The Divine Drama In History And Liturgy

Pittsburgh Theological Monograph - New Series General Editor - Dikran Y. Hadidian

This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.

In The Lord's Supper in the Reformed Church in America: Tradition in Transformation, Christopher Dorn eloquently narrates the evolution that the celebration of the Lord's Supper has undergone in the Reformed Church in America (RCA). Building on the work of scholars who have chronicled this history in the period spanning the sixteenth through the nineteenth centuries, Dorn extends the narrative into the twentieth century. He shows how the liturgical and ecumenical movements in this century created a climate in the RCA for liturgical research and reform - a climate that stimulated its leaders to reflect seriously on the formulation of its liturgy and their understanding of its use. In the last two chapters, he convincingly demonstrates how this process led to a reconception of the nature and meaning of the celebration of the Lord's Supper.

In 1879, the late medieval poem now known as The Lay Folks' Mass Book - a guide to the Mass -- was edited for the Early English Text Society by Canon Thomas Frederick Simmons. It remains the standard edition of what, to modern tastes, can seem a simple work of conventional Middle English devotion. Yet, as this book shows, the poem had a remarkable afterlife. The authors demonstrate how Simmons' interest in and presentation of the text was related profoundly to contemporary concerns and heated debates about worship in the Church of England, at a time when Anglian clergymen could be imprisoned for their ritual practices. Simmons, educated at Oxford during the height of the Oxford Movement, was recognised by contemporaries as a leading authority on liturgy, a topic that troubled prime ministers as well as archbishops, and the authors bring out the ways in which Simmons himself used his medievalist researches as the basis for what was to be the most important attempt at Prayer Book revision between the Reformation and the twentieth century.

A historical investigation into one of the unsolved mysteries of Christian liturgy.

Charles Miller's rigorous and sensitive examination of Richard Hooker's theology makes a valuable addition to the field of study of the cleric, one of the founding theologians of modern Anglicanism. Miller examines Hooker's works in detail, leading the reader through different facets of his vision of God: creation, Scripture, the sacraments, and practices of Christian devotion. Hooker's theology challenges an increasingly time-bound, relativistic approach to doctrine and truth; his sources were as wide, as ancient, and as modern as Hooker could make them. Miller's thoughtful analysis is informed throughout by an understanding of the context of Hooker's theological development against the backdrop of continental Calvinism and the remnants of Roman Catholicism in England. The growth of interest in Hooker among specialists has been accompanied by an abandonment of the serious study of Hooker's thought among theological students, clergy and theologians. Miller's work addresses thislack; Hooker's insights must not be forgotten in the daily distribution of theological food to Christian people. A study which attunes readers to Hooker's particular theological 'voice' and teaches its value both in his own context and as a present-day interlocutor, this volume will be of great interest to Christians and theological students alike.