, among others. The central part of the work explores in detail the personal circumstances and life history of three individuals: a contemporary collector, Martin G; the celebrated British book and manuscript collector Sir Thomas Phillipps, who wanted one copy of every book in the world; and the great French novelist Honoré de Balzac, a compulsive collector of bric-a-brac who expressed his empathy for the acquisitive passions of his collector protagonist in Cousin Pons. In addition, Muensterberger takes the reader on a charming tour of collecting in the Renaissance and looks at collecting during the Golden Age of Holland, in the seventeenth century. Throughout, we enjoy the author's elegant variations on a complicated theme, stated, much too simply, by John Steinbeck: "I guess the truth is that I simply like junk." Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.