The Darkness Surrounds Us

“An early-autumn treat fit for late-night devouring.” —Publishers Weekly “A taut gothic mystery with an intriguing twist.” —Susanna Calkins, award-winning author of the Lucy Campion Mysteries and the Speakeasy Murders A Ghostly Window Into the Past Nurse Nellie Lester can’t escape death. Fleeing Chicago at the height of the 1918 Spanish flu, she takes a nursing job at a decrepit mansion on a desolate Michigan island. She’s convinced the island holds the secret to her mother’s murky past. The only problem? Her dead mother seems to have followed her there. Nightly she’s haunted by a ghostly presence that appears in her bedroom. But is it her mother or something more sinister? When the frozen body of the prior nurse is unearthed, Nellie suspects her family’s history and the nurse’s uncanny death are connected to a mysterious group that disappeared from the island twenty-four years earlier. As winter closes in, past and present collide resurrecting a lurid killer, hell-bent on keeping the island’s secrets. Will Nellie uncover her mother’s shocking past before the killer enacts his final revenge? “Lukasik blends all the elements needed for a dark suspense novel: a forbidding mansion, ghostly presences, secret passages, a hostile housekeeper, a temperamental employer, and residents unwilling to talk to outsiders. For fans of Rebecca, The Woman in White, and The Death of Mrs. Westaway.” —Library Journal

They Both Die at the End meets The Loneliest Girl in the Universe in this mind-bending sci-fi mystery and tender love story about two boys aboard a spaceship sent on a rescue mission, from two-time National Book Award finalist Eliot Schrefer. Stonewall Honor Award winner! Two boys, alone in space. Sworn enemies sent on the same rescue mission. Ambrose wakes up on the Coordinated Endeavor with no memory of a launch. There’s more that doesn’t add up: evidence indicates strangers have been on board, the ship’s operating system is voiced by his mother, and his handsome, brooding shipmate has barricaded himself away. But nothing will stop Ambrose from making his mission succeed—not when he’s rescuing his own sister. In order to survive the ship’s secrets, Ambrose and Kodiak will need to work together and learn to trust each other . . . especially once they discover what they are truly up against. Love might be the only way to survive. * Chicago Public Library's Best of the Best Books of the Year * A Booklist Editor's Choice of the Year * A BCCB Blue Ribbon Book of the Year * A YALSA Best Fiction for Young Adults & Amazing Audiobooks for Young Adults Book of the Year *

IT'S NOT THE DARKNESS WE FEAR, BUT WHAT LIES WITHIN.

White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.

“A luminous, moving and visual record of fleeting moments of connection.” —New York Times Book Review, Editors’ Choice A visionary work of radical empathy. Known for immersion journalism that is more immersed than most people are willing to go, and for a prose style that is somehow both fierce and soulful, Jeff Sharlet dives deep into the darkness around us and awaiting us. This work began when his father had a heart attack; two years later, Jeff, still in his forties, had a heart attack of his own. In the grip of writerly self-doubt, Jeff turned to images, taking snapshots and posting them on Instagram, writing short, true stories that bloomed into documentary. During those two years, he spent a lot of time on the road: meeting strangers working night shifts as he drove through the mountains to see his father; exploring the life and death of Charley Keunang, a once-aspiring actor shot by the police on LA’s Skid Row; documenting gay pride amidst the violent homophobia of Putin’s Russia; passing time with homeless teen addicts in Dublin; and accompanying a lonely woman, whose only friend was a houseplant, on shopping trips. Early readers have called this book “incantatory,” the voice “prophetic,” in “James Agee’s tradition of looking at the reality of American lives.” Defined by insomnia and late-night driving and the companionship of other darkness-dwellers—night bakers and last-call drinkers, frightened people and frightening people, the homeless, the lost (or merely disoriented), and other people on the margins—This Brilliant Darkness erases the boundaries between author, subject, and reader to ask: how do people live with suffering?