The Doctors Plot

A survivor of the Doctor's Plot of 1953 recalls his imprisonment, and describes the climate of antisemitism and the state of medicine and science during the Stalinist era.

In 1952 nine Kremlin doctors, all Jews, were seized and accused of plotting to poison the Soviet leaders. Rapoport's account of the final 14 months of Stalin's life reveals that the so-called "Doctors' Plot" was a culminating step in the dictator's lifelong war against the Jews, and argues that only Stalin's sudden death in 1953 prevented the unfolding of his own solution to the "Jewish problem" in the Soviet Union. Annotation copyrighted by Book News, Inc., Portland, OR

A new investigation, based on previously unseen KGB documents, reveals the startling truth behind Stalin's last great conspiracy. On January 13, 1953, a stunned world learned that a vast conspiracy had been unmasked among Jewish doctors in the USSR to murder Kremlin leaders. Mass arrests quickly followed. The Doctors' Plot, as this alleged scheme came to be called, was Stalin's last crime. In the fifty years since Stalin's death many myths have grown up about the Doctors' Plot. Did Stalin himself invent the conspiracy against the Jewish doctors or was it engineered by subordinates who wished to eliminate Kremlin rivals? Did Stalin intend a purge of all Jews from Moscow, Leningrad, and other major cities, which might lead to a Soviet Holocaust? How was this plot related to the cold war then dividing Europe, and the hot war in Korea? Finally, was the Doctors' Plot connected with Stalin's fortuitous death? Brent and Naumov have explored an astounding arra of previously unknown, top-secret documents from the KGB, the presidential archives, and other state and party archives in order to probe the mechanism of on of Stalin's greatest intrigues -- and to tell for the first time the incredible full story of the Doctors' Plot.

#1 NEW YORK TIMES BESTSELLER • Writing with all the passion of Love Story and power of The Class, Erich Segal sweeps us into the lives of the Harvard Medical School's class of 1962. His stunning novel reveals the making of doctors—what makes them tick, scheme, hurt . . . and love. From the crucible of med school’s merciless training through the demanding hours of internship and residency to the triumphs—and sometimes tragedies—beyond, Doctors brings to vivid life the men and women who seek to heal but who must first walk through fire. At the novel’s heart is the unforgettable relationship of Barney Livingston and Laura Castellano, childhood friends who separately find unsettling celebrity and unsatisfying love—until their friendship ripens into passion. Yet even their devotion to each other, even their medical gifts may not be enough to save the one life they treasure above all others. Doctors—heartbreaking, witty, inspiring, and utterly, grippingly real—is a vibrant portrait that culminates in a murder, a trial . . . and a miracle.

An orphan leaves Dark Ages London to study medicine in Persia in this “rich” and “vivid” historical novel from a New York Times–bestselling author (The New York Times). A child holds the hand of his dying mother and is terrified, aware something is taking her. Orphaned and given to an itinerant barber-surgeon, Rob Cole becomes a fast-talking swindler, peddling a worthless medicine. But as he matures, his strange gift—an acute sensitivity to impending death—never leaves him, and he yearns to become a healer. Arab madrassas are the only authentic medical schools, and he makes his perilous way to Persia. Christians are barred from Muslim schools, but claiming he is a Jew, he studies under the world’s most renowned physician, Avicenna. How the woman who is his great love struggles against her only rival—medicine—makes a riveting modern classic. The Physician is the first book in New York Times–bestselling author Noah Gordon’s Dr. Robert Cole trilogy, which continues with Shaman and concludes with Matters of Choice.

A DEBUT NOVEL OF DARING ORIGINALITY, THE YID GUARANTEES THAT YOU WILL NEVER THINK OF STALINIST RUSSIA, SHAKESPEARE, THEATER, YIDDISH, OR HISTORY THE SAME WAY AGAIN Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent, Paul Goldberg's THE YID is a tragicomic masterpiece of historical fiction.