The Color Of Hunger

Several of the chapters that appear in this book were first presented at a conference on "The Color of Hunger" on April 25, 1992. The book discusses the connections between race and hunger, both domestically and internationally; presents a personal narrative about hunger and poverty among people of color in the United States; probes the use of racial and geographic stereotypes that U.S. hunger relief organizations use in their fund-raising appeals to the general public; provides a psychological analysis of the link between racial prejudice and hunger; discusses the theory that development assistance programs of the United States are saturated with assumptions of white supremacy; analyzes development agencies and the international media; presents a historical summary of the linkage between hunger and race in the contemporary world; and offers case studies of hunger and race in different national contexts. The last chapter urges all to enter the fight against global apartheid.

Richard Alba argues that the social cleavages that separate Americans into distinct, unequal ethno-racial groups could narrow dramatically in the coming decades. In Blurring the Color Line, Alba explores a future in which socially mobile minorities could blur stark boundaries and gain much more control over the social expression of racial differences.

Hunger is one of the governing metaphors for literature in the late nineteenth and twentieth centuries. Beginning in the mid-nineteenth century, writers and critics repeatedly describe writing as a process of starvation, as in the familiar type of the starving artist, and high art as the rejection of 'culinary' pleasures. The Art of Hunger: Aesthetic Autonomy and the Afterlives of Modernism argues that this metaphor offers a way of describing the contradictions of aesthetic autonomy in modernist literature and its late-twentieth-century heirs. This book traces the emergence of a tradition of writing it calls the 'art of hunger', from the origins of modernism to the end of the twentieth century. It focuses particularly on three authors who redeploy the modernist art of hunger as a response to key moments in the history of modernist aesthetic autonomy's delegitimization: Samuel Beckett in post-Vichy France; Paul Auster in post-1968 Paris and New York; and J. M. Coetzee in late apartheid South Africa. Combining historical analysis of these literary fields with close readings of individual texts, and drawing extensively on new archival research, this book offers a counter-history of modernism's post-World War II reception and a new theory of aesthetic autonomy as a practice of unfreedom.

Running Wolf was chosen to lead The White Buffalos over ten years ago, since then helping his people when the calls come in, while also preparing them for the dark day that has been foreseen. When not riding with the wind, his group operates a casino, using the money they raise to help their people. But something is missing in his life, or someone. It seems the Great Sprit has responded to his need in the form of a witch-gypsy, Kizzy Lala, who happens to be helping the last survivors of a people thought long dead. Not only stunning, Kizzy has a heart of gold, but Running Wolf isn’t her only suitor. Kizzy Lala has called in the White Buffalos because the local tribe needs more help than she can give. Kizzy’s life is one of peace until William Teter, a racist jerk trying to destroy the local tribe, decides he wants her. Dodging his touches and calls is hard, but when Running Wolf pulls up with his group of bikers, her brain goes south, relaxing her guard, and making it possible for William to catch her alone one night. Can Running wolf and his biker friends save the small tribe and Kizzy before William Teter takes both, or will the Great Mother call her back into her loving arms, leaving him alone again?

A timely and provocative look at the role political developments and the biology of nutrition play in world famine

A yoga-centric approach to dealing with disordered eating—like overeating, food addiction, and stress eating—and the resulting emotional distress such behaviors can cause Yoga philosophy and practice are increasingly being used therapeutically to help people overcome disordered eating patterns—like overeating, food addiction, and stress eating—and the resulting emotional distress they can cause. Sarahjoy Marsh offers a program using yoga to address food-centered behaviors and body image issues. She illuminates the nature of addiction and offers a methodical approach to recovery that is neither dogmatic nor rigid; rather, it is compassionate, hopeful, and deliberate. Full of clear, empathic advice and photographs of the step-by-step practices, this book will help alleviate the isolation that people with food-oriented issues and body image problems feel; offer strategies for changing the behaviors; and give clear guidelines about the processes of recovery and the development of new life skills.