The Film Daily

(Applause Books). A handbook of this blockbuster film. Over 700 photos, with a 16-page color section and stills from footage NOT seen in the film. Over 90 detailed annotations chronicling the production and storyboards mapping out the film's strategy.

"I was tired of the violence it takes to become a man." In Remembrance Day, Jonathan Savage recounts his memories of growing up under the shadow of wars fought and carried home by his father and grandfather. He struggles against a history long past that punish generations of a family. While his brother finds refuge in the bottle, Jonathan fights a solitary battle against guilt, blame, and betrayal. He shares his memories with his infant son while sitting quietly by a lake. "We tell stories because the soul depends on them," he says. The story is a journey through scattered memories, of misplaced trust and blossoming love. It is about a childhood home. A ravine and a cemetery. And a war whose echoes reverberate still.

(Limelight). A Hard Day's Night: Music on Film Series is the story of the making of the greatest rock-and-roll movie of all time. Beginning with introductions to the film's stars chronicling their rise from a raggedy teenage skiffle band to the biggest pop act in the world the book goes on to tell how the American film company United Artists wanted to make a quick, low-budget movie starring the Fab Four so its record division could put out a motion picture soundtrack album full of new Beatles songs, in order to allow the studio to cash in on the incredible wave of Beatlemania then sweeping the planet. Director Richard Lester, producer Walter Shenson, and screenwriter Alun Owen were hired to churn out just another cheap exploitation film, but instead used the opportunity to create a startlingly fresh and original movie that broke new ground both in subject matter (instead of simply following genre tradition and sticking the band in some corny made-up plot, they had the Beatles play themselves in a narrative based on their own incredible real-life experiences) and in form (Lester's inspired, surrealist approach to the film's musical numbers kicked off the entire music video revolution). Covered is the film's frantic six-week shoot, the lively recording sessions that resulted in seven great new Beatles songs, and how both the film and the album met with great critical and popular success.

Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films. This panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true centre of avant-garde cinema in the US.