The Essays Of Arthur Schopenhauer The Art Of Literature

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ARTHUR SCHOPENHAUER ••• THE ART AND LITERATURE: ESSAYS ••• A collection of essays from one of the great philosophers of the modern era, Arthur Schopenhauer. The German thinker contemplates subjects such as style, authorship, knowledge, criticism, fame, genius and thinking for oneself. Arthur Schopenhauer is an entertaining author to read, easy to understand, with a sly, dry wit. No need for footnotes or explanations of tricky terms, Schopenhauer’s prose style is refreshingly clear. Arthur Schopenhauer was born in 1788 (on February 22nd) in Gdansk and died in 1860 in Frankfurt (on September 20th). Schopenhauer is known for his major work The World As Will and Idea, his philosophy of transcendental idealism, his studies of pessimism, his collections of essays and aphorisms, his incorporation of Eastern religion and metaphysics in his philosophy, and his impressive posthumous influence on philosophers such as Friedrich Nietzsche, Ludwig Wittgenstein, Henri Bergson and Oswald Spengler, psychologists such as Otto Rank, Carl Jung and Sigmund Freud, and a host of writers and artists such as Samuel Beckett, Marcel Proust, Rainer Rilke, André Gide, Hugo von Hoffmansthal, Stéphane Mallarmé, W.B. Yeats, Italo Svevo, Ivan Turgenev, Robert Musil, Jorge Borges, George B. Shaw, Karl Kraus, J.-K. Huysmans, Edgar Allan Poe, August Strindberg, Guy de Maupassant, Frank Wedekind, Antonin Dvorak, Arnold Schönberg, Gustav Mahler, Charles Baudelaire, Jacob Burckhardt, George Gissing, Emile Zola, Richard Wagner, Sergei Prokoviev, Leo Tolstoy, Hermans Melville and Hesse, and Thomases Mann and Hardy

The contents of this, as of the other volumes in the series, have been drawn from Schopenhauer's Parerga, and amongst the various subjects dealt with in that famous collection of essays, Literature holds an important place. Nor can Schopenhauer's opinions fail to be of special value when he treats of literary form and method. For, quite apart from his philosophical pretensions, he claims recognition as a great writer; he is, indeed, one of the best of the few really excellent prose-writers of whom Germany can boast. While he is thus particularly qualified to speak of Literature as an Art, he has also something to say upon those influences which, outside of his own merits, contribute so much to an author's success, and are so often undervalued when he obtains immediate popularity. Schopenhauer's own sore experiences in the matter of reputation lend an interest to his remarks upon that subject, although it is too much to ask of human nature that he should approach it in any dispassionate spirit. In the following pages we