The Drover S Wife

Deep in the heart of Australia’s high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly’s children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection – but it can be harder when Joe’s around. At just twelve years of age Molly’s eldest son Danny is the true man of the house, determined to see his mother and siblings safe – from raging floodwaters, hunger and intruders, man and reptile. Danny is mature beyond his years, but there are some things no child should see. He knows more than most just what it takes to be a drover’s wife. One night under the moon’s watch, Molly has a visitor of a different kind – a black ‘story keeper’, Yadaka. He’s on the run from authorities in the nearby town, and exchanges kindness for shelter. Both know that justice in this nation caught between two worlds can be as brutal as its landscape. But in their short time together, Yadaka shows Molly a secret truth, and the strength to imagine a different path. Full of fury and power, Leah Purcell’s The Drover’s Wife: The Legend of Molly Johnson is a brave reimagining of the Henry Lawson short story that has become an Australian classic. Brilliantly plotted, it is a compelling thriller of our pioneering past that confronts head-on issues of today: race, gender, violence and inheritance.

In the titular character The Drover's Wife, Purcell has created a figure who is as resonant and significant as Ned Kelly. Lawson's original short story is reimagined vividly to portray the drover's heroic wife as a righteous avenger - on behalf of herself, her children and her race - in a savage male world. Challenging responses to family violence and black white relations. A taut thriller of our pioneering past, The Drover's Wife is full of fury, power, family love and intimate friendships. And has a black sting to the tail, reaching from our nation's settled infancy into our complicated present.

Since Henry Lawson wrote his story 'The Drover's Wife' in 1892, Australian writers, painters, performers and photographers have created a wonderful tradition of drover's wife works, stories and images. The Russell Drysdale painting from 1945 extended the mythology and it, too, has become an Australian icon. Other versions of the Lawson story have been written by Murray Bail, Barbara Jefferis, Mandy Sayer, David Ireland, Madeleine Watts and others, up to the present, including Leah Purcell's play and Ryan O'Neill's graphic novel. In essays and commentary, Frank Moorhouse examines our ongoing fascination with this story and has collected some of the best pieces of writing on the subject. This remarkable, gorgeous book is, he writes, 'a monument to the drovers' wives'.

Here is the updated edition of Murray Bail's remarkable collection of short stories, first published in 1975. In addition to established classics such as 'The Drover's Wife' and 'Huebler', this edition includes a number of new stories. A man named Huebler decides to photograph everyone alive. A suburban father perches in his son's tree-house to spy on his friends. A dentist recognises his estranged wife in a famous painting. From the first publication of The Drover's Wife, it was evident that Murray Bail had transformed the art of the short story. In these works he creates extraordinary stories, and fascinating worlds.

Henry Lawson's short story 'The Drover's Wife' is an Australian classic that has sparked interpretations on the page, on canvas and on the stage. But it has never been so thoroughly, or hilariously, reimagined as by Ryan O'Neill, remixing and revising Lawson's masterpiece in ninety-nine different ways. You'll be amused, delighted and surprised by a Year 8 essay, a sporting commentary, a pop song, a cento, a dance and many more. Inventive and unexpected, this is laugh-out-loud literature from one of Australia's finest satirists.

The semi-autobiographical story of Leah Purcell - or her alter ego Stephanie - which traces the events of her life growing up on an impoverished Aboriginal mission in Queensland. Despite the poverty, violence, lack of education and opportunity, Stepanie is nurtured through the love of her family.