The Eternal Present

Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition

"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."

In his persuasive study The Eternal Present of Sport, Daniel Grano rethinks the sport-religion relationship by positioning sport as a source of theological trouble. Focusing on bodies, time, movement, and memory, he demonstrates how negative theology can be practically and theoretically useful as a critique of elite televised sport. Grano asserts that it is precisely through sport’s highest religious ideals that controversies are taking shape and constituting points of political and social rupture. He examines issues of transcendence, “legacy”—e.g., “greatest ever,” or “all-time”—and “witnessing” through instant replay, which undermine institutional authority. Grano also reflects on elite athletes representing especially powerful embodiments of religious and social conflict, including around issues related to gender, sexuality, ability doping, traumatic brain injury, and institutional greed. Elite sport is in a period of profound crisis. It is through the ideals Grano analyzes that we can imagine a radically alternative future for elite sport.

Music is played and heard in time, yet it is also embodied in space by musical scores. The observation of a musical score turns time into space and allows musicians to embrace the flow of time in a single glance. This experience constitutes a symbol for the Eternal Present, the simultaneous knowledge of all time outside time. This book analyzes the implications of this view through a variety of interdisciplinary perspectives, linking theology, philosophy, literature, and music. It also studies how this theme has been foreshadowed in the writings of Dante and J. R. R. Tolkien, demonstrating the connections between their masterpieces and the aesthetics of their times. The result is a fascinating itinerary through the history of culture, thought, and music, but also a deeply theological and spiritual experience.

An original account of ancient Egyptian and Sumerian architecture from the acclaimed architectural historian In The Beginnings of Architecture, Sigfried Giedion examines the architecture of ancient Egypt and Sumer. These early builders expressed an attitude of immense force when they confronted their structures with open sky. Giedion argues that it was during these periods that the problem of constancy and change flared up with an intensity unknown in any other period of history, and resolved eventually into the first architectural space conception, the automatic, psychic recording of the visual environment.

Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition