The Doctors Plot Of 1953

A survivor of the Doctor's Plot of 1953 recalls his imprisonment, and describes the climate of antisemitism and the state of medicine and science during the Stalinist era.

A new investigation, based on previously unseen KGB documents, reveals the startling truth behind Stalin's last great conspiracy. On January 13, 1953, a stunned world learned that a vast conspiracy had been unmasked among Jewish doctors in the USSR to murder Kremlin leaders. Mass arrests quickly followed. The Doctors' Plot, as this alleged scheme came to be called, was Stalin's last crime. In the fifty years since Stalin's death many myths have grown up about the Doctors' Plot. Did Stalin himself invent the conspiracy against the Jewish doctors or was it engineered by subordinates who wished to eliminate Kremlin rivals? Did Stalin intend a purge of all Jews from Moscow, Leningrad, and other major cities, which might lead to a Soviet Holocaust? How was this plot related to the cold war then dividing Europe, and the hot war in Korea? Finally, was the Doctors' Plot connected with Stalin's fortuitous death? Brent and Naumov have explored an astounding arra of previously unknown, top-secret documents from the KGB, the presidential archives, and other state and party archives in order to probe the mechanism of on of Stalin's greatest intrigues -- and to tell for the first time the incredible full story of the Doctors' Plot.

In 1952 nine Kremlin doctors, all Jews, were seized and accused of plotting to poison the Soviet leaders. Rapoport's account of the final 14 months of Stalin's life reveals that the so-called "Doctors' Plot" was a culminating step in the dictator's lifelong war against the Jews, and argues that only Stalin's sudden death in 1953 prevented the unfolding of his own solution to the "Jewish problem" in the Soviet Union. Annotation copyrighted by Book News, Inc., Portland, OR

Monografie over de laatste maanden in het leven van Stalin en de periode daarna.

A DEBUT NOVEL OF DARING ORIGINALITY, THE YID GUARANTEES THAT YOU WILL NEVER THINK OF STALINIST RUSSIA, SHAKESPEARE, THEATER, YIDDISH, OR HISTORY THE SAME WAY AGAIN Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent, Paul Goldberg's THE YID is a tragicomic masterpiece of historical fiction.

'Rapoport has written a remarkable family memoir about growing up in the loftiest of Soviet Kremlin medical circles, where her father (Yakov Rapoport) was a distinguished pathologist, a man of scientific brilliance, technical expertise, great humor, and even greater courage during the rule of Joseph Stalin, around whom many suffered violent and mysterious deaths. The author's tone is lively, direct, humorous, and bluntly honest about her family and the rarified scientific and political circles in which they lived and worked. She reveals the heights of greatness that brilliant Jews could attain under the Soviet system, and also the discriminatory prejudice and harms, including threats and likelihood of arrest, torture, and death, that they experienced under Stalin and his successors … This marvelous book is an accessible work of important historical memory and warm scholarly and personal analysis. Summing Up: Highly recommended. All readers.'CHOICEThis manuscript offers a behind-the-scenes glimpse into some extraordinary moments of 20th century Russia. In a series of entrancing stories, the book demonstrates the disastrous consequences of a totalitarian regime's intervention in medicine and medical science. The narration is based on first-hand accounts the author gathered in conversations with her father, a world-renowned pathologist, and family friends, members of the Soviet intellectual elite.As one of the leading pathologists in the country, the author's father participated in many dramatic events that were hidden from the general public. The author describes Stalin's revenge on his doctors and the fabrication of the 'Doctors' Plot'; the thrilling story of the Moscow Brain Institute; the mysterious circumstances of the death of Stalin's second wife, Nadezhda Alliluyeva; the outbreak of plague in the center of Moscow and the NKVD's approach to curbing an epidemic; the fraught drama associated with the death and autopsy of the 'father' of the H-bomb, Andrey Sakharov; and the world's first attempt at cancer biotherapy.In the Afterward entitled A Different Globe the author depicts the difficult and sometimes hilarious process of her family's adjustment to their new life in America.A number of TV programs, documentaries, and movies were shot in the author's Moscow apartment by Russian, European, and American media and movie companies.

Placing Stalinism in its international context, The Stalinist Era explains the origins and consequences of Soviet state intervention and violence.