The Complete Poems Of Anna Akhmatova

Akhmatova was recognised as one of the world's great poets after her death in 1966. Refusing to leave Russia when her work was censored and her name attacked she spoke to and for the soul of her people. There are 800 poems and essays in this edition some of which have not been published in English before.

The definitve collection of Anna Akhmatova in English translation.

Definitive translations of Akhmatova back in bilingual format.

With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime. Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for those left behind to speculate about their loved ones’ fates. Similarly, Akhmatova wrote “Poem without a Hero” over a long period. It takes as its focus the transformation of Akhmatova’s beloved city of St. Petersburg—historically a seat of art and culture—into Leningrad. Taken together, these works plumb the foremost themes for which Akhmatova is known and revered. When Ohio University Press published D. M. Thomas’s translations in 1976, it was the first time they had appeared in English. Under Thomas’s stewardship, Akhmatova’s words ring clear as a bell.

This riveting biography tells the tragic story of one of our century's great poets. Born to aristocracy, Anna was raised in St. Petersburg in the twilight of the Romanov dynasty. With gift for poetry and prophecy, she became a cult figure among the intelligentsia of the Silver Age. Inclues 39 pages of photos.

Anna Akhmatova (1889–1966), one of twentieth-century Russia’s greatest poets, was viewed as a dangerous element by post-Revolution authorities. One of the few unrepentant poets to survive the Bolshevik revolution and subsequent Stalinist purges, she set for herself the artistic task of preserving the memory of pre-Revolutionary cultural heritage and of those who had been silenced. This book presents Nancy K. Anderson’s superb translations of three of Akhmatova’s most important poems: Requiem, a commemoration of the victims of Stalin’s Terror; The Way of All the Earth, a work to which the poet returned repeatedly over the last quarter-century of her life and which combines Old Russian motifs with the modernist search for a lost past; and Poem Without a Hero, widely admired as the poet’s magnum opus. Each poem is accompanied by extensive commentary. The complex and allusive Poem Without a Hero is also provided with an extensive critical commentary that draws on the poet’s manuscripts and private notebooks. Anderson offers relevant facts about the poet’s life and an overview of the political and cultural forces that shaped her work. The resulting volume enables English-language readers to gain a deeper level of understanding of Akhmatova’s poems and how and why they were created.

This powerful collection of fifteen memoirs by and about one of the greatest poets of our time weaves an unforgettable drama of friendship, grace, and courage, through long years of heartbreak and hunger.

Waiting for the Muse: Poems of Anna Akhmatova presents new translations of the work of this great Russian poet, set in the context of her life. Akhmatova saw the source of her creativity as the appearance to her of the Muse, the embodiment of poetic inspiration. In the poems written over her lifetime, from the early love lyrics to poems of resistance during the Stalinist Terror to poems of remembrance as her life neared its end, her conception of the Muse changed with the circumstances of her life. The Muse first appeared as an unpredictable young woman, then the classical figure of Erato, then a woman who stood beside her in the prison lines, then a cruel taskmaster. Akhmatova herself became the Muse for other Russian poets. Ultimately, Akhmatova concluded that the Muse may have been the torment she had been forced to suffer.