The Course Of Mexican Music

The Course of Mexican Music provides students with a cohesive introductory understanding of the scope and influence of Mexican music. The textbook highlights individual musical examples as a means of exploring the processes of selection that led to specific musical styles in different times and places, with a supporting companion website with audio and video tracks helping to reinforce readers' understanding of key concepts. The aim is for students to learn an exemplary body of music as a window for understanding Mexican music, history and culture in a manner that reveals its importance well beyond the borders of that nation.

Still the leading book on Mexican history from the pre-Columbian periods to the present, this thoroughly updated sixth edition of The Course of Mexican History introduces a new co-author, Susan Deeds, and features a new emphasis on social and cultural history. It offers a new understanding of indigenous cultures, including revised discussions of pre-Columbian central Mexico and the Spanish conquest of Mexico, as well as an examination of new trends in the fast-changing field of Mayan studies. Using recent scholarship and discoveries, the authors have expanded the sections on the historical background of Spanish conquistadors and the social, religious, and cultural history of Mexico's colonial period, with a particular emphasis on its impact on women and indigenous cultures. New research on the events and social grievances which led up to the independence movement are examined as well.

Still the leading book on Mexican history from the pre-Columbian periods to the present, this thoroughly updated sixth edition of The Course of Mexican History introduces a new co-author, Susan Deeds, and features a new emphasis on social and cultural history. It offers a new understanding of indigenous cultures, including revised discussions of pre-Columbian central Mexico and the Spanish conquest of Mexico, as well as an examination of new trends in the fast-changing field of Mayan studies. Using recent scholarship and discoveries, the authors have expanded the sections on the historical background of Spanish conquistadors and the social, religious, and cultural history of Mexico's colonial period, with a particular emphasis on its impact on women and indigenous cultures. New research on the events and social grievances which led up to the independence movement are examined as well.

Introduce your students to Mexico's most popular form of traditional music--mariachi. The cassette includes examples of son, polka, waltz and bolero tunes and songs.

A history of conjunto music and musicians.

Document from the year 2004 in the subject Musicology, grade: passed, University of Bergen (Grieg Academy - Department of Music), course: Music in World Cultures, 11 entries in the bibliography, language: English, abstract: Concert report on a Spanish percussion group La Banda Del Surdo from 2004. Traditional Mexican music is a regional phenomenon and typical local instruments are characteristic for several ensembles and also important to distinguish the musical sound and the style. There are different groups from different areas. The mariachi ensemble has its roots in Jalisco - a western state of Mexico - and is also centered in the neighbouring states like Colima, Nayarit, Michoacán and Guerrero. The name "mariachi" refers to a Mexican musical group. The repertoire of a mariachi ensemble is known in Mexico as sones which are dances and strophic songs with refrains and a special underlying rhythm that is called "sesquialtera". Virtuoso Mariachi: The topic of this academic book refers to the genre of Mexican mariachi including history, performance and current developments of this traditional music. Jeff Nevin is a first-hand researcher in this field and this is his first scientific paper and the first major book considering technique and style in mariachi music, especially that of the trumpet. He has an educational background both in music theory, composition and in performance as an arranger and classical and mariachi trumpet player as mentioned on the last page of his book.

winner of the 2021 Ellen Koskoff Edited Volume Prize Decentering the Nation: Music, Mexicanidad, and Globalization considers how neoliberal capitalism has upset the symbolic economy of “Mexican” cultural discourse, and how this phenomenon touches on a broader crisis of representation affecting the nation-state in globalization. This book argues that, while mexicanidad emerged in the early twentieth century as a cultural trope about national origins, culture, and history, it was, nonetheless a trope steeped in ‘otherization’ and used by nation-states (Mexico and the United States) to legitimize narratives of cultural and socioeconomic development stemming out of nationalist political projects that are now under strain. Using music as a phenomenological platform of inquiry, contributors to this book focus on a critique of mexicanidad in terms of the cultural processes through which people contest ideas about race, gender, and sexuality; reframe ideas of memory, history, and belonging; and negotiate the experiences of dislocation that affect them. The volume urges readers to find points of resonance in its chapters, and thus, interrogate the asymmetrical ways in which power traverses their own historical experience. In light of the crisis in representation that currently affects the nation-state as a political unit in globalization, such resonance is critical to make culture an arena of social collusion, where alliances can restore the fiber of civil society and contest the pressures that have made disenfranchisement one of the most alarming features characterizing the complex relationships between the state and the neoliberal corporate system that seeks to regulate it. Scholars of history, international relations, cultural anthropology, Latin American studies, queer and gender studies, music, and cultural studies will find this book particularly useful.