The Cowboy In Country Music

This series of biographical profiles shines a spotlight on that special place "Where the West meets the Guitar." From Gene Autry and Roy Rogers to contemporary artists like Michael Murphy, Red Steagall, Don Edwards and Riders in the Sky, many entertainers have performed music of the West, a genre separate from mainstream country music and yet an important part of the country music heritage. Once called "Country and Western," it is now described as "Country or Western." Though much has been written about "Country," very little has been written about "Western"--until now. Featured are a number of photos of the top stars in Western music, past and present. Also included is an extensive bibliography of works related to the Western music field.

"A hot romance and a fast galloping plot."—JODI THOMAS, New York Times bestselling author, for Jace What's a country music star to do when his world is falling apart around him? Can he find his way back home? According to his record label, Travis King's drinking and partying has to stop. Or else... Image rebranding means joining AA and singing opposite one of the industry's rising stars at an upcoming awards show. It wouldn't be so bad if Loretta Gram wasn't cold as ice. No matter how hard he turns on the charm, she won't give him a break. It looks like this cowboy has finally met his match. Loretta is still grieving the death of her original singing partner, and she doesn't have it in her to deal with playboy Travis King. But her career is all she has, so if singing with the Three Kings is what she needs, she'll do it. Loretta isn't as cold as she lets on, but she's had more than her share of heartache. When she finally shows Travis who she is, he knows he'll do anything to be her forever cowboy. Perfect for fans of: Enemies-to-lovers and opposites-attract romance Behind-the-scenes glimpses into country music Characters who find the courage to be their true selves Poignant romance that warms your heart

An "old buckaroo" tells how he became a cowboy, what the work was like in the past, and how this life has changed.

This blast from the past has got country star Emmy Lou King singing the blues... Emmy Lou King is lead singer for the famous band Three Kings, and her whole family is legendary in country music. When her father lands her the opportunity to sing the American Football League anthem and serve on one of the AFL's anti-drug charities, Emmy Lou agrees. Combining her fan-base and those of the AFL could do some good in the fight against drugs. But can she handle working with Brock Watson? She'd barely recovered from their breakup--and she's never loved anyone else. When a hotshot second string player arrives to fill-in until he is cleared to play football, Brock Watson feels the pressure. From dealing with his father's declining health, keeping the ranch running, staying in game-ready shape, and his dedication to the charity that changed his life, there's no time for anything else. Emmy Lou included. After six years, he'd like to think she couldn't mess with his head anymore. But one look, one smile--and he knows she's as dangerous as ever. He can't resist her, he never could, but this time his heart is off limits. The more time she spends with Brock, the harder it is to keep her distance. But his devotion to his family, his fans, and this charity can't erase the way he'd used her to secure his success. Maybe, if she can guard her heart, she can accept the fiery, no-strings relationship he's willing to offer. But how can she guard something that, right or wrong, already belongs to him? "Romance that will keep you reading into the night."--JODI THOMAS, New York Times bestselling author, for Jace

In this slim, lively book our foremost historian of country music recalls the lost worlds of pioneering fiddlers and pickers, balladeers and yodelers. As he looks at "hillbilly" music's pre-commercial era and its early popular growth through radio and recordings, Bill C. Malone shows us that it was a product not only of the British Isles but of diverse African, German, Spanish, French, and Mexican influences.

“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.