The Coven S Daughter

Cecily may have occasional visions, but that doesn't make her a witch! Fatherless and without friends, Cess knows she's lucky to be employed by a grand estate like Montacute House, even if it is as a poultry girl. On her thirteenth birthday, Cess finds a precious locket in one of her chicken coops, a strange discovery that's quickly overshadowed by her best friend William's disappearance two days later.

Synnamon Angelove returns to her hometown of Salem, Ohio to learn the truth behind her mother's death and her separation from her sisters, but finds herself teaming up with Police Chief Matthew Whitefeather as whispers of witchcraft and murder are spreadthrough town by the superstitious people of Salem.

A thrilling and dark new epic fantasy adventure begins, perfect for fans of Glen Cook and Joe Abercrombie. When Aoleyn loses her parents, she is left to fend for herself among a tribe of vicious barbarians. Bound by rigid traditions, she dreams of escaping to the world beyond her mountain home. The only hope for achieving the kind of freedom she searches for is to learn how to wield the mysterious power used by the tribe’s coven known as the Song of Usgar. Thankfully, Aoleyn may be the strongest witch to have ever lived, but magic comes at price. Not only has her abilities caught the eye of the brutish warlord that leads the tribe, but the demon of the mountain hunts all who wield the Coven’s power, and Aoleyn’s talent has made her a beacon in the night. Child of a Mad God is the first book in bestselling author R. A. Salvatore's The Coven series. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Enjoy the start of this romantic fantasy series with book 1- Sisters of the Coven. My mother's death unleashes her biggest secret...a secret that could destroy us all. My father is the most powerful warlock in the universe, and he doesn't even know I exist. Now, with my jailer of a mother dead, I need to find him. But to do that...I need to lie about who I am. Because the Warlock Council wants me dead. A half mongrel warrior Fae says he will help me, but he's my father's bodyguard. And as sexy as he is, he's the last man I should trust. Maybe Mother was right. That I would have been safer in our realm. But now I have a secret of my own I have to protect. Specifically, that I'm not the only illegitimate heir. 'Charmed' meets 'Shadow Hunters' in this fast paced, exciting paranormal fantasy series that will keep you hooked to the very end. Keywords: romance fantasy series, strong heroine, Fae hero, urban fantasy, new adult book.

A volume ideal for classes in women's studies, religious studies and the sociology of religion, Daughters of the Goddess also serves as an invaluable guide for anyone wishing to gain a thorough introduction to this rapidly growing religious and cultural movement."--BOOK JACKET.

“Sharp and exciting, always vivacious and sensory . . . All I want is more—more of these sweet vicious girls and their helplessly loving leader, changing themselves, one another and the world.” —Amal El-Mohtar, The New York Times Book Review The Craft for Gen Z: The Scratch Daughters, indie bestselling author H. A. Clarke crafts a brilliant, award-nominated sequel to The Scapegracers: a raw and roiling tribute to queer lineage, to finding oneself, and to the deep love of chosen family. Sideways Pike is desperate. It turns out that Madeline Kline didn’t want to make out with her; infinitely worse, she was only flirting to get access to Sideways’ specter. Madeline has ripped the magical soul out of Sideways’ throat, and with it, everything that makes a witch feel whole. Madeline would know: the Chantry boys took hers, and she’s going to use Sideways’ specter to hunt them down and get it back. Sideways Pike, lesbian witch extraordinaire, isn’t going to let little things like a treacherous crush or a brutal family of creepy witch hunters stop her, even if it means tracking down Madeline without the Scapegracers—her best friends, her coven, the girls she’s come to love ferociously above all else. But Sideways and her trusty bike are in for a bumpy ride . . .

Continue this exciting romantic fantasy series with book 2- Hiding from the Coven, by USA today best-selling author Amelia Shaw. She’s a witch in hiding and a deadly assassin is hunting her down. I’ve been tried, convicted and sentenced to death. For treason against the High Warlock. I’ve escaped my death with help from Fae friends But they can’t keep me safe forever. There’s a bounty on my head, I’m stalked by paranormals at every turn. The Fae assassin hunting me is my father’s bodyguard, He’d rather bed me than kill me. He’s captured my body, but I need to guard my heart. I wasn’t born to hide. And must rein in the power from my parents bloodlines to survive and claim my birthright. I will not go down without a fight. ‘Charmed’ meets ‘Shadow Hunters’ in this fast paced, exciting paranormal fantasy series you won't be able to put down! Keywords: new adult romance, fantasy romance series, Fae hero, Strong heroine, family and siblings, urban fantasy.

After Charmed ended in 2006, witches were relegated to sidekicks of televisual vampires or children's programs. But during the mid-2010s they began to resurface as leading characters in shows like the immensely popular The Chilling Adventures of Sabrina, the Charmed reboot, Salem, American Horror Story: Coven, and the British program, A Discovery of Witches. No longer sweet, feminine, domestic, and white, these witches are powerful, diverse, and transgressive, representing an intersectional third-wave feminist vision of the witch. Featuring original essays from noted scholars, this is the first critical collection to examine witches on television from the late 2010s. Situated in the aftermath of the #MeToo movement, essays examine the reemergence and shifting identities of TV witches through the perspectives of intersectional gender studies, hauntology, politics, morality, monstrosity, violence, queerness, disabilities, rape, ecofeminism, linguistics, family, and digital humanities.