The Everything I Have Lost

12-year-old Julia keeps a diary about her life growing up in Juarez, Mexico. Life in Juarez is strange. People say it's the murder capital of the world. Dad’s gone a lot. They can’t play outside because it isn’t safe. Drug cartels rule the streets. Cars and people disappear, leaving behind pet cats. Then Dad disappears and Julia and her brother go live with her aunt in El Paso. What’s happened to her Dad? Julia wonders. Is he going to disappear forever? A coming-of-age story set in today’s Juarez. Sylvia Zéleny is a bilingual author from Sonora, México. Sylvia has published several short-story collections and novels in Spanish. She received her MFA in Creative Writing from The University of Texas at El Paso where she is currently a Visiting Writer. In 2016 she created CasaOctavia, a residence for women and LGBTQ writers from Latinamerica.

After suffering a mental breakdown that nearly destroyed her marriage, Nina Taylor works hard to maintain her tenuous hold on sanity and be a good mother to her two young daughters. Despite her best efforts, she questions the possibility of a full recovery. Single mom Deja Johnson struggles to overcome her troubled past and raise her young son. But her friendship with Nina brings more complications. What Deja is hiding could not only destroy relationships, but endanger lives. One traumatic night threatens to shatter Nina’s mind. With Deja’s help, she strives to maintain her mental balance. But as events spiral out of control, the women must find out if Nina is losing her sanity or if someone is plotting against her.

“Lucid and dense with detail, Everything We Lost is Gone Girl meets The X-Files, a mesmerizing dive into the changeling depths of memory and grief.” — Carrie La Seur, author of The Home Place and The Weight of an Infinite Sky

Every man has a limit. Miles is about to find his. For the first time in his whole miserable life, freelance Tunneler Miles Franco finally has his shit together. He’s left behind his history of violence and interdimensional smuggling to take on consulting work with the Bluegate Police Department. He’s collecting regular paychecks, he’s paying tax, he’s even going on blind dates. But when his friend, Detective Vivian Reed, comes to him for help, his peaceful life is shattered. Vivian’s sister has been kidnapped. They have issued no ransom. No demands. They don’t want money. They only want revenge. If Miles and Vivian are going to get her sister back, they’ll have to abandon everything they’ve worked for. There will be no room for law or conscience where they’re going. Miles is returning to the mean streets that made him. And there will be no coming back. Join Miles once again for more hard-boiled urban fantasy action in The Man Who Lost Everything.

Sophie was a girl born into a society that saw nothing wrong with divorce or war. She had had to have a hard life. First, her life was ruined by her dad going to war. Then her evil stepmother tortured her that was when Sophie ran away. She had to face, this time, life s torture of homelessness and the fear of losing her dad. She did find a second home though. Would things ever be the same again . . .?

In this remarkable tale of hope and survival, Hannah Luce tells how, as the sole survivor of a terrible plane crash, she came to grips with her faith: “a calamitous, fascinating memoir, written with surprising spiritual sophistication” (Publishers Weekly, starred review). On May 11, 2012, a small plane carrying five young adults, en route to a Christian youth rally, crashed in a Kansas field, skidding 200 yards before hitting a tree and bursting into flames. Only two survived the crash: ex-marine Austin Anderson, who would die the next morning from extensive burns, and his friend Hannah Luce, the daughter of Teen Mania founder and influential youth minister Ron Luce. This is Hannah’s story. In Fields of Grace, Hannah details the investigation of her faith, her coming-of-age as the dutiful daughter of Evangelical royalty, her decision to join her father’s ministry outreach to teens, and her miraculous survival and recovery following the accident. It also serves as a tribute and testament to the lives of the dear friends who perished in the catastrophic plane crash and reveals how their memory continues to inspire all that she does. Here is the “riveting personal account” (Booklist) of a girl who grew up as the daughter of one of the most influential evangelical leaders of our time, who questioned her early religious convictions somewhere along the way and who, from the embers of that doomed plane ride, finally found her faith.

New York Times bestselling author John Eldredge offers readers a breathtaking look into God’s promise for a new heaven and a new earth. This revolutionary book about our future is based on the simple idea that, according to the Bible, heaven is not our eternal home--the New Earth is. As Jesus says in the gospel of Matthew, the next chapter of our story begins with "the renewal of all things," by which he means the earth we love in all its beauty, our own selves, and the things that make for a rich life: music, art, food, laughter and all that we hold dear. Everything shall be renewed "when the world is made new." More than anything else, how you envision your future shapes your current experience. If you knew that God was going to restore your life and everything you love any day; if you believed a great and glorious goodness was coming to you--not in a vague heaven but right here on this earth--you would have a hope to see you through anything, an anchor for your soul, "an unbreakable spiritual lifeline, reaching past all appearances right to the very presence of God" (Hebrews 6:19). Most Christians (most people for that matter) fail to look forward to their future because their view of heaven is vague, religious, and frankly boring. Hope begins when we understand that for the believer nothing is lost. Heaven is not a life in the clouds; it is not endless harp-strumming or worship-singing. Rather, the life we long for, the paradise Adam and Eve knew, is precisely the life that is coming to us. And that life is coming soon.

In late summer 1953, as he returned to Mexico City after a seven-month expedition through the jungles of Ecuador, Colombia, and Peru, William Burroughs began a notebook of final reflections on his four years in Latin America. His first novel, Junkie, had just been published and he would soon be back in New York to meet Allen Ginsberg and together complete the manuscripts of what became The Yage Letters and Queer. Yet this notebook, the sole survivor from that period, reveals Burroughs not as a writer on the verge of success, but as a man staring down personal catastrophe and visions of looming cultural disaster. Losses that will not let go of him haunt Burroughs throughout the notebook: "Bits of it keep floating back to me like memories of a daytime nightmare." However, out of these dark reflections we see emerge vivid fragments of Burroughs' fiction and, even more tellingly, unique, primary evidence for the remarkable ways in which his early manuscripts evolved. Assembled in facsimile and transcribed by Geoffrey D. Smith, John M. Bennett, and Burroughs scholar Oliver Harris, the notebook forces us to change the way we see both Burroughs and his writing at a turning point in his literary biography.