The Fictional World Of Javier Mar As

The Fictional World of Javier Marías examines the origin and meaning of uncertainty in the key works of Spain’s leading contemporary novelist by engaging with the many language-related issues common to his narrative.

A New York Times Book Review Notable Book, NPR Great Reads, and Onion A.V. Club Best Book of 2013 Each day before work María Dolz stops at the same café. There she finds herself drawn to a couple who is also there every morning. Observing their seemingly perfect life helps her escape the listlessness of her own. But when the man is brutally murdered and María approaches the widow to offer her condolences, what began as mere observation turns into an increasingly complicated entanglement. Invited into the widow's home, she meets--and falls in love with--a man who sheds disturbing new light on the crime. As María recounts this story, we are given a murder mystery brilliantly encased in a metaphysical enquiry, a novel that grapples with questions of love and death, chance and coincidence, and above all, with the slippery essence of the truth and how it is told. This ebook edition includes a reading group guide.

A dozen stories by Javier Marías -- "the most subtle and gifted writer in contemporary Spanish literature" (Boston Sunday Globe) -- commissioned from numerous literary publications around the world.

A story of love and memory from "the most subtle and gifted writer in contemporary Spanish literature" (The Boston Globe) and the award-winning, international bestselling author of The Infatuations. On a train journey from Paris to Madrid a young opera singer becomes fascinated by those in his compartment: a middle-aged businessman, his alluring wife, and their male traveling companion. Soon his life of constant travel, luxury hotels, rehearsal and performance will become entangled with these three people, and the singer will find himself fatefully consumed by Natalia's beauty. The Man of Feeling is the haunting story of the birth and death of a passion, told in retrospect. Intricately interweaving desire and memory, it explores the nature of love, and asks whether we can ever truly recall something that no longer exists.

This is a book about translation and literary influence. It takes as its subject Spain's most important contemporary novelist, Javier Marías (1951-), who worked as a literary translator for a significant portion of his early career. Since then, he has maintained that translation had a crucial impact on the development of his writing style and his literary frame of reference. It examines his claims to the influence of three writers whose works he translated, Laurence Sterne, Sir Thomas Browne, and Vladimir Nabokov. It does so by engaging in close reading of his translations, examining how he meets the linguistic, syntactic, and cultural challenges they present. His prolonged engagement with their prose is then set alongside his own novels and short stories, the better to discern precisely how and in what ways his works have been shaped by their influence and through translation. Hence this study begins by asking why Marías should have turned to translation in the cultural landscape of Spain in the 1970s and how the ideological standpoints that animated his decision affect the way he translates. His translation of Sterne's Life and Opinions of Tristram Shandy, Gentleman is set alongside his pseudo-autobiographical novel Negra espalda del tiempo (Dark Back of Time), while his translation of Sir Thomas Browne's Urn Burial is then analysed in tandem with that produced by Jorge Luis Borges and Adolfo Bioy Casares. Subsequent chapters examine how Browne's prose has shaped Marías's thinking on oblivion, posterity, and time. The final chapters offer an analysis of the partial translation and palimpsest of Lolita he undertook in the early 1990s and of his most ambitious novel to date, Tu rostro mañana (Your Face Tomorrow), as a work in which characterization is underpinned by both literary allusion and the hydridization of works Marías has translated.

A daring masterwork by Javier Marias: "Spain's most subtle and gifted writer." (The Boston Globe)

In Madrid, 1980, five years after Franco’s death, Juan de Vere takes a job assisting Eduardo Muriel, a film director in the twilight of his career. Muriel is eccentric but charming, an irresistible idol for Juan. But certain people, and forces, loom, among them Beatriz, Muriel’s difficult wife; and Dr. Jorge Van Vechten, a mysterious figure implicated in unsavory rumors involving Muriel. As Juan digs deeper into all three of their lives, the deceptions and loyalties he begins to uncover will change the course of his young life. Thus Bad Begins is an ambitious, sweeping novel of a young man and his country, and of life in the wake of a dictator’s reign.

An exploration of the excruciating travails and sudden, immeasurable success of a Roberto Bolaño-esque writer.