The Documentary Diaries

How do you make a successful documentary in an era of media turmoil, network disruption and increasing financial restrictions? This is the question Alan Rosenthal, distinguished international filmmaker and teacher, sets out to answer in The documentary diaries. Using seven of his recent releases as case studies - ranging from high-budget historical and political documentaries to shoestring observational films and hybrid docudramas - he explores with style and humour the challenges facing the contemporary documentarian, and demonstrates how they can be overcome. Numerous aspects of film production are examined, notably proposal and script writing, fund raising, managing co-productions, dealing with commissioning editors and choosing distributors. Additional mini-chapters provide extra perspective on key topics, and the book is completed by a wealth of supplementary material, including excerpts from script drafts, variations on proposals and discussions of marketing strategies. The documentary diaries offers piercing insights into the world of documentary filmmaking, and will be essential reading for students and professionals alike.

THE NEW YORK TIMES BESTSELLER Teen dance prodigy, breakout Dance Moms star, and judge on So You Think You Can Dance: The Next Generation presents her uplifting coming-of-age memoir about following her dreams and working hard to achieve success in both the dance world and in life. Maddie Ziegler had hoped to become a star—she just didn’t know how soon that day would come. At just eight years old, she was cast on Lifetime’s hit reality show Dance Moms and quickly won the hearts of fans everywhere with her natural talent and determination. Soon, she was catching eyes all over—including those of pop superstar Sia, who handpicked her to star in the incredibly popular music video “Chandelier.” The rest, as they say, was history. In this inspirational memoir, Maddie explains the hard work she put into her rise to stardom and how she keeps her balance along the way—starring in music videos, going on tour, and becoming an actress in The Book of Henry with Naomi Watts and Jacob Tremblay. She also answers her fans’ burning questions with wise advice she’s learned on her journey. With honesty, charm, and humor, Maddie offers her unique perspective on making her way in the world as a young teenager, reflecting on the lessons she’s learned—and preparing for the exciting road ahead.

The star of the cult classic Withnail and I offers “a refreshing combination of comedy, confession, and coruscation” in this memoir of the movie business (Kirkus Reviews). Richard E. Grant’s acting career has included memorable roles in some of Hollywood’s most critically acclaimed films, including Robert Altman’s Gosford Park and Francis Ford Coppola’s Dracula. But he attributes his success to his first film role, starring as a flamboyantly pathetic Shakespearean in the underground hit Withnail and I. As Grant explains, “I had no notion that, almost without exception, every film offered since would be the result of playing an alcoholic out-of-work actor.” In With Nails, Grant shares his long, maddening, and immensely rewarding journey through the world of film. From the hell of making Hudson Hawk to befriending Steve Martin on the set of L.A. Story; and from eating spaghetti with the Coppolas, to window-shopping with Sharon Stone, and working with and learning from the best actors and directors in the business, Grant’s unvarnished memoir “is a biting and wonderfully funny look at the movie business by an actor who is as clear-eyed and observant about himself as he is about the craziness surrounding him” (Publishers Weekly, starred review).

Using private diary writing as her model, Catherine Delafield investigates the cultural significance of nineteenth-century women's writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary-writing, she assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. The ideological function of the diary, Delafield suggests, produces a conflict in fictional narrative between that diary's received use as a domestic and spiritual record and its authority as a life-writing opportunity for women. Delafield considers women as writers, readers, and subjects and contextualizes her analysis within nineteenth-century reading practice. She demonstrates ways in which women could becomes performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood.

Metallica is one of the most successful hard-rock bands of all time, having sold more than ninety million albums worldwide. Receiving unique, unfettered access, acclaimed filmmakers Joe Berlinger and Bruce Sinofsky followed Metallica over two and a half years as they faced monumental personal and professional challenges that threatened to destroy the bands just as they returned to the studio to record their first album in four years. While the documentary itself provides an insider's view of Metallica, the two and a half years of production (and more than 1,600 hours of footage) garnered far more than can be expressed in a two-hour film. Berlinger's book about the experience reveals the stories behind the film, capturing the energy, uncertainty, and ultimate triumph of both the filming and Metallica's bid for survival. It weaves the on-screen stories together with what happened off-screen, offering intimate details of the band's struggle amidst personnel changes, addiction, and controversy. In part because Berlinger was one of the only witnesses to the intensive group-therapy sessions and numerous band meetings, his account of his experience filming the band is the most honest and deeply probing book about Metallica - or any rock band - ever written. This is the book both Metallica and film fans have dreamed of - a stark and honest look at one of rock's most important bands through the eyes of the most provocative documentary filmmakers working today.

We have entered the age of "peep culture": a tell-all, show-all, know-all digital phenomenon that is dramatically altering notions of privacy, individuality, security and even humanity. Peep culture is reality TV, YouTube, MySpace, Facebook, Twitter, over-the-counter spy gear, blogs, chat rooms, amateur porn, surveillance technology, Dr. Phil, Borat, cell phone photos of your drunk friend making out with her ex-boyfriend, and more. In the age of peep, core values and rights we once took for granted are rapidly being renegotiated, often without our even noticing. With hilarious, exasperated acuity, social critic Hal Niedzviecki dives into peep, starting his own video blog, joining every social network that will have him, monitoring the movements of his toddler, selling his secrets on Craigslist, hiring a private detective to investigate him, spying on his neighbors, trying out for reality TV shows and stripping for the pleasure of a web audience he isn’t even sure exists. Part travelogue, part diary, part meditation and social history, The Peep Diaries explores a rapidly emerging digital phenomenon that is radically changing not just the entertainment landscape, but also the firmaments of our culture and society. The Peep Diaries introduces the arrival of the age of peep culture and explores its implications for entertainment, society, sex, politics and everyday life. Mixing first-rate reporting with sociological observations culled from the latest research, this book captures the shift from pop to peep and the way technology is turning gossip into documentary and Peeping Toms into entertainment journalists. Packed with stranger-than-fiction true-life characters and scenarios, The Peep Diaries reflects the aspirations and confusions of the growing number of people willing to trade the details of their private lives for catharsis, attention and notoriety. Hal Niedzviecki is the founder of Broken Pencil magazine and has published numerous works of social commentary and fiction, including Hello I’m Special: How Individuality Became the New Conformity and Look Down, This Is Where It Must Have Happened, which is also published by City Lights Publishers.

Robert Fulford called it “a remarkable glimpse of the underbelly of Toronto,” but the reviews that greeted the publication of Cabbagetown Diary in 1970 were decidedly mixed. The novel’s rowdy concoction of grit and violence and rooming-house sleaze had a strongly polarizing effect on its readers. Many admired the frankness of Butler’s depiction of a sordid environment, and others deplored the obscenity of the language and the dangerous and careless ways in which his characters behave, bent as they are on downward self-transcendence. But Cabbagetown Diary was undeniably a promising debut by a young writer whose brash tone and pungent subject matter were unique in Canadian writing at that time. The novel takes the form of a diary written by a disaffected young Toronto bartender, Michael, over the course of his four-month liaison with Terry, a naive teenager who is new to the city. Michael introduces her to his friends and his inner-city haunts, to drink and drugs, and to the nihilist politics espoused by some in his circle. With hard-bitten cynicism and flashes of dark humour, Michael relates the vicissitudes of their summer together. This reissue of Cabbagetown Diary includes a biographical sketch by Charles Butler and an afterword by Tamas Dobozy.